This is a bonkers record which, had I discovered it when I was in my late teens or early 20s, I might be telling you is one of the great unknown masterpieces of the early ’70s. However, time has dulled my tolerance for the “anything goes” approach of this band, especially given how scattershot the …
Tag: Progressive Rock
Fear Inoculum (2019) by Tool
Tool goes Rush (circa late ’70s/early ’80s)!
Red Queen to Gryphon Three (1974)
Are the wrinkles on the forehead of the character on the cover meant to to at least somewhat allude to Gentle Giant? Because that’s the first thing I think of when I see the cover and the thought enters my head that this might be somewhere in the world of Gentle Giant.
The Civil Surface (1974) by Egg
Here I am coming at yet another band backwards. This time, it’s even worse, because this album was made by Egg after they had broken up, to basically tie up loose ends or something. So, um, it’s probably not the best place to start.
Sheer Heart Attack (1974) by Queen
This is, by all accounts, the record where Queen really becomes Queen, taking their bizarre (insane, really) hybrid style and finally pairing it with enough quality songs that it no longer seems gimmicky. I’m not sure I entirely agree, but I get why people feel this way.
Still Life (1999) by Opeth
Guys, I think I don’t like Opeth.
Eldorado (1974) by Electric Light Orchestra
It’s El Dorado. Ahem.
Crime of the Century (1974) by Supertramp
Before I knew what Prog Rock was, Supertramp was just a band on classic rock radio that I didn’t exactly love. Once I figured out what Prog Rock was, they became this caricature for me – my friends who hated prog hated it because they hated Supertramp but, to me, Supertramp wasn’t prog at all, …
On the Threshold of a Dream (1969) by The Moody Blues
Many people, or at least many rock critics, consider the Moodies to be the first ever progressive rock band or, at the very least, creators of the first ever progressive rock album. Now, I haven’t heard the previous album, but I have heard their album which supposedly invented the genre (Days of Future Passed) and …
Queen II (1974)
I think it’s safe to say that there’s no other band that sounds like Queen: hard rock plus operatic vocals plus other weird arty or proggy ideas, in a really accessible package, with occasional diversions into other genres that shouldn’t fit – pick a Queen record and there’s usually at least one of these. I …
Kansas
When I was curating albums for the latest episode of my podcast, I glanced and the Wikipedia entry for this album and saw a 5 star review. I sighed and figured “Fine, Kansas it is.” I looked again later and realized that the ranking came from a site I didn’t put much credence in. But, …
Mekanïk Destruktïw Kommandöh (1973) by Magma
The first time I heard Koenji Hyakkei I thought “Oh my god, what is this?!?!” and kind of lost my mind. It seemed like someone had invented a new spin on prog rock in the 1990s and I had just missed it during my teens. It was a while before I knew about Zeuhl or …
Sabbath Bloody Sabbath (1973) by Black Sabbath
Is a band that does one particular thing very well, like Black Sabbath, allowed to evolve? It’s one of those tricky questions. On the one hand, we expect many if not most artists to evolve in some way. (Thank the Beatles for that, if you hate that.) On the other hand, some bands (AC/DC, Ramones, …
Focus (1993) by Cynic
Most of the time, when I encounter “progressive death metal” (which this sounds like to me, but which it isn’t categorized as on RYM), I think “this isn’t very progressive.” It usually sounds like more ambitious death metal, but it doesn’t sound very proggy. Well, not so here. If there is one thing this record …
Shine On Brightly (1968) by Procol Harum
Procol Harum remind me of The Moody Blues in a way; not in terms of their sound but in terms of their place in the history progressive rock, and how it evolved. Both bands got in on the ground floor, which makes them pioneers, at the very least. But both also got in before progressive …
Felona e Sorona (1973) by Le Orme
I don’t understand Italian, and I didn’t realize there was an English version – and I don’t really want to listen to that – so whatever this grand concept is, I don’t really know or care. Sometimes it’s better to listen to “High Concept” rock music in another language, that way you’re not confronted with …
The Six Wives of Henry VIII (1973) by Rick Wakeman
I can’t say I like programmatic music a lot of time as I often find the concept completely unhelpful in appreciating the music. (The exception to this is a really great tone poem, wherein the program sometimes helps locate the experience.) So frankly I am unconcerned with whether or not this record does anything with …
Aerie Faerie Nonsense (1977) by The Enid
Someone forgot to tell these guys they’re supposed to be a rock band.
Inside (1973) by Eloy
A band I wanted to listen to a lot when I was much younger; finally got around to it.
As the World (1995) by Echolyn
When I was in my very late teens and early 20s, I absolutely loved prog rock. And I think that, had I heard Echolyn then, I probably would have loved them; I probably wouldn’t have cared about the things that now cause me to be concerned about this kind of music. Because this record satisfies …
I Robot (1977) by The Alan Parsons Project
When I was young and obsessed with prog rock, people used to make fun of me. They would learn I loved prog and they would be bemused or even a little shocked/outraged. And I was confused because I really liked the stuff. Eventually, I realized that those who made fun of my tastes were often …
The Yes Album (1971)
For most of my prog-rock listening life, I have not fully gotten Yes. I don’t know what it is about them, but of the Big 6 they were long my least favourite. This has changed as I got older, as I have come to find ELP extremely inconsistent and Tull to be more than a …
RIP Chris Squire
Among the “Big 6” prog bands, Yes was long my least favourite -though, as I age, ELP has taken their place very handily. I have always found their discography rather immense and, well, kind of repetitive – though I have not given it the time I have given King Crimson’s, for example. So, maybe how …
In the Wake of Poseidon (1970) by King Crimson
Full disclosure: King crimsion is one of the bands that “changed my life” on a musical level and they remain among my favourites. I have trouble being objective about them. I’m trying, but it’s probably not possible.
Still Life (1976) by Van der Graaf Generator
This is the cleanest produced Van der Graaf Generator album I’ve heard so far (it’s the fourth I’ve heard), and that’s both a good thing and a bad thing.
For Girls Who Grow Plump in the Night (1973) by Caravan
I really enjoyed the first Caravan album I heard (that would be their second), despite a few glaring drawbacks, and I looked forward to listening to a later one. But this just doesn’t do it for me.
Works Volume 2 (1977) by Emerson, Lake and Palmer
Years ago, when I was still young enough to maintain that ELP was a truly great band, I gave this a listen or three and rated 6/10. I think I wanted to believe the common idea that this is better than Volume 1 because at least here the bands sometimes sounds like ELP. Well, there’re …
RIP: Jon Lord
Jon Lord was one of the earliest rock keyboardists – along with people like Keith Emerson – to attempt to fuse so-called “classical” music (actually it was usually Romantic music) with rock. He convinced his band, Deep Purple, to cover Richard Strauss, among others, to include his string and wind arrangements, and to eventually perform …