This is the kind of book I’d have eaten up when I was in my early 20s, I think. It’s one of those novels of ideas, and the ideas are vague enough that one can project one’s own feelings on them. That’s one reason it would have appealed to me. Also, I was a young …
Tag: 1919
Janacek: Piano Works: Diary of One Who Disappeared; 15 Moravian Folk Songs (2001) by Thomas Ades et al.
This disc collects two sets of songs by Janacek; one is a proper song cycle, the other is a collection of folk melodies for piano and voice.
Ives: The Symphonies; Orchestral Sets 1 and 2 (2000) by Various Artists
This is one of those Decca compilations that takes recordings from all over its catalogue – in this case from the mid ’70s and the mid ’90s – to create an ostensibly “complete” collection of a composer’s works in a given field, in this case Ives’ work for large orchestra. Of course it’s not complete, …
Ives: Concord Sonata; Songs (2004) by Pierre-Laurent Aimard with Susan Graham
This is one of those discs that pairs two different types of music and so, right off the bat, kind of annoys me. Ives has plenty of songs to release a whole disc (or many discs) of them, without instrumental music. (For example, one of his collections is called 114 Songs.) And he’s got plenty …
Hindemith: The Complete Viola Music 2 (2010) by Lawrence Power
Part 2 of Power’s performances of Hindemith’s viola music focuses on the sonatas for solo viola, of which Hindemith also wrote three. Though these all lack the incredible, complex and difficult piano parts of their cousins, that doesn’t make them any less impressive and, not surprisingly, the viola parts are more complex.
Hindemith: The Complete Viola Music 1 (2009) by Lawrence Power, Simon Crawford-Phillips
This disc collects Hindemith’s three viola sonatas with piano accompaniment, and it also includes a transcription for viola and piano of one of the dances from Hindemith’s ballet, Nobilissima Visione. The sequencing is odd: it starts with the final one, then goes to the first, then to the second, then back to the late ‘30s …
Faure: Complete Piano Works (2006 compilation) performed by Jean-Philippe Collard
Faure’s music seems to my uneducated ears to be the missing link between composers like Chopin and Liszt and composers like Debussy and Satie. That’s really the best way I can size it up: this music often possesses the technical demands of Chopin, Debussy or Liszt, but it also often possesses the sense of momentness, …
Piano Quintent; String Quartet by Edward Elgar (2011) performed by Goldern Quartet, Piers Lane
This is an odd combination: we get a string quartet, piano pieces seemingly picked at random from two separate eras of his career, and the piano quintet. I guess they wanted to give us our money’s worth or something.
Sir Edward Elgar Conducts Elgar: Falstaffl Cello Concerto; Nursery Suite (2007)
Though the sound isn’t ideal – though it certainly is better than I expected – this is the most interesting Elgar I have heard so far. Fastaff is fantastic; it feels like half of the first wave of film score composers adored it. And unlike so much programmic music, it actually sounds out the action, …
Symphonies Nos 1-7; Kullervo (2009) by Silbelius, performed by London Symphony Orchestra, Colin Davis
Sibelius’ symphonies range from really over-the-top late 19th century folk-inspired stuff to the kind of subtle innovation this unsophisticated listener might associate with Mahler. I am still a complete neophyte (tyro?) when it comes to discerning great symphonic writing from okay symphonic writing, so it’s the 1892 Kullervo that I notice the most, and it …
Satie Piano Works (1987, 2003, 2012) performed by Aldo Ciccolini
Erik Satie’s piano music changed the way many people thought about music. It’s hard to imagine John Cage, cool jazz, ambient, post rock and a bunch of other things without this. It’s also really cool to hear the ragtime stuff.