My first exposure to Bozz Scaggs was “Loan Me a Dime”, at a time when I was really into blues rock, and he seemed pretty cool to me. I had no idea the course his career took.
Tag: Pop Rock
If You Can Believe Your Eyes and Ears (1966) by The Mama’s and the Papa’s
Oof. Every so often you come across a hit album, be it a critical success or a popular success or both, which has aged really poorly. And the Mama’s and the Papa’s debut album has aged as poorly as their terrible use of the apostrophe in their band name.
Different Light (1986) by The Bangles
I was moderately pleasantly surprised by the debut, having associated this group band mostly with “Walk Like an Egyptian” (on this record) and “Eternal Flame” (not on this record). But whatever surprise I got from the debut has disappeared this time around.
Trust (1981) by Elvis Costello & the Attractions
Some critics insist this is the best of the early Attractions albums and among Costello’s very best work. I haven’t listened to any of the other records, recently, however, and so I have a really hard time judging whether or not that opinion is correct.
Humans (1980) by Bruce Cockburn
Cockburn is one of those singer-songwriters I’ve taken my sweet time getting to, especially strange given his nationality. (Or perhaps that’s on purpose on my part.) This is only the second Cockburn album I’ve ever heard despite how prolific he is and despite his citizenship. (He is a bigger deal in my country, I suspect, …
Crack the Sky (1975)
The narrative about American prog in the ’70s that I grew up on is that American musicians heard British prog and got really excited about it but, without the classical education, they really didn’t know how to do it, save to include some jazz. And then some of them figured out that if they just …
Turn! Turn! Turn! (1965) by The Byrds
If I were asked to make a list of the most underrated rock bands of the 1960s, the Byrds might top that list. The average person in the 21st century has no idea how important they were in the evolution of music between 1965 and 1968. So it’s safe to say I’m a fan. But, …
Casino (1990) by Blue Rodeo
Blue Rodeo are an institution in Canada. And they were well on their way to becoming an institution in Canada before I ever cared about alt country, or any form of country music. And I guess that’s why I missed the boat on them. Because they were already in my musical ether before I started …
Autoamerican (1980) by Blondie
I didn’t grow up with Blondie like I should have. With their biggest hits accessible enough for mainstream radio, and my dad buying a Greatest Hits record, it’s kind of weird I don’t know them better. But he bought that compilation in my mid teens and they were always too recent to be played on …
Hi Infidelity (1980) by REO Speedwagon
I approached this album with trepidation, mostly because my knowledge of REO Speedwagon consists of two things: their ’80s singles and their supposed career arc from boogie rock band (or something) to pop rock sellouts. (I have no idea how true the latter is, but I read it ant an impressionable age.) I think I …
Double Fantasy (1980) by John Lennon, Yoko Ono
The dirty little secret about this record – if it’s even a secret – is that it was a failure when it first came out: it got bad reviews and it didn’t sell very well. People can write all they want about how it was John Lennon’s return after being a dad, or what have …
Stephen Stills (1970)
Though I became kind of obsessed with Manassas’ debut album and Super Session back in the day, Stills is the last of CSNY for me, in terms of listening to proper solo albums. Some of that is accidental (or technical, depending upon how you feel about Manassas). But some of that is also because, though …
Whoa, Nelly! (2000) by Nelly Furtado
I’ve paid basically no attention to Nelly Furtado. I was aware of her hits – and remember the hits from this record – but was otherwise utterly uninterested. Some of that has to do with my music tastes – specially my tastes when I was 19 – and some of that appears to have to …
Dirty Mind (1980) by Prince
Like so many artists’ early work, I’ve come to this Prince album backwards. And I suspect that a lot of my issues with it come from all the later Prince I’ve heard. Because, on first listen, this record just sounded like Prince in utero or, um, proto Prince.
Still Crazy After All These Years (1975) by Paul Simon
I have no time or patience for the Smooth Sounds of the Seventies and Paul Simon is not a favourite songwriter, so you can imagine that this is not a record I’m going to enjoy.
