Ever since Tim Buckley embraced jazz and abandoned the more staid, more traditional singer songwriter approach of his earliest records, there is always been a bit of soul to his music, but that soul, such as it was, was always filtered through the lens of jazz. Read More
This is my second Steely Dan album and, once again, I find I have the same problem with the band: these guys don’t like the same things I like, beyond stellar musicianship. Read More
Someone described this record as Prince’s White Album. This is only the second Prince album I’ve ever heard (I know, I know) but I still think that’s pretty apt. There’s a range of music here that is kind of incredible, especially given how much of the record he made himself. Read More
My first exposure to Funkadelic didn’t exactly endear me to them and I generally want to like this record more. It opens with what I am assuming is the definitive Eddie Hazel guitar solo – that’s all it is, really, though it is pretty great – but the rest of the record is a far cry from that title track. The rest of the record is more what I was expecting. Though the lyrics are just about as inane as I was expecting, the bother me less this time out. And the music underlying it those lyrics is pretty much Read More
Unlike the follow up, I really like this one. The production’s better, even if the song’s aren’t. (Everything’s a little more raw and unhinged.) Whether you think of this as hard rock or some kind of metal, there was nothing really like this being made in the late ’80s; funkier and way weirder than the Gunners but way louder and cooler than any other mainstream hard rock band at the time (that I’m aware of). I can hear a lot of ’90s rock in this record. And though a number of bands may have done this better, it sure sounds Read More
My first Steely Dan record doesn’t really endear me to them. (Nor does reading that Aja is mellower…) I love jazz, but I can’t say I love R and B with a jazz influence, which is what this sounds like to me. Too much R and B, not enough jazz, for my tastes. I like some of Fagen’s lyrics – a lot of them – and I think I would like this band if they were a little more into jazz rather than “jazzy.” But this is just not my thing. It’s well done, it has surprisingly decent lyrics, but Read More
1966, 1967, 1968, 1969, 1970, Acid Rock, Blues Rock, Box Set, Funk Rock, Hard Rock, Music, Psychedelic Rock, and Psychedelic Soul.
This is an exhaustive collection of Experience alternate takes, outtakes, alternate mixes and live performances. For the Hendrix completist, it’s probably more essential than any of the other studio rarities collections that have come out, just because it shows off more facets of his playing and his experimentation – unlike those studio rarities collections, which are mostly demos, or those live sets which show him in an altogether different light – than any other set. This is as complete a picture you’ll get of the Experience (and Hendrix himself) outside of the original studio albums plus Band of Gypsies. But Read More
1990, Alternative, Alternative Rock, Funk Rock, Hard Rock, Music, and Neo Psychedelia.
I don’t know what I was expecting when I finally got around to listening to this record, but it wasn’t this. That is sometimes a good thing, sometimes a bad thing. But expectations always mess with our appreciation. Hopefully I can get through mine. First of all, I finally understand why Navarro is a guitar hero to a certain generation. I had never understood why before, but had rarely heard him play. Aside from Slash (who is, by the way, much better), I can’t think of another guitar player to embrace classic rock guitar like Navarro does here. That’s pretty Read More
1980, Blues Rock, Country Rock, Disco Rock, Funk Rock, Music, Reggae Rock, Rock and roll, and Soul Rock.
I don’t know what to do with my first impressions.I’ve learned to distrust them. I give every album I review a minimum of three listens in order to defeat my initial prejudice. I adopted this approach, I think, because I wanted to be fair, but also because sometimes my initial impression did not jive with a review I read or a recommendation I received. And it’s served me well, mostly. I would have never become a prog rock fan without the method, and that means I probably wouldn’t have found my way to jazz and much of the other esoteric Read More
1968, 1969, 1970, 1997, Blues Rock, Compilation, Funk Rock, Music, Psychedelic Rock, and Rarities.
So this is sort of the companion piece to First Rays of the New Rising Sun, the album that tried to replicate what would have been Hendrix’s last album. But whereas First Rays was a coherent piece, this is more an abritrary collection of rarities. Like most of Hendrix’s demos and alternates that have been released, everything is very professional. And it’s of interest to any Hendrix fan (though it’s hard to hear what’s different about this version of “All Along the Watchtower”). But it’s not any kind of definitive rarities collection or anything like that. It’s fine. 6/10 Read More
This is apparently the “final” official rarities collection we will get from the Hendrix vaults. These are the last previously unreleased studio tracks. It only took 40 years.This collection shows off the direction Hendrix was contemplating post-Electric Ladyland, the funkier, rootsier one displayed on First Rays of the New Rising Sun, his unfinished final album. But these performances are looser than that record, and they have fewer overdubs. It’s fairly obvious that most of them are just (complete) early demos. But the music is fantastic – Hendrix is on fire, even if he’s playing more lead (and more conventional rhythm) Read More