This record has the reputation of being the moment when Cohen switched up the way his songs were arranged. But though there is some truth to that, it doesn’t bother me anywhere near how I imagined it would, which might have something to do with my imagining what it sounded like before I listened to …
Tag: Singer Songwriter
Perfect Angel (1974) by Minnie Riperton
Jimbo: Not that sure. I think we better come up with a backup plan. Uhh, let’s see here. Hey, bookie! Wha- what’s the halftime show gonna be?Bookie: You haven’t heard?! John Stamos’ older brother Richard Stamos is gonna sing ‘Loving You’.Ned: I love that song.Jimbo: ‘Loving You’? That’s perfect! Come on Ned, Middle Park’s gonna …
Roman Candle (1994) by Elliott Smith
Your mileage with Elliott Smith likely depends upon when in your life you first heard him. It sure feels like the people who first got into him in their teens – or even their early 20s – have a much greater desire for him to be appreciated as one of the great songwriters of his …
Rock Bottom (1974) by Robert Wyatt
As I write in seemingly half the reviews of albums I write, expectations are a terrible thing. I have heard about Rock Bottom for perhaps as long as I was aware of Wyatt’s existence, which dates back to my first encounter with Soft Machine maybe 20 years ago (or slightly less than that).
Fulfillingness’ First Finale (1974) by Stevie Wonder
Good Stevie Wonder does nothing for me. Middling Stevie Wonder does less for me. It’s hard for me to even care enough about this record, which doesn’t have any of his biggest hits on it, and which fails to move me, like all of his records. But I guess I have to try. (That’s what …
Born in the U.S.A. (1984) by Bruce Springsteen
I understand why a lot of Boss fans love this record. More than any other record of his I’ve heard, this one has a (relative) lot of songs I know, and I generally avoid Springsteen as much as possible. There are at least four songs here which, to me, are among the most famous Springsteen …
The Unauthorized Biography of Reinhold Messner (1999) by Ben Folds Five
For most of my adult life I’ve been only vaguely aware of Ben Folds and his band. I think he had a hit or two I heard of and many years ago I managed to listen to their reunion album but it apparently made no impression on me. Despite sort of bemoaning the death of …
Mule Variations (1999) by Tom Waits
At this point, anyone who has followed Waits since his left-turn in the early 1980s knows what to expect from a Waits album. Aside from from production choices, most Waits albums of the last 35 years have sounded rather similar to each other, with everything in his own inimitable style, and the only major difference …
Full Moon Fever (1989) by Tom Petty
For years, my only real experience of Tom Petty and the Heartbreakers was their 1993 Greatest Hits record. That record contained the three big hits everyone knows from this solo album, though I wasn’t too concerned that these were ostensibly solo singles on a record collecting the band’s hits. I also wasn’t particularly concerned, at …
Songs From a Room (1969) by Leonard Cohen
Songs of Leonard Cohen is over-produced. Like so many singer-songwriter debuts from the late ’60s and early ’70s, somebody somewhere didn’t trust the songs and/or the singer and made the decision to dress up his songs. Cohen likely didn’t know any better himself, not being a musician. But after the record came out, people complained …
Scott 3 (1969) by Scott Walker
I became a fan of Scott Walker through his later music so listening to his earlier music is always a bit of a challenge for me, both because it’s significantly different to what came later (that’s an understatement) and because it’s not my thing.
Under the Pink (1994) by Tori Amos
Amos’ debut was so ambitious and so impressive (if you can get by the histrionics) that I think the world might have been tempted to think there’s no way she can follow it up.
White Ladder (1998) by David Gray
When I lived in rez, my neighbour played this record fairly frequently because he loved Dave Matthews and Dave Matthews put it out in the US. (He seems to have played it so much that, a few years later, I would insist that the men in my rez only liked DMB, Sublime and David Gray, …
Supposed Form Infatuation Junkie (1998) by Alanis Morissette
My biggest problem with Jagged Little Pill is its faux grunge (what we would now call post grunge) production; there’s this veneer of trying to make Alanis fit in with alternative rock bands, but it’s clearly the work of someone who was never in an alternative rock band and is just trying to create a …
Mutations (1998) by Beck
I can imagine that, had I paid attention to Beck more when he first became popular, and only heard Mellow Gold and Odelay, and not his earlier “anti folk” records, this record might have knocked me on my ass. In retrospect it has far more in common with Sea Change than it does those records …
The Red Shoes (1993) by Kate Bush
The first time I listened to it I just couldn’t get over the productive, which sounds so ’80s like any number of early ’90s albums, made by artists or producers who hadn’t yet seen the writing on the wall – that the era of gated drums synthesizers approximating any instrument you could think of was …
The Wild, the Innocent and the E Street Shuffle (1973) by Bruce Springsteen
I have never heard a Springsteen record like this one. Maybe that’s because I just haven’t heard that many Springsteen records but I suspect or at least wonder that it’s because, at some point later on, he figured out who he was, and this version wasn’t part of that (or wasn’t normally part of that).
