For something so unbelievably famous, I am shocked at how little of this (I believe) I have heard over the years. Pretty much just the “Hallelujah” chorus is all I recognize.
But I understand why it’s such a favourite, as it’s a monstrous, impressive thing. I can only imagine what the more “modernized” ones sound like in terms of their monstrosity. (Though I am happy to hear a reasonably authentic reproduction instead.)
I recognize the greatness of this and the import, but at the end of the day, I think I am just going to prefer the more academic side of Baroque music. This is great, but there are greater Baroque pieces.
9/10
- Part I
- Scene 1: Isaiah’s prophecy of salvation
- Sinfony (instrumental)
- Comfort ye my people (tenor)
- Ev’ry valley shall be exalted (air for tenor)
- And the glory of the Lord (anthem chorus)
- Scene 2: The coming judgment
- Thus saith the Lord of hosts (accompanied recitative for bass)
- But who may abide the day of His coming (soprano, alto or bass)
- And he shall purify the sons of Levi (chorus)
- Scene 3: The prophecy of Christ’s birth
- Behold, a virgin shall conceive (alto)
- O thou that tellest good tidings to Zion (air for alto and chorus)
- For behold, darkness shall cover the earth (bass)
- The people that walked in darkness have seen a great light (bass)
- For unto us a child is born (duet chorus)
- Scene 4: The annunciation to the shepherds
- Pifa (“pastoral symphony”: instrumental)
- There were shepherds abiding in the fields (secco recitative for soprano)
- And lo, the angel of the Lord (accompanied recitative for soprano)
- And the angel said unto them (secco recitative for soprano)
- And suddenly there was with the angel (accompanied recitative for soprano)
- Glory to God in the highest (chorus)
- Scene 5: Christ’s healing and redemption
- Rejoice greatly, O daughter of Zion (soprano)
- Then shall the eyes of the blind be opened (secco recitative for soprano or alto)
- He shall feed his flock like a shepherd (alto and/or soprano)
- His yoke is easy (duet chorus)
- Scene 1: Isaiah’s prophecy of salvation
- Part II
- Scene 1: Christ’s Passion
- Behold the Lamb of God (chorus)
- He was despised and rejected of men (alto)
- Surely he hath borne our griefs and carried our sorrows (chorus)
- And with his stripes we are healed (fugue chorus)
- All we like sheep have gone astray (duet chorus)
- All they that see him laugh him to scorn (secco recitative for tenor)
- He trusted in God that he would deliver him (fugue chorus)
- Thy rebuke hath broken his heart (tenor or soprano)
- Behold and see if there be any sorrow (tenor or soprano)
- Scene 2: Christ’s Death and Resurrection
- He was cut off (tenor or soprano)
- But thou didst not leave his soul in hell (tenor or soprano)
- Scene 3: Christ’s Ascension
- Lift up your heads, O ye gates (chorus)
- Scene 4: Christ’s reception in Heaven
- Unto which of the angels (tenor)
- Let all the angels of God worship Him (chorus)
- Scene 5: The beginnings of Gospel preaching
- Thou art gone up on high (soprano, alto, or bass)
- The Lord gave the word (chorus)
- How beautiful are the feet (soprano, alto, or chorus)
- Their sound is gone out (tenor or chorus)
- Scene 6: The world’s rejection of the Gospel
- Why do the nations so furiously rage together (bass)
- Let us break their bonds asunder (chorus)
- He that dwelleth in heaven (tenor)
- Scene 7: God’s ultimate victory
- Thou shalt break them with a rod of iron (tenor)
- Hallelujah (anthem and fugue chorus)
- Scene 1: Christ’s Passion
- Part III
- Scene 1: The promise of eternal life
- I know that my Redeemer liveth (soprano)
- Since by man came death (chorus)
- Scene 2: The Day of Judgment
- Behold, I tell you a mystery (bass)
- The trumpet shall sound (bass)
- Scene 3: The final conquest of sin
- Then shall be brought to pass (alto)
- O death, where is thy sting (alto and tenor)
- But thanks be to God (chorus)
- If God be for us, who can be against us (soprano)
- Scene 4: The acclamation of the Messiah
- Worthy is the Lamb (chorus)
- Amen (chorus)
- Scene 1: The promise of eternal life