For the most part, I must say I find the attempts at musical evolution on this record more successful than those on Sabbath Bloody Sabbath. Though I’m still wondering about what kind of band they want to be, it’s a little clearer to me here.
Tag: Metal
Deicide (1990)
This thing is just relentless. I have no idea if it really is one of the best selling death metal albums of all time, but it’s certainly one of the most over-the-top, at least that I’ve ever heard. (That’s a good thing.)
Left Hand Path (1990) by Entombed
The early history and evolution of death metal is controversial. Like many genres of music, it’s possible that it was invented in two different places around the same time. (Or, rather, the sounds that came to be called death metal appeared in two different countries around the same time.) I’ve always found this evolution nebulous …
Killing Is My Business…And Business Is Good (1985) by Megadeth
The Bach-inspired opening of this record gave me high hopes that I would be listening to something in the real of Celtic Frost in terms of its willingness to break from the conventions of thrash. Alas, it is the only sign that Mustaine has music ambitions beyond what I think of as Megadeth’s sound. (I …
Hammerheart (1990) by Bathory
I have read that this is perhaps the second “viking metal” album ever. I really can’t confirm that because, well, I’ve never heard of viking metal before. I didn’t know it was a thing. What I do know is that black metal was definitely not this varied in its early years but I don’t know …
Bonded by Blood (1985) by Exodus
This album is supposed to be a great what-if of metal: what if Exodus’ debut album had been released right after it was recorded, just a little bit after Ride the Lightning. Would everyone remember this band differently? As a pioneer, as one of the Big 4 thrash metal bands, rather than a follower?
Symbolic (1995) by Death
Hell Awaits (1985) by Slayer
So I’ve never heard their debut, only later records, so I don’t know how this compares to that record, but I read that it is significantly better (more ambitious, louder, more professional), etc. Even without hearing the debut, those descriptions make sense, because this is a crazy pummeling record, especially given that it’s 1985.
The Chainheart Machine (2000) by Soilwork
When you start getting into all the niche metal genres that have sprung up since thrash, it can get really hard to tell what is “good” or even “classic” for that given genre, simply because us music fans who are not obsessed with particular sub-genres of metal don’t have enough context. Case in point: I …
Spiritual Healing (1990) by Death
Apparently this is the bad Death album. I didn’t know that based on the reviews I glanced at and, funnily enough, I didn’t notice while listening to it either.
Black Sabbath (1970)
There are people who will tell you this is the first heavy metal album of all time. And I understand why they say that, especially with the benefit of hindsight. I respectfully disagree with that particular claim and I think I have pretty valid reasons for doing so, but that doesn’t take away from both …
Fear Inoculum (2019) by Tool
Tool goes Rush (circa late ’70s/early ’80s)!
Scumdogs of the Universe (1990) by GWAR
I was aware of GWAR for years before I ever heard a record. I probably heard a song or two, but it was much more snippets of them on late night music television. Something about them appealed to me.
Consuming Impulse (1989) by Pestilence
This is some excellent death metal. If you are looking for death metal, may I suggest this album.
Gutter Ballet (1989) by Savatage
I find myself stuck with a lot of progressive metal, especially ’90s progressive metal. I often find that it’s either too metal for the description – not a bad thing in and of itself – or too proggy and not metal enough. Apparently I’m nitpicky about this but I believe there is a happy medium …
Morbid Tales (1984) by Celtic Frost
This, Celtic Frost’s debut, is one of those “EPs in name only”, only that’s true of the US release, not the European release. In Europe it was in indeed an EP. In the US it was a short LP. Why bother mentioning this? Well, it’s classified everywhere as an EP, and these records usually get …
Still Life (1999) by Opeth
Guys, I think I don’t like Opeth.
War and Pain (1984) by Voivod
I had heard the name Voivod a bunch before I listened to this record. And I think I had always heard them mentioned as a thrash metal band. But somehow, right before I listened to this, I read they were a speed metal band. And though I think I knew that was wrong, that primed …
Powerslave (1984) by Iron Maiden
Iron Maiden are a little like the AC/DC of NWOBHM. At least they are to my ears. Once they dispatched their original lead singer, their sound really settled into place. And the listener is left with a lot of animals that, on the surface, sound very similar to each other. The distinguishing feature from album …
Times of Grace (1999) by Neurosis
I gave very high marks to Through Silver in Blood not necessarily because I liked it but because it felt, to me, like the beginning of post metal, and like the kind of thing metal bands make now (or at least recently) rather than the kind of thing bands were making in the mid ’90s. …
Stay Hungry (1984) by Twisted Sister
My image of Twisted Sister was pretty much busted by their debut record. So much of what I thought was true about them seemed to not actually be true about them, at least on that first record. However, listening to this, I feel like the initial impression was maybe a little more correct than I …
The Bleeding (1994) by Cannibal Corpse
To the best of my knowledge, this is the best selling death metal album of all time. Something about that makes it sound like its an essential record to me, which is why I find myself listening to a straight-up death metal record from 1994, years after the genres invention, and probably right around the …
At War With Satan (1984) by Venom
I don’t know why I skipped Black Metal last year. I may have listened to it once but I honestly don’t remember. If I did listen to it, I assume that I didn’t hear black metal, and read something about how it was more the title and the production values, rather than the music, that …
Secret Treaties (1974) by Blue Öyster Cult
This is my third Blue Öyster Cult record and I feel like I feel about it as I did about the other two: meh.
Burning the Witches (1984) by Warlock
Music has long been a boys club. It is only very very recently that women musicians have some control over their careers and it wasn’t too long ago, that women musicians were thought capable of only playing certain types of instruments. If there is one genre that would seem utterly impenetrable for women, it would …
Love at First Sting (1984) by Scorpions
I have been avoiding listening to a Scorpions my requisite three times for a long time, every time an anniversary of theirs has come up, because every experience of them I’ve had has told me I do not like them. From their biggest hit (heard here) to any of their records I’ve begun to listen …
Overkill (1979) by Motörhead
I have never listened to Motörhead’s debut in part because I have been warned off it by bad reviews. It came out a year and a half before this record but, in the meantime, the much more polished but still fast and relatively rough (for ’70s metal) Stained Class came out. What I’m trying to …
Van Halen II (1979)
I grudgingly gave Van Halen’s debut album a positive rating because, as much as I do not like this band, I must admit that they have a very, very good guitar player they are good at what they do and they have been (unfortunately) very influential. All of that is still true on the second …
In the Nightside Eclipse (1994) by Emperor
I really enjoyed Anthems to the Welkin at Dusk, the follow up to this record, because I really had no idea what I getting into, and figured it was just some run of the mill black metal. I am listening to this one after that one because apparently like to do things out of order.
1984 by Van Halen
I know when I listened to Van Halen’s debut album – I think the only album of theirs I’ve actually listened to all the way through before this one – I was thinking it lacked one thing: synthesizers. The decision to add a cheesy ’80s synth to a sound that was already pretty fucking dumb …