This is an exhaustive documentary about the Toronto punk scene in the late 1970s. It is nearly 3 and a half hours long -supposedly cut down form 5 hours – which means that it is probably only for people interested in the scene or in the history of Toronto. But if you’re interested in punk …
Tag: Punk Rock
Jeopardy (1980) by The Sound
This is a pretty great British post punk record, one of the numerous post punk debuts to come out in 1980 but with enough strengths to recommend it.
In My Head (1985) by Black Flag
I guess there was a point in my life where I could have become a big Black Flag fan and become interested in the little stylistic changes they made throughout there career. But that point was a while ago and, instead, I found other things that suited my desire for noisy music.
Group Sex (1980) by Circle Jerks
If you were looking for an, ahem, “album” to epitomize what early hardcore waws about, you could do a lot worse than this debut “album” by the Circle Jerks.
Joan Jett aka Bad Reputation (1980)
Joan Jett was pretty young when she made this record – only 19 or 20 – but it sounds like it was made by someone 10 years her senior. That’s often a compliment but it’s not here: like so many punk-adjacent albums of the late ’70s and early ’80s, this one is obsessed with the …
Ball-Hog or Tugboat? (1995) by Mike Watt
What do I do with this sprawling, all-star record? It’s as if Watt wanted to make a new Minuteman record with 17 different bands. The results are, uneven, to say the least.
Meat Puppets II (1984)
I have not heard the Meat Puppets’ debut album, but I am led to understand that it is much more conventional hardcore punk, which is probably why it’s been deemed essential, where this record is considered a much bigger deal.
New Values (1979) by Iggy Pop
One might be tempted to read into the title of this record, given that it’s Pop’s first record without David Bowie and his backing band in a few years. That might be reading into it too much, though, as I’m not sure this record is dissimilar enough from Lust for Life to really spend to …
My War (1984) by Black Flag
This record has a very mixed reputation, with some people viewing it as a daring left-turn, and a major step in the evolution of a genre Black Flag usually had nothing to do with, and far more people seeing it as a utter betrayal of Blag Flag’s sound. I tend to think that the most …
Troublegum (1994) by Therapy?
When I first heard “Knives” I thought “YES!” and figured I had just found a new favourite band. But that track turns out to be the album’s most immediate track – it’s a smart thing to lead off with in some respects but a bad idea in others.
Public Image First Issue (1978) by Public Image Ltd
Simon Reynolds begins his definitive history of post punk, Rip It Up and Start Again with “Public Image” and this album. He argues that Lydon leaving the Sex Pistols, recording and releasing a song about them and releasing this record mark the point at which punk wasn’t just punk, but evolved into something else. It …
Pussy Whipped (1993) by Bikini Kill
Prehistoric Sounds (1978) by The Saints
Eternally Yours might be the first ever “punk with horns” album, but the band lacked the courage of its convictions and only put them on some tracks. Not so here; instead we have the full embrace of the horn section and the result is, for me, a substantial improvement on the last album.
Suffer (1988) by Bad Religion
My first impression of Bad Religion was from a significantly later record, when what they may have helped pioneer was everywhere. I thought, “Great, another skate punk band.” Sure, they’re a very literate punk band, but I’ve heard a lot of these bands and they pretty much sound the same.But if I try to put …
Love Bites (1978) by Buzzcocks
I am not a fan of the Buzzcocks. They are way too far on the pop side of the pop punk spectrum for me. (Yes, going by that, it’s safe to assume I don’t like pop punk.) I acknowledge their importance in the evolution of punk and particularly in pop punk, but I would just …
Road to Ruin (1978) by Ramones
Someone on RYM observed that this title is prophetic. They are likely far from the first person as this record is considered by serious Ramones fans to be the beginning of the end, as far as I can tell. Well I’m not a serious fan of the Ramones, but I am a serious fan of …
Can’t Stand the Rezillos (1978)
This is one of those second wave English punk albums that manages to win you over despite the fact that they are quite late to the party at this point.
Recipe for Hate (1993) by Bad Religion
I was dreading listening to this, as I can’t say I have a love for California punk.
Eternally Yours (1978) by The Saints
The major innovation of The Saints’ second album is the presence of the horn section on some tracks. Basically we can trace the “punk with horns” thing back to this album.
Power in the Darkness (1978) by Tom Robinson Band
This is certainly more musically traditional punk than so many of the punk albums that came out in 1977 and especially in 1978. I guess that’s why some people consider it pub rock; it’s more musically competent than punk and, were it not for the lyrics and the vocals, it could be mistaken for pub …
Another Music in a Different Kitchen (1978) by Buzzcocks
Full disclosure: I don’t like the Buzzcocks. Until hearing this debut, I’d only ever heard A Different Kind of Tension and that record likely biased me towards this one and its importance.
Easter (1978) by Patti Smith Group
I struggle with Patti Smith; she’s one of those artists I think I should like, not just because of received opinion but because the things she does are things I supposedly like. But for some reason I have this barrier. I think it comes from how I first heard her.
Crossing the red Sea With the Adverts (1978)
I think the thing that so many people find really appealing about this band is that they manage to combine punk attitude with a pretty strong sense of melody, a sense of melody lacking in other punk bands of the sort of second wave of British punk bands, who got record deals in 1977 but …
What Makes a Man Start Fires? (1983) by Minutemen
This is such a unique take on hardcore – if you can even call it hardcore, since it’s hardly loud enough or musically violent enough to qualify. It’s like something else. I see the descriptor “post punk” thrown around, which might fit, though Minutemen sound absolutely nothing like the British post punk bands (or the …
Milo Goes to College (1982) by Descendents
This is the point where hardcore starts to lose me: where the virtues of the genre are starting to give way to things more common to earlier punk or the later skate punk. It is very clearly the bridge between early hardcore and skate punk/pop punk but I don’t know that this is a thing …
Back from Samoa (1982) by Angray Samoans
I feel like I’ve listened to a fair amount of offensive music in my time but this record is right up there. If you’ve ever wondered where the “piss off at all costs” aesthetic of some bands comes from, it might be from Angry Samoans. Though Gwar and Anal Cunt sound nothing like this band, …
Plastic Surgery Disasters (1982) by Dead Kennedys
This is, if anything, fiercer than Fresh Fruit for Rotting Vegetables. It’s also slightly more ambitious, with that horn part, and the spoken word introduction and outro.
Rocket to Russia (1977) Ramones
What do you do with a band like the Ramones if your a music fan who sees artistic evolution as an essential part of greatness? I have thought about this for years and still never figured it out.
nimrod. (1997) by Green Day
People tell me this is Green Day’s diverse, experimental record. There’s some humour there in that description but from everything I’ve read, it is relatively diverse compared to their other ’90s albums. (I myself have only ever listened to Dookie.)
Never Mind the Bollocks Here’s the Sex Pistols (1977)
This record should have come out a lot earlier. “Anarchy in the UK” was released 11 months prior to this record. A lot had changed in a year.