Rock of Westies (1975) by Elton John
Based upon the title, the cover, and the presence of “Island Girl”, I thought this was going to be John’s Caribbean record. (I thought “westies” meant “West Indies”; I didn’t know it was a spoonerism.) So colour me surprised by (most of) the actual content.
Tumbleweed Connection (1970) by Elton John
Try as I might, I cannot fall in love with Elton John’s music. I have listened to many of his records at this point – basically only from the ’70s – and I have quite liked one of them. The others don’t really connect with me yet and this one is just another of those.
Jesus Christ Superstar (1970) by Andrew Lloyd Webber and Tim Rice
I honestly had no idea this was an album first. I think because it has been so successful as a property I just assumed it had to have been a musical. But, instead, it was an album. And, as a result, it got reviewed as an album. (And, hilariously, it was banned in some countries …
The Gold Experience (1995) by O(+>
I can’t claim to know Prince’s catalogue that well, especially since the ’80s. So you can’t take what I say as gospel. But, listening to this, I’m inclined to agree with the critical consensus that says it’s his best record of the ’90s (or one of them). There may well be better ones, of course, …
Listen Without Prejudice Vol. 1 (1990) by George Michael
More than his debut album, this record strikes me as the work of a singer-songwriter, one who also happens to be an incredibly dynamic performer, and a multi-instrumentalist. I’ve only listened to Faith a couple of times, but this feels more personal. And I must say I like it more. As an aside: the fact …
Dreamboat Annie (1975) by Heart
There was so much blues-based rock and hard rock in the 1970s, it’s hard to know what to care about in the 21st century. So much stuff that was raved about at the time now seems entirely inconsequential given the (relative) death of rock music in the 2010s.
Sing When You’re Winning (2000) by Robbie Williams
It is one of the strangest musical careers of our time, that Robbie Williams was perhaps the biggest star in the UK, for like nearly a decade, and was just a guy with some minor hits in North America. It’s something that has happened over and over and over again – with British stars failing …
Ben Folds Five (1995)
At some point during the last 30 or so years before this album’s release, the piano stopped being a rock instrument. That’s particularly weird given its primary in the creation of rock and roll, as it was piano and saxophone, before electric guitar, that helped create what became rock and roll (in part because they …
No Fences (1990) by Garth Brooks
I honestly thought Garth Brooks was a songwriter. I have a memory of channel-surfing and finding a show on which he and some other country songwriters were discussing songs they wrote. So I just assumed he wrote all or most of his material. Going by this album, his breakout hit, he doesn’t. (He co-writes 4 …
Crimes of Passion (1980) by Pat Benatar
So, well all know “Hit Me With Your Best Shot”. In fact, off the top of my head, it’s the only Pat Benatar song I know. (I have some vague memory of some other video but I wasn’t even born when this album came out.) So the question for this album is, how does the …
Atlantic Crossing (1975) by Rod Stewart
When going through Stewart’s solo early solo records I’m always wary that maybe this one will be the one in which he abandons his early sound for the money-chasing of his later career. But the truth is never so straight-forward and so I find myself listening to a record that manages to both sound close …
Parachutes (2000) by Coldplay
Imagine early Radiohead with none of the energy or edge (i.e. none of the alternative/grunge influences) and none of the aritness or idiosyncrasy, and imagine them playing mostly ballads (and the up-tempo songs are so soft they sound like ballads) and I guess you get some idea of what Coldplay sound like on their first …
Heart (1985)
All I know of Heart is their ’70s hits, which used to get played on classic rock radio a lot. (I don’t know if they still are.) I’ve heard most (all?) of these hits but I had no idea that they were Heart, in part because they sound so different, and in part because I …
Voices (1980) by Hall & Oates
I must say, I had a pretty fixed idea of what Hall & Oates sounded like before I listened to this album. And it wasn’t a very good idea because it was based both on the few hits of theirs I knew of theirs and the fact that I absolutely didn’t know some of their …
Summer Days (And Summer Nights!!) by The Beach Boys
Record labels know best, right? They definitely understand what the people want better than the artists who do all the creative work that lets the label exist. Right?