Like so much other music released in 1986, this sounds extremely “modern” or, perhaps more appropriately to us 21st century folks, “contemporary.” It’s aggressively of its era, which is a good thing for some people I suppose, though obviously not for me.
Tag: Dance Pop
The Comfort Zone (1991) by Vanessa Williams
Who is this for? Some of it feels like it’s for Janet Jackson fans (who have lower standards). But some of this is for your grandma. Well, maybe your parents. Either way, some of this is super cheesy adult contemporary. (Her “signature” song being the most obvious example.) And that leads you to wonder why …
Celebrity (2001) by *NSYNC
Like, what the hell happened? This album is a quantum leap in quality from No Strings Attached. It’s not even remotely close. Some of this is actually…good. And it really makes a case that, at least sometimes, it’s good that the talent take over from the handlers in the manufactured pop music space. Because, well, …
True Blue (1986) by Madonna
Much like Madonna’s first couple of albums, there’s rather a lot of relative musical diversity here, which makes it a lot easier for someone like me, who does not like dance pop, to appreciate what she’s doing.
Fresh Fruit in Foreign Places (1981) by Kid Creole and the Coconuts
Coincidentally, I am listening to the first Dr. Buzzard record. (If you don’t know Dr. Buzzard’s Original Savannah Band was led by Kid and some of the same people.) Listening to this record, it’s clear that a lot has been learned since that previous band. Nearly everything is better here than on the Dr. Buzzard …
Miss E…So Addictive (2001) by Missy Elliot
I have some vague memory of beginning to listen to an earlier Missy Elliot album and then deciding to stop before my three listens because it didn’t seel enough, the reviews weren’t good enough or I felt I didn’t have enough to say (I do not remember why or even which album it was). But …
Survivor (2001) by Desinty’s Child
I can’t quite get over the congruity (and timelessness!) of writing a song about being an independent woman, while starting off the song referencing the Charlie’s Angels remake. Because, if the idea of Charlie’s Angels was ever feminist, well it’s a pretty dated and dumb version of feminism. (Smart, capable women whose lives are controlled …
Spellbound (1991) by Paula Abdul
I know very little about Paula Abdul. I remember a couple of her songs – and, honestly, remember the video for “Rush Rush” than I do the song – and I remember some vague reason for her being kicked off some talent TV show. That’s it. So I was expecting some kind of early ’90s …
All for You (2001) by Janet Jackson
Well this is a horny album.
Street Songs (1981) by Rick James
What I know about Rick James can basically be summed up in two things: “Super Freak” and Chappelle Show. And I really know “U Can’t Touch This” much better than Super Freak. Oh, I know a third thing: he was once in a band with Neil Young. (That’s actually true.) So I had no idea …
Discovery (2001) by Daft Punk
I wasn’t going to review this album because the critical reviews really aren’t as good as you would think and, even more surprising, it did far less well than you think it did, commercially speaking. But I realized, what 2001 album is more relevant in 2021? Sure, they may be a couple, but this album …
Please (1986) by Pet Shop Boys
As I have said many, many times, I don’t like synthpop. And one thing I can say about the Pet Shop Boys is that they love synthpop. They lean into it perhaps more than any other synthpop band that came along later in the history of the genre. (I am speaking from ignorance here so …
Control (1986) by Janet Jackson
I need to preface this by saying that I only know “New Jack Swing” as a name, I don’t really know anything about the genre and its history and have added it as a label to my reviews only when told by someone that “this music is New Jack Swing.” But if it’s true, it’s …
J. Lo (2001) by Jennifer Lopez
This is a relatively diverse dance pop/latin pop/R&B record that is sequenced oddly and is just way too damn long.
