This is supposedly an “instrumental” oratorio. Haydn first wrote it for orchestra (with no vocals!). Then he adapted it for String Quartet. Then he adapted it for Choir (as if it was an actual oratorio). Then he “approved” an adaptation for solo piano, but apparently didn’t write that one himself. This is the String Quartet …
Tag: 1780s
Haydn: Cello Concertos; Pereira: Concertino for Cello (2010) by Antonio Meneses, Northern Sinfonia
This is an odd collection that pairs Haydn’s two most famous (and likely sole surviving) cello concerti with a totally unrelated piece of music by the 20th century composer Clovis Pereira. Grumble. Haydn’s first cello concerto is a fine piece of music but it strikes me as typical of the era (though I don’t really …
Haydn: Piano Concertos in D / F (2008) by Ralf Gothoni, Finlandia Sinfonietta
This is a hodgepodge of the 2nd, 6th and 11th concertos for keyboard, all played on a piano (shock horror).
The Paris Symphonies (1989) by Joseph Haydn, performed by the Orchestra of the Age of Enlightenment conducted by Sigiswald Kuijken
This is a collection of all six of Haydn’s “Paris” symphonies and is probably as close as one can get to a definitive collection of Haydn’s music on two discs, as he wrote so many damn symphonies (104 I believe). The first symphony, No. 82 (aka “The Bear”), was apparently written last. And that seems …
Symphonies Nos. 104, 88, 101 by Joseph Haydn (2011) performed by Philharmonia Baroque conducted by Nicholas McGegan
The so-called “London” symphony starts off with such a modern opening I almost thought I was listening to the wrong work – it’s practically Romantic. But the music soon settles in to what we would expect. Still, as first experiences with “The Father of the Symphony” go, it was quite shocking. Otherwise I guess it’s …