Stalker is a willfully difficult, philosophical medication on the nature of faith posing as a science fiction film that feels like it would have been significantly more dramatic had it been made during the age of CGI. (Though Tarkovsky wouldn’t be the one to have made it, then.) I have not read the novel its …
Tag: 1979
Killer Fish [L’invasion des piranhas] (1979, Antonio Margheriti)
This is an extremely lame film that attempts to combine the heist film with horror, I think, but which fails to do either even moderately well. SPOILERS
The Day Time Ended (1979, John ‘Bud’ Cardos)
This is one of those films that I watched courtesy of Mystery Science Theater 3000 and I can’t really imagine doing it without. I wonder if my rating would drop a point if I had to watch it on my own. It’s one of those terrible films that appears to be just very, very boring.
Tinker Tailor Soldier Spy (1979)
If you thought the 2011 remake was deliberate well, this is a deliberate six episode miniseries adaptation of the John le Carre novel. It takes its time. And if that’s a problem for you, I highly recommend avoiding this version. But, if you are interested in TV adaptations of novels and you like slow-burning plots, …
The Hitchhiker’s Guide to the Galaxy (1978)
Full disclosure: I ended up not reading the novel. I polled some friends about what I should consume “first” and the verdict was that I should listen to the radio play first. So I listened. And then I listened to the Christmas episode, and then I listened to the “second season” (which, I believe, is …
Real to Real Cacophony (1979) by Simple Minds
How synthpop and the New Romantic movement evolved out of punk via post punk has always been one of the most confusing parts of recent popular music history, at least to me. But it’s records like this, caught somewhere in the middle (of punk and synthpop), that make that whole evolution a little more clear.
Damn the Torpedoes (1979) by Tom Petty and the Heartbreakers
This is the Tom Petty I like – full of attitude and spunk, with a touch of meanness or bitterness. Like basically everyone, he mellowed out significantly with age, which is the version of him I’m much more familiar with.
Tusk (1979) by Fleetwood Mac
The number of times I’ve heard that Tusk is “experimental” in my life…well, if I had a dollar, I still wouldn’t be able to afford a down-payment on a house in Toronto, or anything, but maybe I could lease a car or something. The problem with pop music fans telling you that some pop album …
Broken English (1979) by Marianne Faithful
Broken English is one of those records I heard so damn much about throughout my life that, by the time I listened to it decades after first hearing about, there was going to be a let down, it was inevitable. With multiple listens, the record is growing on me a bit, but it’s still worth …
154 (1979) by Wire
Perhaps the shock has warn off. Chairs Missing is so different from Pink Flag – not to mention it helped invent a genre – that one sort of expected a similar leap between Chairs Missing and this record. I’m not trying to say they’re that similar, but they’re certainly more similar than I had been …
Solid State Survivor (1979) by Yellow Magic Orchestra
This is some shockingly ’80s-sounding discofied synthpop. It feels like it’s miles ahead of the British synthpop bands. And if I didn’t know about Kraftwerk’s existence I might be tempted to claim it’s the birth of synthpop. But frankly I don’t have the context to properly assess music like this. When it comes to the …
Cut (1979) by The Slits
I am having a hard time thinking of this band as something more than “not the Raincoats” or “lesser Raincoats”. And that’s utterly ridiculous. A quick google will demonstrate that this album came out two months before the Raincoats’ debut album. And it’s not either band’s fault that I have listened to multiple Raincoats albums …
Join Hands (1979) by Siouxsie and the Banshees
The problem with listening to much of band’s catalogue before listening to their early records is that those early records inevitably sound primitive or immature (or both) in comparison. And that was very much my first impression of this record when I listened to it, as if I was listening to the Banshees before they …
The Pleasure Principle (1979) by Gary Numan
Gary Numan’s debut album continues where Tubeway Army’s final album left off; basically it feels like it’s nearly the logical conclusion of what their second album suggested: a fusion of Synthpop and New Wave that sounds far more like New Wave than virtually all other Synthpop music of the time.