Piano Man (1973) by Billy Joel
I do not like Billy Joel. I recognize he has talent but let’s say I don’t like the way he uses it. I find his melodies too sappy and saccharine but even when I don’t I often don’t find them compelling enough. I regularly do not like his lyrics. But it’s really the arrangements that …
The Marble Index (1968) by Nico
If you only knew Nico from Chelsea Girl (i.e. you had never heard The Velvet Underground & Nico nor were you aware of her subsequent reputation), I have trouble imagining the shock of this record. It’s a little like what later happened with Scott Walker, albeit not nearly as radical, but it took Nico less …
Fumbling Towards Ecstasy (1993) by Sarah McLachlan
This is the Sarah McLachlan I was too young for; the kids at my school weren’t into this music when it came out and I don’t think she was big enough in the States yet to make it on MTV when I got the chance to watch that at my cousins’. I say this because, …
Copperhead Road (1988) by Steve Earle
I have a weird bone to pick about records that weren’t recorded with the same group of musicians throughout. This doesn’t necessarily apply to guest vocalists, but it does apply to guests on other instruments. I guess my argument would be that I want a record to have a consistent sound and recording with different …
Infidels (1983) by Bob Dylan
The conventional wisdom is that this is the first Dylan album after his weird trip to the Christian Music wilderness to really be worth listening to. I have deliberately avoided his late ’70s work because of its reputation, so I have no idea if this is his best album since Desire (1976) or not.
Uh-Huh (1983) by John Cougar Mellencamp
A number of times in the last few years I have put on a Mellencamp album with the intention of talking about it on the podcast and come up with some reason not to talk to about, so I’ve never given any of them the full three listens I want to give any record before …
Can’t Slow Down (1983) by Lionel Richie
He’s just putting out so much music, with an album every two years. It’s incredible. You can’t stop him and he won’t stop himself. Ahem…
Shiny Beast (Bat Chain Puller) (1978) by Captain Beefheart and the Magic Band
For some reason, so much of my experience of Beefheart is tied up with Safe as Milk and Trout Mask Replica, and how the latter is such a huge departure from a former, that when I hear latter Beefheart records that are closer in spirit to his early work than Trout Mask Replica I’m not …
52nd Street (1978) by Billy Joel
Full disclosure: I do not like Billy Joel. This is the third record of his I’ve listened to in the last year or so and I have liked exactly zero of them. Moreover, I don’t think I get Billy Joel. At all. I listen to this record and I don’t understand how there are 4/5 …
Sweet Revenge (1973) by John Prine
Many years ago – 15? – I was watching Austin City Limits as usual and John Prine came on. I had never heard of him before but I was blown away. ‘Who was this songwriter I’ve never heard of?’ I thought. I was blown away by his stage demeanour as much as his songs, probably, …
Marjory Razorblade (1973)
Reading about someone before you listen to them is always problematic. I had never heard of this guy but then I read a lot about him on Wikipedia before listening to this record and so much of it was about how much of an “outsider” he was. Well, he may well have been an outsider …
For Everyman (1973) by Jackson Browne
Jackson Browne is one of those artists I’ve heard so much about but never really heard (that I know of). He’s always been on the periphery of music I’ve listened to – guesting on many albums I’ve heard, or co-writing songs, or both – but I’ve never sat down and listened to anything of his …
Goodbye Yellow Brick Road (1973)
The double album (LP edition) is such a fraught proposition for the artist: on the one hand, for serious fans, it’s the opportunity to hear even more of one of their favourites and so its a treat to cherish – and it should come as no surprise the number of bands whose dedicated fans regard …