Movie reviews about movies theatrically released in 2014. At the end of 2014, I wrote the following: “I feel like I saw a few less new movies in 2014 (and I have yet to get off my ass to see Interstellar), so this list is perhaps not quite as authoritative as last year’s. Alas.”
1. Boyhood, directed by Richard Linklater (10/10)
2. 99 Homes, directed by Ramin Bahrani (10/10)
This is a devastating portrait of the housing crisis and its affect on the average American.
3. Birdman, directed by Alejandro Gonzalez Inarritu (9/10)
I have never been a fan of Alejandro Gonzalez Inarritu.I find his films self-important, over-plotted, over-long, ponderous and so forth. They all contain moments wonderful, profound, beautiful and hysterically funny, but those moments are always surrounded by so much unnecessary crap and, usually, two narrative arcs too many. I have long felt the man needed a creative partner (or, perhaps, better yet, some kind of supervisor) to tell him to cut the most of the intricate plotting and focus on his strong characters.
4. Citizenfour, directed by Laura Poitras (9/10)
Essential viewing, even if you know about NSA surveillance.
5. Virunga, directed by Orlando von Einsiedel (9/10)
This is an important film that is slightly marred but it’s clunky approach but is nevertheless essential viewing and an important document, not just of one of the innumerable conflicts between conservation and natural resource development, but also of the bravery required to to do the “right thing” in the face of overwhelming pressure to the contrary.
6. En Chance til, directed by Susanne Bier (9/10)
This is a difficult film that I had trouble figuring out my thoughts about because of its hopeful and not-so-difficult resolution. Fortunately, the wife and I talked it out and I’ve come around.
Second Thoughts: The more I think about this film, the more I like it.
7. While We’re Young, directed by Noah Baumbach (9/10)
I think this is Baumbach’s best film since The Squid and the Whale or perhaps even Kicking and Screaming (my favourite Baumbach movie). It’s certainly his funniest since the latter.
Second Thoughts: A lot of people are saying this is Baumbach’s most accessible film, and I guess that’s true. But despite that, I guess this film just speaks to me because of my age and where I’m at creatively and financially, in much the same way that Kicking and Screaming spoke to me when I watched it not long after graduating. I can’t really help that.
8. The 50 Year Argument, directed by Martin Scorsese, David Tedeschi (9/10)
Scorsese and Tedeschi’s film about the New York Review of Books is not a documentary about the magazine so much as it is a love letter to it.
Second Thoughts: Sometimes I worry people don’t truly appreciate well-made documentaries about hard to film subjects. Some subjects suit themselves easily to film, others do not. I am far more impressed by a non-fiction film about a hard to film subject that is very well made, that a clumsily made film about an easy to film subject (see below). I think that’s sensible.
9. Night Crawler, directed by Dan Gilroy (9/10)
10. War of Lies, directed by Mattias Bittner (9/10)
Let’s get this out of the way: This is a student film. The director freely admitted last night that he made this as his graduation “project” for film school. When he said that before the movie, my expectations lowered considerably. I am always wary of first time directors.
11. Gone Girl, directed by David Fincher (8/10)
This review contains some fairly serious SPOILERS. Read the review here.
12. A Most Violent Year, directed by J.C. Chandor (8/10)
13. Calvary, directed by John Michael McDonagh (8/10)
14. Frank, directed by Lenny Abrahamson (8/10)
Frank has a premise like so many other recent indie dramedies: the premise is just a touch too wacky for belief and everyone is just a touch too eccentric. There has been a rash of these films in the last 15 years or so, and I have to say I’m getting sick of them.
15. The Grand Budapest Hotel, directed by Wes Anderson (8/10)
It’s not often I call a film ‘delightful’, but I can’t really think of another word for this entertaining and absolutely wonderful experience.
16. Merchants of Doubt, directed by Robert Kenner (8/10)
17. An Honest Liar, directed by Tyler Measom, Justin Weinstein (8/10)
18. Impunity, directed by Jyoti Mistry (8/10)
This is like the South African, avant garde Badlands. If you like how that sounds, you should check it out.
Second thoughts: Way too artsy fartsy, but still a daring, provocative movie which poses more questions than it answers (always a good thing).
