Like so much other music released in 1986, this sounds extremely “modern” or, perhaps more appropriately to us 21st century folks, “contemporary.” It’s aggressively of its era, which is a good thing for some people I suppose, though obviously not for me.
Tag: Funk
Spirit (1976) by Earth, Wind and Fire
As usual, Earth Wind and Fire manage to combine a lot of different styles (relatively speaking) for what is essentially pretty soul with touches of disco, world music and jazz. Though they are always slightly too slick for me, I find their diversity extremely refreshing compared to their contemporaries. But something about this album isn’t …
Shaft Original Motion Picture Soundtrack (1971) by Isaac Hayes
People just love this album. And I guess I get it, sort of. The title track is iconic and certainly one of the most famous movie themes of the ’70s. But the rest of the album – and it’s a long one – is not up to that standard.
Hot on the Tracks (1976) by Commodres
I know very little about the Commodores, just a couple of their hits and what Lionel Richie became in the ’80s. So, from “Let’s Get Started,” I was very pleasantly surprised to hear a funk band rather than whatever the band who made “Easy” is.
The Electric Spanking of War Babies (7/10) by Funkadelic
This feels to me a little bit like Funkadelic re-imagined for the ’80s – many of the tropes of ’70s Funkadelic are here in full, but there are signs that musical technology is slowly changing.
Street Songs (1981) by Rick James
What I know about Rick James can basically be summed up in two things: “Super Freak” and Chappelle Show. And I really know “U Can’t Touch This” much better than Super Freak. Oh, I know a third thing: he was once in a band with Neil Young. (That’s actually true.) So I had no idea …
Parade: Music From the Motion Picture Under the Cherry Moon (1986) by Prince
I have never seen Under the Cherry Moon, just like I haven’t seen his other movies. But everything I read says that this is a lot better than the movie, so I should be okay.
Al Green Gets Next to You (1971)
It took me a little big to “get” Al Green. Years ago, I knew “Let’s Stay Together” and maybe nothing else. And the first album of his I heard struck me as “slick” (though, admittedly, only in relation to like Otis or someone like that). Since that time I’ve basically flipped on him, and now …
Earth Wind and Fire (1971)
Before I get to the music, I just want to say I love the album cover. It’s one of the iconic covers of its era. Is it the best part of the album? It’s possible. Just love the cover.
Mothership Connection (1975) by Parliament
This is far and away my favourite Parliament album and I’m inclined to say their best, but I’m biased. (I.e. I greatly prefer Funkadelic.)
Mama’s Gun (2000) by Erykah Badu
I’m listening to this after enduring R. Kelly’s and Ricky Martins’ albums from the same month. And I must tell you, I feel like I’ve been saved.
Stankonia (2000) by Outkast
In first year university I lived a few doors down from a girl who played “So Fresh and So Clean” and “Ms. Jackson” on repeat for what felt like weeks. (There were probably other songs in between but I don’t remember them. I certainly don’t remember a single other track from this album.) That, combined …
Dirty Mind (1980) by Prince
Like so many artists’ early work, I’ve come to this Prince album backwards. And I suspect that a lot of my issues with it come from all the later Prince I’ve heard. Because, on first listen, this record just sounded like Prince in utero or, um, proto Prince.
The Gold Experience (1995) by O(+>
I can’t claim to know Prince’s catalogue that well, especially since the ’80s. So you can’t take what I say as gospel. But, listening to this, I’m inclined to agree with the critical consensus that says it’s his best record of the ’90s (or one of them). There may well be better ones, of course, …
Kurtis Blow (1980)
My understanding is that this is like the second hip hop LP ever. If that’s true, it’s certainly one of the most important albums of its era. It’s also worth noting that it is way better than the Sugar Hill Gang’s debut LP, just by the simple fact that Kurtis Blow is the actual performer …
Sex Machine (1970) by James Brown
One of the things you discover when you start wading into Jame’s Brown’s immense discography is that there is just so much stuff; it is kind of overwhelming and very hard to really evaluate. Is record 15 way better than record 25 or record 35 or record 45 or record 55? Who’s listened to even …
Honey (1975) by Ohio Players
Ostensibly this is the Ohio Players best album. I wasn’t aware I knew the band, beyond their name, but it urns out that I know at least one of these songs here (and you likely do too). But, given that it is my first experience of this band, I don’t know that I can comment …
In the City (1975) by Tavares
This is a pretty damn catchy smooth soul record. I don’t like this style of soul and I find myself almost overcome by the sheer catchiness of the material.
KC and The Sunshine Band (1975)
This is one of those groups where I know the name and, if pressed in a trivia contest, I might be able to name their biggest hits out of a list, maybe. But, otherwise, I really don’t know much about them. (I didn’t know the leaders were white, for example.) So I was familiar with …
Osmium (1970) by Parliament
Recorded by the same people who made Free Your Mind…, this particular version of Parliament is basically just Funkadelic moonlighting. The record actually feels like the outtakes – the stuff that was just too weird – for Free Your Mind… if you listen to both of them at the same time. Parliament would be relaunched …
Real People (1980) by Chic
I’m definitely more receptive to Chic’s version of disco than I am to many others, I guess because sometimes it’s hard to tell whether they’re disco or funk. (And I, of course, prefer funk greatly to disco.)
Why Can’t We Be Friends? (1975) by War
This is my second ever War album but I didn’t remember The World is a Ghetto until I looked up my review. I was going to say they reminded me a little of Earth, Wind and Fire on this one, but not that much. (In the sense of combining ballads and funk on the same …
The Heat Is On (1975) by The Isley Brothers
When a band attempts more than one style, I usually prefer when they mix things up in the sequence. I find the “one side this, other side that” a bit annoying. I’m not sure why I don’t like it, but it bothers me enough that I often find myself docking a point for sequencing like …
Steppin’ (1975) by The Pointer Sisters
This is the extent of my knowledge of The Pointer Sisters: I’ve heard “Jump” a million times. Sure, it’s possible I know some other hits of theirs. If I played all their Top 20 hits maybe I’d recognize a few of them, but the only one I could identify by name (and would know as …
There’s No Place Like America Today (1975) by Curtis Mayfield
My general, um, impression of Curtis Mayfield is that his version of soul is just way too slick for me. I’ve felt this about the limited albums of his I’ve heard, be it solo or the Impressions. I don’t feel that way as much about this record and I’m not sure if that’s me getting …
ABC (1970) by Jackson 5
This is a slickly produced Motown record with a lead vocalist who is entirely too young. I don’t necessarily blame the people alive in 1970 who celebrated this group for what happened with Michael Jackson, but did nobody stop and wonder about this? It was probably “cute”, right?
Let’s Take It to the Stage (1975) by Funkadelic
This is one of those Funkadelic albums where the line between them and Parliament is blurred and that’s not something I can I say I love. Because of its title, I thought it was a live record and almost skipped over it.
A Quiet Storm (1975) by Smokey Robinson
It’s impossible to ignore or understate the importance of an album that gave its name to a radio programming format. But that doesn’t mean I have to like it!
That’s the Way of the World (1975) by Earth, Wind and Fire
This album is from a commission soundtrack. I have never seen the movie, FYI.
Funkadelic (1970)
If I had heard this 15 years ago I probably would have absolutely loved it. But my tolerance for directionless music has decreased over the years.