The “good guy in a bad place” (i.e. a hero stuck in a prison) is a tired story for many reasons, but perhaps the most annoying aspect is that, usually, Our Hero is recently arrived (in this case, in the prison) and yet, somehow, manages to befriend the/a leader immediately. It’s so dumb and such …
Tag: Thriller
The Standoff at Sparrow Creek (2018, Henry Dunham)
This is a very stagey film – so stagey you’d think it was a play – that overcomes that limitation by being expertly made, even though it is Dunham’s first time directing a feature. (It’s a miraculous debut, in terms of Dunham’s ability to film and edit – I would sworn this was not a …
Hold the Dark (2018, Jeremy Saulnier)
Expectations are an awful thing. I have seen and enjoyed every previous feature film Jeremy Saulnier has made. At some point I was going to see one I didn’t like. I’m not saying I didn’t like this, exactly, but I’m definitely struggling with it in ways I didn’t struggle with his previous two movies, and …
The Realm aka El reino (2018, Rodrigo Sorogoyen)
This is a deeply flawed but otherwise pretty incredible thriller about white collar political corruption in Spain. The good aspects of it are so good that I really want to overlook the massive problems – such as the run-time – but I don’t think I can. Let’s put it this way: for 2/3rds of this …
The Accountant (2016, Gavin O’Connor)
This is a kind of bizarre hybrid of an action movie with a serial killer-style crime investigation combined with forensic accounting – yes, I know how that sounds – that is surprisingly effective much of the time, but has some massive flaws that keep it from really working. Mild Spoilers
The Commuter (2018, Jaume Collet-Sera)
This is one of the innumerable “Liam Neeson hurts people” movies, only this one concedes his age and has him as just an average commuter, who happened to be a police officer in a former life. So Neeson is more human than he normally is in these movies, losing fights regularly. That’s one of the …
Sicario (2015, Denis Villeneuve)
This is an extraordinarily tense and well-directed thriller about the escalation and increased militarization of the Ward on Drugs. For the most part, I really, really liked Sicario, but I struggled with something and I’m not sure whether or not it could have ended better. SPOILERS
Carancho (2010, Pablo Trapero)
Carancho is a crime drama / thriller centered around the problem of car accidents and hit-and-runs and insurance fraud in Argentina. Though there are aspects of the film that are appealing to me, there are also a couple major problems.
Capricorn One (1977, Peter Hyams)
I went through a really serious conspiracy movie phase – specifically a ’70s American movie phase – when I was in my early 20s and that’s probably why this movie was on my list. But in the ensuing years I not only stopped drinking the conspiracy theory koolaid personally, but I have also begun to …
Buried (2010, Rodrigo Cortes)
Presumably, because you know the title, you know what this movie is about. So I feel like it’s safe to discuss it without warning you. But, anyway, SPOILERS:
TIFF 2017 Racer and the Jailbird (2017, Michaël R. Roskam)
This is an entertaining, albeit slight, amalgam of the bank heist genre with one of those romances where the two alpha leads, who do risky things in their professional lives, fall in love with each other, but which is pretty much entirely ruined by an absolutely bonkers left turn (well, a series of left turns) …
TIFF 2017: Omerta (2017, Hansal Mehta)
What a mess. Where do I begin?
Coherence (2013, James Ward Byrkit)
This is one of those super talky, high concept science fiction films which feels like it was written for the stage. (Many of these have been written for the stage, but this one apparently was not.) There are a lot of these films by this point and it’s sort of become its own sub genre. …
The Bride Wore Black (1968, Francois Truffaut)
This has to be seen as the spiritual predecessor to Kill Bill, even if Tarantino insists he’s never seen it. The overall plot is just too similar, though Tarantino made far superior films. (I suppose it’s also possible someone just told him the plot, or he read the novel. SPOILER ALERT
Passengers (2016, Morten Tyldum)
I feel like every single time I watch one of these legendary blockbuster bombs I find myself asking the same question: did I watch the same movie as everyone else? Make no mistake: this is not a good film. But once you’ve been told something is The Worst over and over again, your expectations get …
The Invitation (2015, Karyn Kusama)
I am usually a man who can watch and appreciate a movie despite my mood at the time. But every so often a movie doesn’t meet my mood. And so I find myself reviewing this film without, perhaps, giving it its due, because I should have been watching something more frivolous. SPOILERS
The Box (2009, Richard Kelly)
Richard Kelly continues his descent into utter nonsense with this completely unnecessary feature length film version of that old chestnut about the man with a box and $1 million dollars. (It’s worth noting that Kelly has not made a film since this one.)