19. Electric Boogaloo: The Wild, Untold Story of Cannon Films, directed by Mark Hartley (8/10)
Hartley specializes in riotous, laugh-out-loud documentaries about low budget films and the people who make them, and this film is no exception. It’s almost a laugh-a-minute movie (when the protagonists tried to get serious the film also gets serious, briefly) and I can honestly say, having seen a couple of these movies all the way through, that it is more fun to watch this movie than to watch the movies this movie is about. It’s also way more educational and the story of Cannon is truly an incredible one. Hartley’s style will never be mistaken for great documentary journalism, but few people make more entertaining films about films in this day and age. A pleasure, as usual.
20. Altman, directed by Robert Mann (8/10)
21. The Battered Bastards of Baseball, directed by Chapman Way, Maclain Way (8/10)
22. Whitey: United States of America vs. James J. Bulger, directed by Joe Berlinger (8/10)
23. Art and Craft, directed by Sam Cullman, Jennifer Grausman, Mark Becker (7/10)
24. The Barkley Marathons, directed by Annika Iltis, Timothy James Kane (7/10)
25. ’71, directed by Yann Demange (7/10)
26. Edge of Tomorrow, directed by Doug Liman (7/10)
27. The Clouds of Sils Maria, directed by Olivier Assays (7/10)
Definitely worth watching. Read the review.
28. The Boxtrolls, directed by Graham Annable, Anthony Stacchi (7/10)
Pretty great. Read the review.
29. Im Labyrinth des Schweigens, directed by Giulio Ricciarelli (7/10)
This is a movie that starts off feeling like a conventional legal thriller – almost like a Grisham adaptation – only its a docudrama based on the first German investigation into the crimes at Auschwitz.
Second thoughts: I feel like my review sounds a little too harsh. This is mostly a pretty good film. I just wish the filmmakers had trusted their audience a little more as I believe the potential was there for a very good film, perhaps an excellent one.
30. The Imitation Game, directed by Morten Tyldum (7/10)
This is a conventional biopic that succeeds in spite of itself in part because it is so engaging – it is surprisingly funny and it is full of compelling committed performances. The film suffers from an unnecessary conceit – Turing is telling his story to a police officer investigating him for “indecency”, I mean why even bother with that – and from some parts of the film that feel like it is painting by numbers a little: interpersonal conflict here, a little self-doubt there. (As with the above film, the score is no help here.) I watched Enigma years ago and don’t remember anywhere near as interesting a story about the war, and that’s to this film’s credit. I think perhaps the film would have been better had it been constructed differently or done a little less conventionally. It’s still an above average biopic, but this is fairly standard stuff. No wonder it won the Viewer’s Choice Award.
31. X-Men: Days of Future Past, directed by Bryan Singer (7/10)
32. Foxcatcher, directed by Bennett Miller (7/10)
This is one of those off-beat dramas where major stars try to show a different side to their personas. Sure, Ruffalo (who is now, arguably, a major star) has taken on stuff like this many times in the past, but Carrell, Tatum and Miller have not – and Carrell and Miller are particularly unrecognizable (and Miller’s part is tiny). When someone goes through a physical transformation like Carrell does here, you always wonder how much is makeup and how much is acting, but anyway…Read the rest of the review.
33. 1971, directed by Johanna Hamilton (7/10)
34. Dod sno 2 aka Dead Snow 2: Red vs. Dead, directed by Tommy Wirkola (7/10)
I know I should have watched the first movie first. But I’m not sure I care right now. Though this movie ruins the first with flashbacks, this is such an entertaining film, that I really don’t mind. Hopefully I’ll forget what I know by the time I get around to watching the first one.
35. Drone, directed by Tonje Hessen Schei (7/10)
36. Whiplash, directed by Damien Chazelle (6/10)
I need to see hyped movies either right away or years later when I’ve forgotten about them. Inevitably, whenever I see a hyped movie after I’ve been inundated by hype but before I’ve forgotten the hype, I am disappointed. Read the rest of the review.
37. John Wick, directed by Chad Stahelski, David Leitch (6/10)
Ridiculous, but entertaining. Read the review.
38. Black Sea, directed by Kevin Macdonald (6/10)
39. Backcountry, directed by Adam MacDonald (6/10)
40. Shes’ Beautiful When She’s Angry, directed by Mary Dore (6/10)
41. God’s Pocket, directed by John Slattery (6/10)
This is a directionless, slice of life crime dramedy full of great, believable performances but which leaves one with the definite impression that something was lost in translation between the novel and the film.
