I had heard bad things about this film, but seeing is truly believing. It is awfully hard to make a movie this bad with so many talented people in it. They give awards for it
Month: October 2016
Blissfully Yours aka Sud sanaeha (2002, Apichatpong Weerasethakul)
The hype would have us believe that this is one of the great films of the 21st century. At this point in my life, I have seen a lot of deliberately paced, enigmatic foreign films set in tropical idylls. Watching this, I am stuck wondering what it is that has made this one the one …
The Art of Fielding (2011) by Chad Harbach
This is an excellent debut novel, featuring a richly constructed world and (mostly) believable characters. It works as both a baseball novel and a college novel. It has been a long time since I cared about characters this much.
Black and White (1999, James Toback)
This overly self-serious film combines the sanctimonious air of a Hollywood message movie with the production values of a late ’90s independent film (real locations, often very woody acting) with the ambition of Paul Thomas Anderson. And it’s a mess. An annoying, sometimes embarrassing, sometimes cringe-inducing, hilariously inauthentic film.
King of the Blues Guitar (1969) by Alberta King
This is a reissue of Born Under a Bad Sign (released only two years before), with the addition of a few more tracks. (At least the version I am listening to, which has 17 tracks compared to the 11 listed for the original LP.) Born Under a Bad Sign was itself a compilation, this time …
Am I Still a Leafs Fan?
As I find myself wrapped up in the success of The Blue Jays so far this playoff, and eagerly awaiting the NBA season, I wonder to myself if I still care about the Maple Leafs, this at a time when there is more legitimate optimism around the team than perhaps there ever has been before …
Blank City (2010, Celine Danhler)
This documentary film chronicles the rise and fall of No Wave (the movies, not so much the music), New Cinema and the Cinema of Transgression in New York City in the 1970s and 1980s. In addition to interviews with the filmmakers and stars, it features a number of famous people (some directors and musicians, an …
Symphony No. 3 “Simfoniya-poema”; Triumphal Poem / Caucasian Sketches (1994) by BBC Philharmonic conducted by Fedor Glushchenko
This is a bizarre pairing of a Khachaturian symphony, one of his symphonic poems and an orchestral suite from another Russian composer from the 1890s. The fact that they don’t sound so out of place together suggests how conservative Khachaturian was as a 20th century composer.
Khachaturian: Spartacus (1979, 2007) by The Bolshoi National Orchestra
As far as I can tell, this is the orchestral music from a 1979 performance of Khachaturian’s Spartacus. It is the complete four suites, I believe (or, rather, all the music). I definitely prefer listening to it all at once, instead of hearing one suite or something like that.
Masterminds (2016, Jared Hess)
Masterminds is one of those films you marvel about how it got made. Despite the rather incredible comic cast, this is a film that feels like it was dumped on an unsuspecting public once the people making it realized how much of a disaster it nearly is. It is a film full of very funny …
Amanda Knox (2016, Rod Blackhurst, Brian McGinn)
If you are like me, you paid little attention to all the stuff around Amanda Knox, the American 20-something who supposedly killed her roommate because of her deviant sexual interests and other odd interests and beliefs. If you’re like me, you didn’t even know what she was supposed to have done, beyond murder, because you …
Turning Pro (2012) by Steven Pressfield
At this point, Pressfield has made a second writing career out of inspiring others to write. This is the third book of his I’ve read, and they get less effective each time I read a new one.
Khachaturian: Gayane; Shostakovich: Symphony No. 5 (1992, 2015) by London Symphony Orchestra conducted by Antal Dorati
This disc collects a suite from Khachaturian’s Gayane with Shostakovich’s 5th symphony.
Borgen (2010)
Borgen is a remarkable, unique Danish television show that may have established it’s own genre. Every other TV show to focus on politics that I have ever seen has added elements of fantasy; normally these shows and movies are “political thrillers” where someone always dies; occasionally they’re comedies. Either way, there is a balance between …