Triple 9 (2016, John Hillcoat)
I am always flabbergasted by movies with huge, all-star casts that somehow suck. I am particularly flabbergasted when it seems obvious to me that these actors could have easily figured out the movie was going to suck and so should never have signed up for them movie in the first place. Such a movie is …
Black Sea (2014, Kevin Macdonald)
For the most part, this is a pretty effective submarine movie with a great, out-of-character performance from Jude Law. It does what a submarine movie should do, and it does it well. There are, however, a few major quibbles that I have that hampered the movie in my mind. They involve some MAJOR SPOILERS.
A Case of Need (1968) by Michael Crichton writing as Jeffery Hudson
This is a real page turner and it’s easy to see why it’s the book that properly launched Crichton’s career: it’s full of detailed information about contemporary medicine but Crichton uses that detail to drive the plot, not to overwhelm the reader in minutiae (as some “techno thriller” writers do). Though this type of thriller …
The Departed (2006, Martin Scorsese)
Note: I haven’t seen the original film.
Bastards (2013, Claire Denis)
Denis takes your typical revenge thriller plot – solitary man’s loved one(s) is wronged and he seeks revenge – and flips it on itself. The solitary man is solitary because he works on tankers. His family is hurt by a suicide – not, on its face, a wrong inflicted upon them. And the world he …
The Purge (2013, James DeMonaco)
The opening text this movie displays, explaining what ‘the purge’ is, is basically the pitch meeting for this movie. The filmmaker likely walked into an office, said those exact words, mentioned some actors for the key roles, and got this green-lit. This film is a perfect symbol of what is wrong with “high concept” films …
Awaken aka A Perfect Vacation (2015, Mark Atkins)
Is this where B-movie (and C-movie) actors go to die? This movie features Darryl Hannah (though she has few lines) Edward Furlong (!!!!!!!!!!!!) Vinnie Jones (but of course) Jason London (!!!) The Robert Davi (seriously!) David Keith (!) and Christa Campbell (you’d know her to see her)
Pandorum (2009, Chrstian Alvart)
Pandorum has a neat concept to start, but unfortunately it is undercut by overly explanatory title cards – better the movie open with Bower coming out of his chamber, I think. But, that being said, otherwise the movie seems quite strong at first. The reveal is way too early, but otherwise it’s good. There are …
The Bridge aka Bron (2011)
I am reviewing the first season of Bron because I have no intention of watching future seasons. (Though I have heard the second season of the American version of The Bridge is very good so maybe if I do try the American version, I will get that far.) The following review contains spoilers.
Total Recall (2012, Len Wiseman)
Let’s get the good of this totally unnecessary remake out of the way: The production design is fantastic, worthy of Blade Runner – which it is (very) heavily inspired by – the Fifth Element, Minority Report and the equal of respected modern sci fi epics like Pacific Rim. It’s better than the original, I would …
Prisoners (2013, Denis Villeneuve)
This is a mostly excellent kidnapping thriller driven by two absolutely excellent performances and an all-around great supporting cast. The film is so close to being amazing that I was actually quite disappointed that it wasn’t.
Zero Dark Thirty (2012, Kathryn Bigelow)
Much like Bigelow’s The Hurt Locker, this is a film that, at least in part, seems to aim to tell the “human” story – or the “ground truth” – of a particular conflict the US is involved in. In this case though, it’s obviously something of a little more import.
The Factory (2012, Morgan O’Neill)
This is one of those “inspired by true events” movies where you know the screenwriters found out about a case with the “factory” of the title and then wrote their ‘idiot plot’ (to steal a phrase from Ebert) all around it. So we have the typical tired, spent cop pursuing a case that nobody else …