42. Obvious Child, directed by Gillian Robbespierre (6/10)
43. Captain America: The Winter Soldier, directed by Anthony Russo, Joe Russo (6/10)
44. Still Alice, directed by Richard Glatzer, Wash Westmoreland (6/10)
45. En duva satt pa en gren och funderade pa tillvaron, directed by Roy Andersson (6/10)
This is the third of Andersson’s trilogy about “being human” or something like that. I haven’t seen the first. I have seen the second, You, the Living.
46. Guardians of the Galaxy, directed by James Gunn (6/10)
This is an entertaining and deliberately silly comic book film that still managed to not entertain me as much as it should.
47. Cut Snake, directed by Tony Ayres (6/10)
Cut Snake is an interesting but flawed attempt to update classic Hollywood film noir with more modern characterizations (for lack of a better word). We’ve got some classic tropes: a mysterious man “without a past” so to speak, a femme fatale (only, in a neat twist, this one’s a man!) and bad decisions. Unfortunately, the film sticks too much to the traditional formula. It would be nice if the ’70s Australian setting and the more modern love triangle were paired with an ending that didn’t reek of White Heat or The Public Enemy.
Second thoughts: I get the idea of trying to update a genre, but when a classic genre has already been revived and updated, it’s probably better to go with tropes from the revisionist era – i.e. neo-noir in this case – than the original era, since the flaws with the original style are well known. For me the ending really did weaken what was otherwise a fascinating attempt are reinventing noir.
48. Iris, directed by Albert Maysles (6/10)
49. Cathedrals of Culture [omnibus film] (6/10)
2 pretty great shorts, and some far less successful ones.
50. Natural Resistance, directed by Jonathan Nossiter (6/10)
I thoroughly enjoyed Mondo Vino and so I guess I was looking for more of the same. Well this is a very different film (as well it should be).
Second thoughts: I have been toying with the idea of reducing my rating of this movie to 5, as it really was a mess. On the other hand, the content was so compelling that it’s hard for me to really be that hard on the film, even though it is so rough.
51. Jack Ryan: Shadow Recruit, directed by Kenneth Branagh (5/10)
This seems to me to be an attempt at making an older style of spy movie, and when I say older I mean of the original “Jack Ryan” type – like a Hunt for the Red October or Patriot Games.
52. Bird People, directed by Pascale Ferran (5/10)
53. The Interview, directed by Evan Goldberg, Seth Rogen (5/10)
I always have the same experience with bombs: when I see them I always wonder why everyone hated the movie so much. This happened to me with Gigli, with John Carter, and with numerous other movies. I think hype, both positive and negative, feeds back on itself. And people get carried away.
54. The Drop, directed by Michael R. Roskam (5/10)
55. The Hunger Games: Mockingjay Part 1, directed by Francis Lawrence (5/10)
56. The Babadook, directed by Jennifer Kent (4/10)
57. Frontera, directed by Michael Berry (4/10)
The term “liberal propaganda” has always made me laugh for many reasons, such as: it only exists in the States, it’s often just fair or truthful storytelling, etc. As a man once said, the reason wikipedia has a liberal bias is because the facts have a liberal bias.
58. Noah, directed by Darren Aronofsky (4/10)
I have long been a fan of Aronofsky’s, even of his misses (though I have yet to see The Fountain) because he has always made me think. His films provoke thought and discussion, and are also usually full of inventive direction and cinematography.
I am not sure I can think of another example of a Great or near-Great director exceeding his grasp like Aronofsky does here. (Though, again, I have not seen The Fountain.) This is a film that is so overdone, so self-serious and so unsubtle in its allegory (while at the same time, confused) that whatever neat little aspects of his filmmaking that have made it into this film are hard to get excited about.
59. Killer Legends, directed by Joshua Zeman (4/10)
I remember sort of enjoying Cropsey, finding it kind of frustratingly made, but compelling enough to give it a pretty decent rating. I didn’t write a review, so I have no idea exactly what I liked/disliked about it. But watching this film, which could be called Cropsey II, I worry I was far too generous.
60. Big Game, directed by Jalmari Helander (3/10)
61. Non-Stop, directed by Jaume Collet-Serra (3/10)
62. Exodus: Gods and Kings, directed by Ridley Scott (3/10)
63. The Maze Runner, directed by Wes Ball (3/10)
64. Tokarev, directed by Paco Cabezas (2/10)
Somewhere in this movie is an interesting comment on these mindless revenge thrillers starring middle aged men rampaging through American or European cities, usually because a child was killed or abducted. I can see the germ of that idea. And it’s an idea I love. I want to see that movie!