All art and all pop culture has sacred cows, things that many (or even most) people think should be left alone because they were “perfect” (usually because they have a particular emotional pull to these people, not because they’re “perfect”).
Month: August 2017
The Stranger (1977) by Billy Joel
I have avoided Billy Joel albums my entire life. I wasn’t sure why until I listened to this record.
No More Heroes (1977) by The Stranglers
I used to think there was only one true British New Wave band: The Police. (Well, and Elvis Costello. But Costello is labeled New Wave primarily due to laziness; too punk to be Pub Rock and too classicist to be Punk, people didn’t know what else to call him.) The Police were the only band …
Aja (1977) by Steely Dan
This is my second Steely Dan album and, once again, I find I have the same problem with the band: these guys don’t like the same things I like, beyond stellar musicianship.
Vol 4 (1972) by Black Sabbath
Round about the time the piano opens “Changes,” we start wondering what is going on. Prior to this moment (or, perhaps, prior to “The Straightener”), Black Sabbath was the heaviest band in the entire world. There was no band louder or lower than Sabbath. And then we get a piano ballad backed with a fucking …
Smiley Smile (1967) by The Beach Boys
If you read a lot of music criticism about the ’60s, like I used to, you have heard about Smile ad nauseum. If you read a lot of independent music criticism at the turn of the century, like I used to, you have also heard about Smile ad nauseum. You’ve heard about Smile to the …
Scott (1967) by Scott Walker
I came to Scott Walker via The Drift over a decade ago. In that time, I’ve not find the time to listen to his earlier work but I’ve read a lot about about it and I saw that documentary (which I didn’t love). From reading about him, I had some idea of what I was …
Dunkirk (2017, Christopher Nolan)
Hype is a terrible thing. So, no, I did not love Dunkirk. SPOILERS (if there can be spoilers for a movie based on a historical event).
Diesel and Dust (1987) by Midnight Oil
My whole life I’ve sort of wondered why “Beds are Burning” was a hit. (It topped our chart when I was 6.) I never liked the song but I never listened to lyrics.
Darklands (1987) by The Jesus and Mary Chain
The UK has a long, weird tradition of hilariously opinionated and antagonistic rock front men who bash other musicians and other people and then make wussy music; the Reids, Morrissey, the Gallaghers. (I’m sure there are many more.) That shouldn’t matter, really, but I find it harder to accept pop music (and poppier rock) on …
Bad (1987) by Michael Jackson
I grew up with “Fat” and have a hard time separating the real song, the title track of this record, from its parody. But I haven’t listened to “Fat” in so long. Listening to Bad for the first time (and to the remaster, no less), I can’t help but wonder, “does “Fat” sound this terrible …
Hysteria (1987) by Def Leppard
I have had a hard time finding this album online; Google Play doesn’t have a license for the early Def Leppard stuff (just their later, better stuff!!) and YouTube is missing a bunch of songs. So I probably shouldn’t review it. But I can and I will.
Music for a New Society (1982) by John Cale
I have read a lot (perhaps too much) about the way this album was made, and the rather drastic change in Cale’s method that was part of the process. Maybe reading about that created an image in my mind that this album does not live up to. If that’s so, it makes me sad.
Upstairs at Eric’s (1982) by Yazoo aka Yaz
As someone is absolutely not a fan of synthpop, this works better, as expected.
The 2017 Wolfe Island Music Festival
After a year’s hiatus, the Wolfe Island Music Festival returned and I resumed my annual pilgrimage to the one and only music festival I go to. I think that, with one major exception, there was a general feeling among our group that this edition was better than the 2015 edition.
A Natural History of Human Morality (2016) by Michael Tomasello
For the vast majority of recorded human history, we humans have believed that morality comes from somewhere outside of us; from “above,” from the ether, from some kind of benevolent creator, etc. Even as we have learned more and more about how humans evolved from apes who evolved from “lower” animals who evolved from “lower” …
My Own Prison (1997) by Creed
I thought this was their big record until I listened to it. It was still (sadly) a pretty big record, but the big hits I was expecting are not here. That means I don’t know these songs. But that doesn’t make it any better.
Be Here Now (1997) by Oasis
The first time I heard this was like a revelation. Who was this band? Even though it’s the same producer, this album sounds so much more “rock” than Morning Glory. I thought I might have finally figured out what everyone else has.
Backstreet Boys (1997, 1998 Re-Issue)
I am listening to this for my podcast. (Well, not exactly this album, but close. I’ll get into that.) But I don’t know what to do with it for a number of reasons. I don’t like pop music like this and I don’t spend time listening to it. Here are some reasons why:
Pacific Ocean Blue (1977) by Dennis Wilson
Full disclosure: I did not want to listen to this. I don’t love The Beach Boys and have generally been annoyed by the Brian Wilson-worship that has bubbled to the surface over the last few decades. Of all the likely listeners of this record, one would expect me to be among the least fair.
Irrlicht (1972) by Klaus Schulze
Learning that this man is the former drummer of Tangerine Dream and Ash Ra Tempel sort of puts your expectations in a certain place and, at least for me, that turns out to the wrong place.
Back Stabbers (1972) by O’Jays
What do you do with an album named after a track called “Back Stabbers” when much of the album is about making the world a better place? I don’t know.
Vanilla Fudge (1967)
This is an excellent covers album featuring mostly (but not entirely) fairly radical interpretations of two Beatles songs, a Zombies song, an Impressions song, a Supremes song, a Cher song (made famous by Nancy Sinatra) and a song by artists I’ve never heard of. You must admire these guys for the breadth of these covers, …
United (1967) by Marvin Gaye and Tammi Terrell
It’s hard to know what to do with this weird pseudo “duet” album which, in many ways, set standards for duet albums going forward.