Gonna Make You Sweat (1990) by C+C Music Factory
There’s something about Martha Walsh almost shouting the hook to the title track of this record that just captures a very particular moment in time. I was 9 and I didn’t know what dance music was, let alone house. But I knew this song, like the rest of the planet. It was just inescapable. And …
Sound Loaded (2000) by Ricky Martin
This is a very slick, well-made Latin pop record which I just absolutely wanted to hate with a passion but I can’t. Now, don’t get me wrong: I don’t like it. But, having now listened to a fair amount of mainstream pop records from the ’90s, I admire the effort that was put into making …
Dirty Mind (1980) by Prince
Like so many artists’ early work, I’ve come to this Prince album backwards. And I suspect that a lot of my issues with it come from all the later Prince I’ve heard. Because, on first listen, this record just sounded like Prince in utero or, um, proto Prince.
Music (2000) by Madonna
For one of the few times in my life, I can actually say I’ve heard the previous Madonna record before listening to this one, so it gives me context that I normally wouldn’t have. (Normally my context would be “I remember the hit singles.” And I do! But I’ve actually listened to Ray of Light.)
The Gold Experience (1995) by O(+>
I can’t claim to know Prince’s catalogue that well, especially since the ’80s. So you can’t take what I say as gospel. But, listening to this, I’m inclined to agree with the critical consensus that says it’s his best record of the ’90s (or one of them). There may well be better ones, of course, …
Listen Without Prejudice Vol. 1 (1990) by George Michael
More than his debut album, this record strikes me as the work of a singer-songwriter, one who also happens to be an incredibly dynamic performer, and a multi-instrumentalist. I’ve only listened to Faith a couple of times, but this feels more personal. And I must say I like it more. As an aside: the fact …
Sing When You’re Winning (2000) by Robbie Williams
It is one of the strangest musical careers of our time, that Robbie Williams was perhaps the biggest star in the UK, for like nearly a decade, and was just a guy with some minor hits in North America. It’s something that has happened over and over and over again – with British stars failing …
World Clique (1990) by Deee-Lite
Like you, I have heard “Groove Is In the Heart” a thousand times. Whether I want to or not, I know basically every note. But, unlike some (most?) of the people who bought this album I have never been a fan of dance music. And to the extent that I am welcoming of dance music, …
Who Let the Dogs Out (2000) by Baha Men
I was dreading this. The chorus of the title track is one of the dumbest things I’ve ever heard and if I never heard it again that would be too soon. And then there’s the rating on Rate Your Music, which is insanely low, so I was really dreading it.
Mariah Carey (1990)
“Whitney Houston but hotter.”
Ooops!…I Did It Again (2000) by Britney Spears
A lot of people think pop music is supposed to be ephemeral, disposable. I guess that’s one reason I don’t like so much of it. One of my criteria for deciding whether or not something is “great” is transcendence. And, if pop music is supposed to be disposable, it should be very hard for it …
Low-Life (1985) by New Order
I generally don’t like and don’t get the gradual drift tin dance music of so many of the trailblazers and followers of the initial wave of post punk. It doesn’t make much sense to me to be excited by the possibilities of punk, and want to expand it, and then to decide that what you …
No Strings Attached (2000) by *NSYNC
I absolutely hated *NSYNC when they first become popular, much like I absolutely hated the Backstreet Boys. And, though time has softened my feelings, it was still a struggle listening to “Bye Bye Bye” and “It’s Gonna Be Me” as immediately my got up a bit, as I remembered being inundated with these songs and …
Whitney Houston (1985)
I read somewhere that this album was the best selling album by a woman in history. (At the time, obviously.) I don’t know whether or not that’s true but it is the best selling debut album of all time and has sold 22 million copies. Why?
Like a Virgin (1984) by Madonna
I think I agree with the general consensus that this record isn’t quite up to the standards of her debut, even if the two most famous songs here are two of her most famous songs of the ’80s.
Make It Big (1984) by Wham!
I have paid virtually no attention to Wham! throughout my life. Yes, I was vaguely aware of their biggest hits because how could I not be? But I knew they were not for me and so I ignored them.