Category: 1901

1901, 1902, 1917, Books, Non-Fiction

Three Sea Stories: Typhoon, Falk, The Shadow-Line (1902, 1901, 1917) by Joseph Conrad

This is a collection of three pretty great Conrad novellas, the rather incredible Typhoon, Falk and The Shadow-Line. Though all three are not of the same quality, to show off many of the things that make Conrad great, including his ability to innovate and create tension at the same time. I sort of feel like …

1901, 1902, 1910, 1911, 1935, 1958, 1960, 1964, 1965, 1966, 1987, Music

Ives: Symphonies Nos 2 and 3; The Unanswered Question (1966) by the New York Philharmonic conducted by Leonard Berstein

This is a compilation of the New York Philharmonic and Leonard Berstein’s performances of the middle symphonies and The Unanswered Question, originally a piece paired with another but one that has found a lot of attention as a standalone.

1901, 1902, 1910, 1911, 1916, 1919, 1929, 1973, 1976, 1994, 1995, 2000, Music

Ives: The Symphonies; Orchestral Sets 1 and 2 (2000) by Various Artists

This is one of those Decca compilations that takes recordings from all over its catalogue – in this case from the mid ’70s and the mid ’90s – to create an ostensibly “complete” collection of a composer’s works in a given field, in this case Ives’ work for large orchestra. Of course it’s not complete, …

1896, 1897, 1898, 1899, 1900, 1901, 1902, 1903, 1904, 1905, 1906, 1907, 1908, 1909, 1910, 1911, 1912, 1913, 2009, Movies

Georges Melies: First Wizard of Cinema 1896-1913 (2009)

This is a collection of many – but hardly a majority or all – of George Melies’ short films from when he got into cinema shortly after the invention of the medium until 1913, when his various personal problems consumed him and he stopped making films. (Note that many of Melies’ films have been lost …

1890, 1901, 1903, 1904, 1905, 1907, 1908, 1909, 1910, 1911, 1912, 1913, 1914, 1995, Music

Debussy: the Complete works for Piano (1995 compilation) by Walter Gieseking

Debussy’s piano music is as significant as Satie’s, even if it isn’t always as obviously revolutionary. Debussy eventually became very mainstream and so his music had much more currency. And it’s been absorbed so much it’s sometimes hard to tell how exactly he was breaking away (but other times it is very obvious). As someone …