I last saw Wilco in 2009 and it was the best show I’ve ever seen. Apparently I didn’t blog about it but they absolutely blew me away. Some of this was my expectations: I don’t know if I’d listened to or watched any of their live stuff yet but, if I had, I still wasn’t …
Tag: Indie Folk
And I’ll Scratch Yours (2013) by Various Artists
I quite enjoy Scratch My Back and love New Blood but, for some reason, it took me years to get around to listening tot he other half of Scratch My Back. But the thing I love about New Blood doesn’t really apply to this project (or Scratch My Back either, really, even though they sound …
Cruel Country (2022) by Wilco
Despite supposedly being a very big fan of this band, I completely ignored Ode to Joy. I think it’s because I mostly haven’t enjoyed their post Sky Blue Sky output.
Oh, Inverted World (2001) by The Shins
I listened to Chutes Too Narrow 12 or 13 years ago, when I possibly could still remember the Garden State thing, and it made no impression on me. I haven’t listened to this band since.
Elliott Smith (1995)
Allow me to get something off my chest: this record is not “lo fi”. If you think this is “lo fi”, please listen to early Smog or early Sebadoh or early Ween or anything that actually qualifies as lo fi and then come back and listen to this. Smith doesn’t need your help. He’s a …
Everything I Long For (1995) by Hayden
Despite being Canadian Hayden has mostly eluded me. (And I’ve, um, seen him live. Seriously.) I don’t know why but I’ve just never taken the time to listen to his albums. I’ve heard some of his songs at friend’s places and, yes, I’ve seen him at a festival. But I’ve never paid much attention and …
Figure 8 (2000) by Elliott Smith
I think Elliott Smith is a good songwriter. As I have said when reviewing his other albums, I really don’t get the idea that he is one of the great songwriters of his generation, but he’s certainly very good. His songs are a little too poppy for my tastes, but I can at least appreciate …
Dongs of Sevotion (2000) by Smog
During one of our podcast episodes, we were discussing Palace Brothers and one of the guests said he reminded him of Smog. When I first listened to Smog – the earlier, weirder, more lo fi Smog – I had no idea what he was talking about. But listening to this record I really, really do. …
The Covers Record (2000) by Cat Power
When I was younger, I believed the people who sang others’ songs were somehow lesser artists. I believed this for quite some time until, one day, I didn’t. It took me a long time to get there, but one of the things that helped me get there was getting exposed to really good cover albums …
Roman Candle (1994) by Elliott Smith
Your mileage with Elliott Smith likely depends upon when in your life you first heard him. It sure feels like the people who first got into him in their teens – or even their early 20s – have a much greater desire for him to be appreciated as one of the great songwriters of his …
Moon Pix (1998) by Cat Power
I liked but didn’t love What Would the Community Think?. That was my first Cat Power album. I don’t remember it much now. But my impressions of this one seem very different if I’m to go by the review I wrote for its predecessor.
XO (1998) by Elliott Smith
The first time I heard Elliott Smith, on Either/Or, I was underwhelmed. That’s because all throughout my adult life people had been telling me how great he was and, well, hype is awful.
There Is No-One What Will Take Care of You (1993) by Palace Brothers
The impact of this record is dimmed a lot by time and by familiarity with Will Oldham’s career. Apparently this was initially released without credits and the sense of mystery that and the music contained herein created probably has a lot to do with this record’s reputation and the launching of Oldham’s career (as Palace …
In the Aeroplane Over the Sea (1998) by Neutral Milk Hotel
Does knowing the supposed concept make this record more problematic? I think so.
Fuzzy (1993) by Grant Lee Buffalo
I decided to talk about this record, rather than any number of other records from 1988 and 1993, in part because Michael Stipe once claimed it was the best album of 1993. Now, I don’t necessarily share musical states with the lead singer of REM, but I do feel like he had an important role, …
Either-Or (1997) by Elliott Smith
The problem with hype is that it makes you have expectations that can never be met. And, for some reason, the the death of someone just makes this so much worse, but in retrospect. Once a beloved musician dies, everything they ever made becomes a masterpiece and must be held up as proof as the …
Sebadoh III (1991)
Without having heard the two previous Sebadoh albums, and not being familiar enough with the evolution of home recording releases in the 1980s, I still feel confident in saying that I think this album is a pretty big deal; its influence on 1990s indie rock, indie folk and the lo-fi/bedroom recording movement in general is …