I had no idea what I was getting into with this band, assuming they were just yet another pop punk band. So I was very pleasantly surprised by this record, which really gets in my wheelhouse at times. But I can’t love the record, because, well, I’ve listened to too many of the bands that …
Tag: Hardcore Punk
Ill Communication (1994) by Beastie Boys
The Beastie Boys confuse the hell out of me on this record, but that’s probably by design and likely what endears so many people to them. I have only heard a few of their other albums but this is the most traditionally “musical” of those, so it’s the one you’d think I’d like the most.
My War (1984) by Black Flag
This record has a very mixed reputation, with some people viewing it as a daring left-turn, and a major step in the evolution of a genre Black Flag usually had nothing to do with, and far more people seeing it as a utter betrayal of Blag Flag’s sound. I tend to think that the most …
Suicidal Tendencies (1983)
Before listening to this record, I have only ever listened to a “best of record” by these guys. That impressed the hell out of me, but it’s worth noting that they definitely changed significantly over the years, and what we have here is something much, much rawer than what I was expecting.
When Forever Comes Crashing (1998) by Converge
This is some excellent metalcore, with just about everything you would want from the genre.
Hootenanny (1983) by The Replacements
This is a bizarre, jokey mess of a record, as much of a transition record (in hindsight) as any record I’ve heard by an American band.
What Makes a Man Start Fires? (1983) by Minutemen
This is such a unique take on hardcore – if you can even call it hardcore, since it’s hardly loud enough or musically violent enough to qualify. It’s like something else. I see the descriptor “post punk” thrown around, which might fit, though Minutemen sound absolutely nothing like the British post punk bands (or the …
Milo Goes to College (1982) by Descendents
This is the point where hardcore starts to lose me: where the virtues of the genre are starting to give way to things more common to earlier punk or the later skate punk. It is very clearly the bridge between early hardcore and skate punk/pop punk but I don’t know that this is a thing …
Back from Samoa (1982) by Angray Samoans
I feel like I’ve listened to a fair amount of offensive music in my time but this record is right up there. If you’ve ever wondered where the “piss off at all costs” aesthetic of some bands comes from, it might be from Angry Samoans. Though Gwar and Anal Cunt sound nothing like this band, …
Urban Discipline (1992) by Biohazard
Finally some rap metal that actually sounds like metal. That is the virtue of the band, I guess. They are much more recognizable as metal.
Plastic Surgery Disasters (1982) by Dead Kennedys
This is, if anything, fiercer than Fresh Fruit for Rotting Vegetables. It’s also slightly more ambitious, with that horn part, and the spoken word introduction and outro.
Songs About Fucking (1987) by Big Black
What probably sounded unbelievably loud – not to mention offensive to a lot of people – has mellowed considerably nearly thirty years later. So much of this record (or even the band’s oeuvre, perhaps) has integrated into alternative rock and even some indie rock. Hell, it doesn’t even sound very noisy compared to what’s being …