This is one of those weird records from the 1950s where they hadn’t quite figured out how to sell music yet – it’s a compilation of previously released singles (released over the previous four years) now looked upon as a regular LP because these singles hadn’t been released on his earlier LPs. So, if you’re …
If you’re familiar with Cash as a country singer, his debut will likely come as a bit of a shock, though the “Million Dollar Quartet” makes a little bit more sense.
Without doing the appropriate research I am going to assume this was the first “rock and roll” Christmas album. There had been Christmas albums ever since the invention of the format but, until Elvis, they were more the purview of Bing Crosby than rock and roll performers.
This disc compiles some of King’s A-sides for both the RPM and Kent labels throughout the 1950s and into the 1960s.
This is a compilation that, despite its title, appears to contain every single one of Jackson’s singles for Capitol between 1956 and the early ’60s. It shows off what could only be a pioneering fusion of country and rock music that I was completely unaware existed.
What the hell do we do with Epitaph?
From the very opening bars it’s clear that this is no ordinary opera. And though that’s true of the most path-breaking and challenging operas of the early 20th century – I am thinking chiefly of Berg’s work – this one is perhaps more shocking given the (seemingly) more traditional stance of the composer.
This is one of those “classic” bantery Hollywood romantic comedies with a Cary Grant-type – this time played by Cary Grant, here paired with one of his regular sparring partners, Deborah Kerr. It’s one of those movies where two unbelievably rich and self-assured people throw witticisms at each other – with a little tiny bit …
Convention has it that this is a hard bop landmark, but I still here a fair amount of cool on the record. That’s just nitpicking I guess; but I just find it odd that people discuss this in terms of one genre not the other.