Tag: Power Pop

1984, Music

All Over the Place (1984) by The Bangles

So many of my impressions of ’80s bands with only a couple of hits have been formed by those hits, and so I often find myself encountering a band with strong preconceived notions and finding them just blasted apart by albums. I don’t know if I’m alone in thinking “Walk Like an Egyptian” is gimmicky …

1974, Music

Kimono My House (1974) by Sparks

Sparks is one of those bands with such a big cult following that you inevitably encounter someone who loves them. I have, at some point, but it wasn’t a friend, just people on the internet. Reading a lot about a band always gives one impressions, and those impressions are often wrong. So it was with …

1978, Music

Outlandos d’Amour (1978) by The Police

The Police’s debut album is a bouncy energetic thing, with way better than you’d expect musicianship for their music scene and the kind of performances you would require from that same scene. Much of what initially captivated people about this band, present on this album, would disappear by the end of their career.

1978, Music

Parallel Lines (1978) by Blondie

My dad bought a Blondie compilation sometime in my teens. It was a double disc. So I feel like, to the extent I know Blondie, it is through that compilation. Had he bought it 10 years earlier, I would likely know all their hits very well. Alas, he bought it a few years before my …

1978, Music

Love Bites (1978) by Buzzcocks

I am not a fan of the Buzzcocks. They are way too far on the pop side of the pop punk spectrum for me. (Yes, going by that, it’s safe to assume I don’t like pop punk.) I acknowledge their importance in the evolution of punk and particularly in pop punk, but I would just …

1998, Music

Stunt (1998) by Barenaked Ladies

You can count me among the many (millions?) of Canadians who were shocked by the success of this record in the USA when it came out. To me, Barenaked Ladies were a comedy novelty act who had some funny songs and videos, which I had mostly grown out of by the time this record came …

1993, Music

Altered Beast (1993) by Matthew Sweet

When I was a teen, I didn’t get Matthew Sweet. He had the odd video on Much Music and those videos made no impression on me. But some people in the media (and probably even some people I knew) spoke about him as if he was…someone, as if he had done something in the time …

1988, Music

Temple of Low Men (1988)

Like so much other music, I have come to this band backwards, having recently listened to Neill Finn’s solo debut before I had ever heard any of their records. What I discovered on his solo debut is that he is not my kind of songwriter and often not my kind of performer. This is not …

1978, Music

The Cars (1978)

The Cars’ debut album marks the point where, for better or worse, New Wave goes commercial. Basically very previous (American) New Wave album was too arty, too quirky, too herky jerky to connect with the average listener. But Ocasek and company found how to merge New Wave with that basic American need for big dumb …

1978, Music

Another Music in a Different Kitchen (1978) by Buzzcocks

Full disclosure: I don’t like the Buzzcocks. Until hearing this debut, I’d only ever heard A Different Kind of Tension and that record likely biased me towards this one and its importance.

1993, Music

On the Mouth (1993) by Superchunk

By reputation, I always thought No Pocky for Kitty was the Superchunk album to listen to. Then I listened to it and, though I appreciated why people like it, I didn’t love. I see the RYM rating is higher for this one. I think I know why. I mean, maybe I know why.

1997, Music

So Much for the Afterglow (1997) by Everclear

I don’t know this band save for “Wonderful” so I cannot tell you whether the Beach Boys-esque opening to the title track is a giant left turn or not. If it is, that’s brave of them. But, for those of us who do not know this band, it’s the wrong note to start the album. …

1997, Music

Tone Soul Evolution (1997) by The Apples in Stereo

I am not very familiar with Elephant 6 but, to the extent that I am, I am familiar with weird, idiosyncratic indie pop bands, with a big emphasis on the “indie.” I assumed that Apples in Stereo would be along the same lines as the other Elephant 6 bands but, at least based upon this …

2015, Music

The 2015 Wolfe Island Music Festival August 7-8, 2015

The annual pilgrimage to Wolfe Island Music Festival (WIMF) got off to a bit of an uneven start but ended up being one of the better festivals I have attended over the last half decade or so.

2007, Movies

Amazing Journey: The Story of the Who (2007, Paul Crowder, Murray Lerner, Parris Patton)

This is a fawning, awkward fluff piece of one of the greatest bands to come out of the British Invasion. I love The Who – there was probably a time in my life when they were my favourite band – but this film feels like the Official Version, something vetted by Daltrey and Townshend so …

1970, Music

Live at Leeds (1970) by the Who

Is this the greatest live album of all time? I never used to care about live albums. I never used to care about live music. Music used to live in my bedroom and I had no idea that there was some other side to it. Frankly I didn’t understand why people went to concerts. The …

1996, Music

Pinkerton by Weezer (1996 DGM)

One of the myths of my generation is that this is some kind of lost treasure. Because it wasn’t played on the radio upon its release like the debut was, and it didn’t sell as many copies as their very catchy debut, that it is somehow a ‘forgotten classic.’ Of course that’s not true, because …

2012, Music

And I Thank You (2012, I don’t give a shit what label its out on) by the Elwins

Sometimes I encounter a band where I can’t even bring myself to give them their deserved three listens. Such a band is the Elwins (supposedly very highly buzzed about, but I wouldn’t know, it’s not like I googled them or anything). It must make other musicians crazy to see a band like this get buzz.  …

1979, Music

Armed Forces by Elvis Costello & the Attractions (Columbia 1979)

It’s slightly overproduced but this actually sort of makes it fit in with what was going on in the world. Costello is more biting here (and more cohesive) which appeals to me. It lets me forgive some of the more bizarre flourishes. Like the past one, it feels like a step forward and a step …

1977, Music

This Year’s Model by Elvis Costello (Columbia 1978)

Rawer than the debut, which is nice. Perhaps a little more cohesive as well. Though it is better sounding I’m not sure the songs are quite as strong: it’s a trade-off, something got better and something got not quite as good. I guess that’s where I’m leaving it. 8/10