Tag: Cello

1760s, 1780s, 2003, 2010, Music

Haydn: Cello Concertos; Pereira: Concertino for Cello (2010) by Antonio Meneses, Northern Sinfonia

This is an odd collection that pairs Haydn’s two most famous (and likely sole surviving) cello concerti with a totally unrelated piece of music by the 20th century composer Clovis Pereira. Grumble. Haydn’s first cello concerto is a fine piece of music but it strikes me as typical of the era (though I don’t really …

1995, Music

Seven Words; Silenzio; In croce (1995) by Sofia Gubaidulina, performed by Maria Kliegel, Elsbeth Moser et al.

This is just an awesome set of really challenging modern chamber music, sort of smaller versions of what Penderecki was up to, I guess. The set contains three works by Gubaidulina centered around the cello and the bayan, a Russian version of the accordion.

1890, 1891, 1900, 1904, 1911, 1917, 1931, 1934, 2011, Music

The Complete Concertos (2011) by Alexander Glazunov, Performed by the Russian National Orchestra conducted by Jose Serebrier

I can be quite picky about compilations, especially when there is a supposed theme to them, such as “violin concertos.” I generally want my music to be at least of the same era – and performed by the same people – rather than a hodgepodge that some record exec thought was a good idea.

2004, Music

Berlioz: Les Nuits d’Ete; Faure; Ravel (2004, Virgin Classics) by David Daniels, Ensemble Orchestral de Paris conducted by John Nelson, et al

I have always sort of been annoyed by our collective obsession with vocalists. The human voice is indeed a powerful instrument, but it is hardly the only instrument out there. And I always am mystified when I see releases credited to vocalists when that vocalist isn’t even present on every track.

1913, 1919, 1931, 1932, 2007, Music

Sir Edward Elgar Conducts Elgar: Falstaffl Cello Concerto; Nursery Suite (2007)

Though the sound isn’t ideal – though it certainly is better than I expected – this is the most interesting Elgar I have heard so far. Fastaff is fantastic; it feels like half of the first wave of film score composers adored it. And unlike so much programmic music, it actually sounds out the action, …