Atlantic Crossing felt like the beginning of Stewart’s long decline from exciting rock and roll singer to raspy poor man’s Tony Bennett. But A Night on the Town finds him in a bit of a holding pattern. The problems of Atlantic Crossing are still here, as are some of the redeeming qualities of that album’s …
Tag: Glam Rock
Rock of Westies (1975) by Elton John
Based upon the title, the cover, and the presence of “Island Girl”, I thought this was going to be John’s Caribbean record. (I thought “westies” meant “West Indies”; I didn’t know it was a spoonerism.) So colour me surprised by (most of) the actual content.
Atlantic Crossing (1975) by Rod Stewart
When going through Stewart’s solo early solo records I’m always wary that maybe this one will be the one in which he abandons his early sound for the money-chasing of his later career. But the truth is never so straight-forward and so I find myself listening to a record that manages to both sound close …
Theatre of Pain (1985) by Mötley Crüe
They often say familiarity breeds contempt. But with albums and me it’s the opposite: familiarity breeds acceptance. The first time I listened to this album I thought it was awful. Just awful. I’m on listen #3 now and I can no longer muster up my hatred. I don’t think it’s good but what the melodies …
Joan Jett aka Bad Reputation (1980)
Joan Jett was pretty young when she made this record – only 19 or 20 – but it sounds like it was made by someone 10 years her senior. That’s often a compliment but it’s not here: like so many punk-adjacent albums of the late ’70s and early ’80s, this one is obsessed with the …
Captain Fantastic and the Dirt Brown Cowboy (1975) by Elton John
I keep having the same experience over and over again with artists I’m relatively unfamiliar with, like Elton John: I listen to 2 or 3 or 4 albums and I’m unimpressed and then I get to like the 5th album (or sometimes even the 6th) and I have some kind of epiphany and suddenly worry …
Dressed to Kill (1975) by KISS
One of the things I will just never get over with Kiss is how their makeup and stage show just do not match their sound. Another thing I will never get over is that they are not very good songwriters. These things, plus the general stupidity of their fans, make me dislike them. (Truth be …
Welcome to My Nightmare (1975) by Alice Cooper
Alice Cooper is one of those performers whose reputation and actual music don’t really mesh, at least in my mind. His music is always tamer than I imagine it, and that’s especially true with this album, in which he goes full Bob Ezrin. (Thanks not only due to Ezrin’s participation, but also due to the …
Razorblade Romance (2000) by HIM
To the extent the I know HIM I hate HIM. In 2011 I listened to Deep Shadows and Brilliant Highlights and Love Metal, panning both of them and giving the former a rare 3/10. (Music has to be bad for me to go that low.) The ensuing years seem to have mellowed me somewhat or …
Country Life (1974) by Roxy Music
I have approached Roxy Music in a strange way – listened to their second album first, got really into it, and then listened to their last album and didn’t enjoy it. And I’ve jumped around ever since. And because of the way I feel about their earliest and later albums, I’ve approached the ones in …
Sheer Heart Attack (1974) by Queen
This is, by all accounts, the record where Queen really becomes Queen, taking their bizarre (insane, really) hybrid style and finally pairing it with enough quality songs that it no longer seems gimmicky. I’m not sure I entirely agree, but I get why people feel this way.
The Psychomodo (1974) by Cockney Rebel
I think I got this band confused with a pub rock band. I don’t really know how I did that, but I did. So, as you might imagine, I was in for a surprise.This is extra arty glam rock (or perhaps super glammy art rock, if you prefer) with a fair amount of quirk courtesy …
Kimono My House (1974) by Sparks
Sparks is one of those bands with such a big cult following that you inevitably encounter someone who loves them. I have, at some point, but it wasn’t a friend, just people on the internet. Reading a lot about a band always gives one impressions, and those impressions are often wrong. So it was with …
‘The Hoople’ (1974) by Mott the Hoople
I have long struggled to care about Mott the Hoople. From the first time I learned about David Bowie’s involvement with them to trying to take their record anniversaries seriously enough to discuss on my podcast, I have just never got them. When I did review Mott, the previous record, I didn’t like it. And …
Queen II (1974)
I think it’s safe to say that there’s no other band that sounds like Queen: hard rock plus operatic vocals plus other weird arty or proggy ideas, in a really accessible package, with occasional diversions into other genres that shouldn’t fit – pick a Queen record and there’s usually at least one of these. I …
KISS (1974)
For a band that looks scary – well one of the members looks scary – and with their kind of stage show, this is some pretty tame blues rock. Much like Alice Cooper, the appearance and show match the music in a way that can only be described as incongruously. It’s a wonder how these …
Stranded (1973) by Roxy Music
I must say I was pretty damn worried about the first post-Eno Roxy Music album. I have heard later records and, well, I didn’t love them. I don’t love where Ferry took the band. I figured this was the beginning of the end, with the “end” being Ferry the oh so sophisticated synthpop crooner.
