The debut album by Cliff Richard’s backing band is a relatively solid selection of instrumentals and pre-British Invasion rock and roll. It’s easy to see why this was a big deal to a bunch of young, aspiring British guitarists. It’s much less of a big deal to someone listening to it 55 years later, as it sounds quaint, to put it mildly. Listening to a pre-British Invasion record like this it’s easier to understand why The Beatles were such a big deal in 1962-3. The energy of American rock and roll hadn’t quite made it across the pond yet. But Read More
1958, 1959, 1960, 1961, 1998, Cool Jazz, Hard Bop, Jazz, Modal Jazz, Music, and Piano Jazz.
This is an excellent survey of the live music of Ahmad Jamal and his trio in the late ’50s and very early ’60s. Jamal’s playing is so far from Monk – to my ears – that it’s rather incredible. His individuality in that sense is rather fantastic. Monk utterly changed piano playing and it must have been extremely tempting to play either in Monk’s shadow or to go back to pre-Monk playing. Jamal manages to do neither. And you can see the rather huge influence he’s had on other pianists, particularly cool jazz pianists. (And there’s an interesting chicken-or-egg question Read More
The Physicists (1961) by Friedrich Durrenmatt, adapted by Michael Healy, live at the Tom Patterson Theatre, Stratford, July 25, 2015
1961, 2015, Black comedy, Drama, Dramedy, Live Theatre, Philosophy, Science, and Theatre.
This is a play about the social responsibility of scientists posing as a murder mystery-cum comedy, set in an insane asylum. The play uses comedy and the teensiest bit of mystery to dilute it’s overwise very heavy-handed message. The play itself is so prescient (and so relevant to our time) that I am shocked I had never heard of it or its author and I’ve had to add him to my list as I suspect that he’s written more interesting stuff, even if this is his most famous work. The cast was excellent and the staging was particularly clever, using Read More
1961, 1962, 1997, Bop, Compilation, Guitar Jazz, Hard Bop, Jazz, Music, and Soul Jazz.
This compiles the first three albums Grant recorded with pianist Sonny Clark before the band was expanded to a quintet later in 1962. Interestingly, none of these albums were released until 1980 (in Japan) which, given the quality of the music, it’s really hard to understand. First we have Gooden’s Corner, recorded in late 1961, with both Nigeria and Oleo from January of 1962. (Again, all released in 1980, in Japan.) Burt the set isn’t presented quite like that, as Nigeria leads off the collection with the other two following chronologically. Nigeria is outstanding stuff, despite being full of standards, and makes Read More
1956, 1960, 1961, 1962, 1963, 1975, 1997, Chamber Music, Modernism, Music, and String Quartet.
I really like Gould’s quartet. I know it’s not the most forward-thinking piece for the time, but I think it’s among the second tier of its era and I really don’t mind listening to it. The fugue-song thing is a different story: I like it but it’s almost too clever. I like that it seems deliberately aimed at the establishment, but it’s still a minor goof of a piece. The rest of the disk is unfortunately fleshed out by excerpts of two nice pieces – a quintet by Shostakovitch and a kind of concerto thing by Poulenc. They feel reasonably Read More
Too avant garde really to be post bop but too obviously bop / modal (too often) and too traditional to be truly considered part of the “new thing” (i.e. free), this one really defies categorization. But that’s okay. The playing is excellent on all accounts and this sort of feels like a direction a lot of modern players are attempting – post bop that is aware of, and inclusive of free – despite the fact it was released in ’61. Pretty wonderful stuff. 10/10 Read More
At the Five Spot, Vol. 1 (1961) by Eric Dolphy, Booker Little, Mal Wondron, Richard Davis and Ed Blackwell
At some level this is a pretty sad album as Little died almost immediately after this date, and Dolphy a few years later. We will never know what they might have done. However, what they did do here is pretty fantastic. Dolphy is one of my favourite musicians and may be becoming my favourite saxophonist of the ’60s, at least on alto. I don’t know Little well but he holds his own against Dolphy. So does Waldron, though Waldron is certainly the least out there of the soloists. It’s a pretty great set and it makes me want to get Read More
1926, 1930, 1932, 1942, 1961, 1962, 1964, 1971, 2003, Box Set, Contemporary classical, Music, and Organ Music.
The pipe organ must be one of the seriously neglected instruments of 20th century “classical” music, at least from the perspective of us musical naifs. I mean, even though there are plenty of notable organ and organ-centric compositions, very few of those have actually made it into mass awareness. The little bit of organ music we know is baroque. This is a welcome corrective. And, unlike so much famous organ music, here the critics can’t complain that the “organ isn’t old enough!” or anything like that, as 20th century organ music is performed on a 20th century organ. The music Read More
1958, 1961, 1962, 1963, 1964, 1967, 1968, 1969, 1971, 1974, Box Set, Canadian, Collected Works, Culture, Documentary, and Movies.
Though not every film is absolutely stand out, this collection is mostly filled with great stuff and very well worth watching, especially for Canadians. We can see that the Canadian film tradition was a little richer than more recent NFB material might have led us to believe. Here we have engaging, sometimes provocative, examinations of both minor and serious issues within our culture. Brault’s work should be far more well known outside of Quebec than it currently is. It should be watched in schools. Here are the films included in the collection. Titles in quotes are shorts and italicized titles Read More
1956, 1958, 1959, 1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1976, 1979, 1988, 2003, Compilation, Funk, Music, R and B, and Soul.
James Brown’s importance can not be understated. He is on The List of the most important musical figures of the twentieth century (along with Louis Armstrong, the Beatles, Miles Davis, Dylan, Duke Ellington, Schoenberg, Stockhausen, Frank Zappa and maybe a few others). This compilation of his hit singles gives a very good idea of his progression and how he turned gritty soul and R and B into funk and thus got sampled more than any other band leader ever. The one downside is that this compilation of his hit singles is missing one of his biggest hits. Hard to understand that Read More