Drums and Wires (1979) by XTC
I maintain that the Atlantic created a pretty different sonic difference between American and British New Wave and and, later, American and British Post Punk. With New Wave that gulf is so big that it almost feels silly to call them the same genre; compare to Elvis Costello or the Police to Pere Ubu and …
Off the Wall (1979) by Michael Jackson
I was listening to this record and I was struck once again by the fact that I just don’t like Michael Jackson. I was so struck by this that I posted a crude joke about him on my podcast’s social media which I will refrain from including in this review because it’s both not the …
The B-52s (1979)
I first encountered the B-52s through “Love Shack” and its relative ubiquity. And then I became familiar with Kate Pierson through Out of Time. But I have never really been a fan of camp – or rather I am only a fan of selective camp – and so I thought they would never appeal to …
Candy-O (1979) by The Cars
Did you want to read a hot take about the second Cars record? Well I have one for you: It’s better than their “classic: debut album. (Shock! Horror!)
Discovery (1979) by Electric Light Orchestra
I don’t know ELO much at all, though I know a lot of Jeff Lynne’s work as a producer (which I hate). I first read about the band in the first music book I ever owned, but I never got around to listening to them in part because when I first consciously encountered their singles …
Replicas (1979) by Tubeway Army
For some reason I skipped over the debut record, even though its anniversary was last year and it was on my “to listen” list. I don’t really know what happened there but here we are, listening to the second record first once again.
New Values (1979) by Iggy Pop
One might be tempted to read into the title of this record, given that it’s Pop’s first record without David Bowie and his backing band in a few years. That might be reading into it too much, though, as I’m not sure this record is dissimilar enough from Lust for Life to really spend to …
Bad Girls (1979) by Donna Summer
I do not like disco. I do not like disco for both intellectual reasons and emotional ones. My intellectual reasons? Disco, to me, sounds like robotic, neutered, safe funk where everything musically interesting within funk has been abandoned to emphasize repetitiveness and sameness. My emotional reasons are more complex. I am pretty self-reflective and can …
Y (1979) by The Pop Group
Ever since I first heard about this band, I had a feeling I would like them, if only because of their name. For some reason (their name starts with a p!) it has taken me years to get around to listening to them.
Breakfast in America (1979) by Supertramp
I grew up listening to Oldies Radio when that meant music from the 1960s and, occasionally, the late ’50s. Especially as I got older, the station I used to listen to would make exceptions for some music from the 1970s, usually MOR and singer-songwriter stuff. Supertramp was one of the bands that made that cut. …
Overkill (1979) by Motörhead
I have never listened to Motörhead’s debut in part because I have been warned off it by bad reviews. It came out a year and a half before this record but, in the meantime, the much more polished but still fast and relatively rough (for ’70s metal) Stained Class came out. What I’m trying to …
Van Halen II (1979)
I grudgingly gave Van Halen’s debut album a positive rating because, as much as I do not like this band, I must admit that they have a very, very good guitar player they are good at what they do and they have been (unfortunately) very influential. All of that is still true on the second …
Live at the Witch Trials (1979) by The Fall
Debut albums can be quite hit and miss. Most bands do not record their first album with a completely unique sound. The unique debut albums we do remember which stick out do so because they are so rare. Most bands’ debuts are not only not their best albums, but don’t capture them doing something wholly …
Sophie’s Choice (1979) by William Styron
Mild Spoiler Alert: If you are at all interested in reading this novel I strongly suggest you know as little as possible before reading it, to make the experience more enjoyable.
Knussen: Symphonies Nos. 2-3, Trumpets, Ophelia Dances, Coursing, Cantata (1988) by Various
This is a compilation of a few of Knussen’s pieces, which, far as I can figure, are performed by three different ensembles, including an ensemble conducted by Knussen himself.
Khachaturian: Spartacus (1979, 2007) by The Bolshoi National Orchestra
As far as I can tell, this is the orchestral music from a 1979 performance of Khachaturian’s Spartacus. It is the complete four suites, I believe (or, rather, all the music). I definitely prefer listening to it all at once, instead of hearing one suite or something like that.