Suzi Quatro (1973)
I know basically nothing about Suzi Quatro, but the little I knew about her piqued my interest. I don’t know that there was a prominent female bassist solo artist when she debuted. Carol Kaye is the only prominent female bassist I can think of from the 1960s and she was strictly a session player. So …
Goodbye Yellow Brick Road (1973)
The double album (LP edition) is such a fraught proposition for the artist: on the one hand, for serious fans, it’s the opportunity to hear even more of one of their favourites and so its a treat to cherish – and it should come as no surprise the number of bands whose dedicated fans regard …
These Foolish Things (1973) by Bryan Ferry
A friend of mine told me this album was pretty great. I can’t remember whether or not he said it was one of the great cover albums of all time, but I feel like it was implied if not explicit. And I’ve read elsewhere that it is among them. So my expectations were pretty high, …
Mott (1973) by Mott The Hoople
This is the first Mott the Hoople record I’ve actually gotten around to listening to enough to review. I tried another one – I don’t remember which – but it didn’t make the cut. I could have dropped this one for similar reasons, I think, but I didn’t for whatever reason.
Back to Mystery City (1983) by Hanoi Rocks
The term “hair metal” was thrown around a lot in the 1980s, often at bands that little or nothing to do with it – like the Gunners (too bluesy), Def Leppard (not metal enough once they were successful, too British, and not really of that scene at all), or Queensyrche (too proggy) and any number …
Suede (1993)
This is a more theatrical version of Brit Pop than I’m normally used to – that’s not to say it’s super theatrical but it is definitely glammier (for lack of a better word) than their contemporaries.
A Wizard A True Star (1973) by Todd Rundgren
If you’re like me, you wished that Something/Anything?could have been, well, weirder. Or, if not weirder, at least more varied. I personally find that the record doesn’t quite live up to its reputation for weirdness and variety. Well, be careful what you wish for.
Billion Dollar Babies (1973) by Alice Cooper
Though I have known of Alice Cooper the man for most of my life, this is my first Alice Cooper album (band or man). As you might imagine, I’m a bit surprised.
Tanx (1973) by T Rex
There are bands that are good at doing many things and bands that are good at doing one or two things. I think if you only listened to T. Rex and not Tyrannosaurus Rex, you’d probably think that T. Rex was one of these latter bands and Bolan was one of these songwriters – pretty …
Like a Mother Fucker (1977) by Heartbreakers
Aka L.A.M.F. and these Heartbreakers are not to be confused by Tom Petty’s band of the same name. Recorded in the UK, this record still sounds extremely “New York.” In fact, the central feature of this record and the thing that I struggle with while listening to it is its huge resemblance to the New …
Under the Blade (1982) by Twisted Sister
If you grew up in the 80s as I did, you were inundated by certain music videos and two of them were “I Wanna Rock” and “We’re Not Gonna Take it.” And through my entire life this is all I’ve known of this band, aside from Dee Snyder testifying before congress, which definitely upped my …
Love Gun (1977) by KISS
I absolutely hated Destroyer, KISS’s most famous and ostensibly best record, so I had really low expectations for this record. Maybe that’s why I don’t hate it, but I think there are other reasons.
Roxy Music (1972)
On their debut, Roxy Music appear to have stumbled upon a unique take on art rock: it’s borderline prog at times but Ferry’s songs and croon are just way too rooted in popular music conventions (whether they subtly overturn them or not) for this to be mistaken as King Crimson or some Canterbury scene band …