1997 and Music. 1997, Alternative, Alternative Dance, Alternative Hip Hop, Alternative Pop, Alternative Rock, Contemporary R and B, Electronic, Hip Hop, Music, Pop, and Trip Hop.
I love genre-bending. A number of my most favourite bands are bands that can play a wide variety of genres well, and make these genres sound like their own (or, alternatively, convince you they are an entirely different band). So I should like this. I should like this even though it is based in music I don’t personally love (electronic, hip hop). Read More
Electronic pop music already existed (thanks to Kraftwerk) by the time this record came out, but this album still feels like the beginning of something, to my ears. Though a number of the tracks are quite long, (most of) the music feels like it could have made it onto the radio in the 80s at the height of the synthpop epidemic. Read More
This stuff is mindblowing. Almost as out there as Zappa and the Mothers (at their very weirdest) or the Velvets (at their very artiest) and not quite as crazy – and far more artsy – as Beefheart was about to get. It’s too band the sound isn’t exactly great, as apparently these guys were very, very noisy in concert, which doesn’t exactly come across here. The songs aren’t exactly great – Zappa was certainly the better composer – and the band could really use a real rock singer (I get that having a singer like her was part of the Read More
I’m trying to figure out why I or anyone else would listen to this over anything else. 5/10. Read More