The second volume from Jazz Sabbath is considerably more ambitious musically than the first and, to my ears, considerably more campy. The first volume is tagged/categorized as, among other things, musical parody. But, aside from the “liner” notes, I honestly didn’t hear any parody. I heard a genuinely earnest and serious attempt to play Sabbath …
Tag: Hard Bop
Jazz Sabbath (2020)
Once, many years ago, when I was describing Paranoid to a friend who was skeptical of Black Sabbath, I used the term “jazzy” (or, perhaps, “relatively jazzy”). He scoffed. (He was probably thinking of the title track and thought I was crazy). I was referring, specifically, to Butler and Ward, who I felt played their early metal …
Jazzical Moods, Vol. 1 (1955) by Charles Mingus
This is a 10-inch album from back when those were still a thing. The compilation I have doesn’t include its sequel (Vol. 2), which has been combined with it on an LP in 1957, though I think that LP dropped a couple tracks from both and its sequel. (I mention this because I believe it …
Pithecanthropus Erectus (1956) by Charles Mingus
According to everything I’ve read, the is the first studio album where the Charles Mingus every knows and loves first emerged. He had been a leader on a number of releases prior to it but it’s this record, and particularly its title track, where his unique fusion of music from bop (and earlier) with musical …
The Clown (1957) by Charles Mingus
This record is, for some, probably the most controversial of Mingus’ prime, for its infamous title track, a piece which contains spoken narration by Jean Shepherd. And it’s the one piece I’m not entirely sure what to do with so I’ll try to leave it for last.
Mingus Three aka Trio (1957) by Charles Mingus, Hampton Hawes, Danny Richmond
If you asked me to name my favourite jazz musician, the first person I would probably name, before equivocating, would be Charles Mingus. And yet I’ve heard so little of his discography, really, with my listening focused pretty much entirely on what people would call his prime. Until I listened to this record, I’m not …
Swiss Movement (1969) by Les McCann, Eddie Harris
The myth-making goes to hilarious extremes in the liner notes – with the writer denying the band had ever played together before this date before then detailing how they played together before the date – but that’s something that’s quite common to jazz (and to music in general) and this band still sounds fantastic for …
Camouflage (2004) by Acoustic Ladyland
Coming at an artists backwards is always a big of an issue. Not only as it’s sort of unfair to the artist – we get our notions of what the artist sounds like when they are “mature” and try to apply that to their early work – but also as it’s unfair to the listener, …
The Complete Quartets with Sonny Clark (1997) by Grant Green
This set compiles the first three albums Grant recorded with pianist Sonny Clark before the band was expanded to a quintet later in 1962. Interestingly, none of these albums were released until 1980 (in Japan) which, given the quality of the music, it’s really hard to understand.