Smiley Smile (1967) by The Beach Boys

Categories: 1967 and Music.

If you read a lot of music criticism about the ’60s, like I used to, you have heard about Smile ad nauseum. If you read a lot of indiependent music criticism at the turn of the century, like I used to, you have also heard about Smile ad nauseum. You’ve heard about Smile to the point that, whatever it was supposed to sound like, your expectations have been permanently set either to view it as an unfinished (later finished!) masterpiece, or the manifestation of a bunch of silly pop critic dreams for something “even greater than Pet Sounds” that couldn’t Read More

I Robot (1977) by The Alan Parsons Project

Categories: 1977 and Music.

When I was young and obsessed with prog rock, people used to make fun of me. They would learn I loved prog and they would be bemused or even a little shocked/outraged. And I was confused because I really liked the stuff. Eventually, I realized that those who made fun of my tastes were often talking about different prog. One day my friend just started ripping on Supertramp and then apologized to me and I finally realized that what my friends thought was prog and what I was listening to were two different types of prog. Based on this record, Read More

Face Value (1981) by Phil Collins

Categories: 1981 and Music.

Phil Collins has had one of the weirder careers, starting out as a prog rock / art rock drummer (who even played jazz fusion, at times) and becoming a massive pop star. It’s an unusual arc to be sure, and this is the record that began the shift from the one to the other. And because of my fondness for prog and art rock, and because of my dislike of much mainstream pop rock, I was worried this album was going to suck and suck hard. Well, it doesn’t.  Sure, there’s the big hit, which even I must acknowledge is Read More