If we force an artificial divide onto the trip hop spectrum, I am very much on the zany, insane, unpredictable Bjork side of it, rather than the moodier, “darker” but more uniform side that Portishead finds itself in.
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If we force an artificial divide onto the trip hop spectrum, I am very much on the zany, insane, unpredictable Bjork side of it, rather than the moodier, “darker” but more uniform side that Portishead finds itself in.