Because it was released half a decade after it was recorded, this album’s revolutionary status gets overlooked or ignored. Instead it’s Birth of the Cool this and Miles Davis’ Nonet that. And that praise is deserved. Those sides went a long way to establishing cool jazz, but this band was doing remarkably similar things at the same time. The one major difference is speed – Konitz and the other soloists play fast on a number of tracks, and that makes it sound more like bop (though if you listen to the rhythm section they sound significantly “cooler”) and so you Read More
Symphony No. 3 “Simfoniya-poema”; Triumphal Poem / Caucasian Sketches (1994) by BBC Philharmonic conducted by Fedor Glushchenko
1894, 1950, 1994, Modern Classical, Music, Neo-Romantic, Orchestral Music, Orchestral Suite, Romantic, Socialist Realism, Symphonic Poem, and Symphony.
This is a bizarre pairing of a Khachaturian symphony, one of his symphonic poems and an orchestral suite from another Russian composer from the 1890s. The fact that they don’t sound so out of place suggests how conservative Khachaturian was as a composer. I have hear the Triumphal Poem before, though I’m not sure where. (In a movie?) It’s big and bombastic like much of Khachaturian’s music, and generally lacking in subtlety. It is catchy, though. I remember it from whenever I heard it before. Catchy, obvious, easy. The first Caucasian Sketches is a moody late Romantic piece with strong Read More
It took me a really long time to see what is probably the most famous – or most important – Japanese film ever made. And unfortunately, I had pretty high expectations, which at first were hard for the film to match. But the film is doubtlessly important: it is the first film I know of to cast doubt on the reliability of the narrator(s) and one of the earliest films to make use of flashbacks. It is an early film to deal with rape – seven or eight years later, Touch of Evil was considered extremely controversial for including rape – Read More
Full disclosure: I don’t like vocal jazz.However, I listened to this because we are talking about one of the most famous singers of the 20th century and I at least should be acquainted with her. And after listening I can say I get what the hype is about but I would rather here her singing music that is at least a little more jazz. I am not saying this isn’t jazz; obviously it is. And it’s brave, at least in how bare it is. And I’d rather listen to these interpretations of Gershwin than a lot of others. But, if Read More
Seriously, I can’t remember what 2007 films I’ve seen, aside from four or so. So I can’t really do a best of list for this year (also, there is my habit of watching movies on DVD instead of video). If I could sort my vote history by year, then maybe I could do a better job. 1. A three-way tie between Grindhouse, No Country for Old Men and Zodiac. I really don’t think I can pick one of these. Grindhouse was unlike any theatre experience I have ever had before. I can’t imagine it will be beat. Yet I doubt Read More