Tag: Punk

1988, Music

Suffer (1988) by Bad Religion

My first impression of Bad Religion was from a significantly later record, when what they may have helped pioneer was everywhere. I thought, “Great, another skate punk band.” Sure, they’re a very literate punk band, but I’ve heard a lot of these bands and they pretty much sound the same.But if I try to put …

1978, Music

Love Bites (1978) by Buzzcocks

I am not a fan of the Buzzcocks. They are way too far on the pop side of the pop punk spectrum for me. (Yes, going by that, it’s safe to assume I don’t like pop punk.) I acknowledge their importance in the evolution of punk and particularly in pop punk, but I would just …

1978, Music

Power in the Darkness (1978) by Tom Robinson Band

This is certainly more musically traditional punk than so many of the punk albums that came out in 1977 and especially in 1978. I guess that’s why some people consider it pub rock; it’s more musically competent than punk and, were it not for the lyrics and the vocals, it could be mistaken for pub …

1978, Music

Another Music in a Different Kitchen (1978) by Buzzcocks

Full disclosure: I don’t like the Buzzcocks. Until hearing this debut, I’d only ever heard A Different Kind of Tension and that record likely biased me towards this one and its importance.

1978, Music

Easter (1978) by Patti Smith Group

I struggle with Patti Smith; she’s one of those artists I think I should like, not just because of received opinion but because the things she does are things I supposedly like. But for some reason I have this barrier. I think it comes from how I first heard her.

1978, Music

Crossing the red Sea With the Adverts (1978)

I think the thing that so many people find really appealing about this band is that they manage to combine punk attitude with a pretty strong sense of melody, a sense of melody lacking in other punk bands of the sort of second wave of British punk bands, who got record deals in 1977 but …

1982, Music

Milo Goes to College (1982) by Descendents

This is the point where hardcore starts to lose me: where the virtues of the genre are starting to give way to things more common to earlier punk or the later skate punk. It is very clearly the bridge between early hardcore and skate punk/pop punk but I don’t know that this is a thing …

1982, Music

Back from Samoa (1982) by Angray Samoans

I feel like I’ve listened to a fair amount of offensive music in my time but this record is right up there. If you’ve ever wondered where the “piss off at all costs” aesthetic of some bands comes from, it might be from Angry Samoans. Though Gwar and Anal Cunt sound nothing like this band, …

1992, Music

White Trash, Two Heebs and a Bean (1992) by NOFX

There was a time in my life that I think I would have really liked the sophomoric humour of NOFX. Unfortunately for them, but probably fortunately for me, I was into Oldies and then into prog rock when I was a teenager, so there is no way I would have listened to a record like …

1977, Music

Like a Mother Fucker (1977) by Heartbreakers

Aka L.A.M.F. and these Heartbreakers are not to be confused by Tom Petty’s band of the same name. Recorded in the UK, this record still sounds extremely “New York.” In fact, the central feature of this record and the thing that I struggle with while listening to it is its huge resemblance to the New …

1977, Music

No More Heroes (1977) by The Stranglers

I used to think there was only one true British New Wave band: The Police. (Well, and Elvis Costello. But Costello is labeled New Wave primarily due to laziness; too punk to be Pub Rock and too classicist to be Punk, people didn’t know what else to call him.) The Police were the only band …

1997, Music

Full Circle (1997) by Pennywise

I don’t love 90s punk, I generally find it too polished and too formulaic for my tastes. I’m not sure what it adds to the legacy of hardcore and frankly it’s all too one note. You can get away with one-note when you’re doing something brand new, but when you are doing a slightly more …

1997, Music

Dig Me Out (1997) by Sleater-Kinney

The songwriting has improved here – the arrangements feel tighter and the hooks areĀ  arguably stronger. This is only the second record of theirs I’ve heard, so I’m not sure I can argue that it is their best (I believe it has that reputation) but if you are looking for 90s punk that still feels …

1977, Music

(I’m) Stranded (1977) by The Saints

This is a really early punk record – so early it beat The Clash and The Pistols to the punch in terms of their debut LPs – that likely gets ignored because it’s Australian. It louder and grimier than almost all the UK bands and most of the American bands, pointing the way for future …

1991, Music

No Pocky for Kitty (1991) by Superchunk

This is a set of solid songs that are uptempo and pleasantly loud. I get why this band was a big deal back then because, to my knowledge, this kind of straight-ahead abrasive power pop/pop punk was a relative rarity. But it’s not really my thing. It’s too one note for me, as much as …

1971, 1972, 1973, 1976, Music

The Modern Lovers (1976)

This sort of compilation of “demos” is an early punk classic that lets the rest of the world know what probably only a few people in Boston and the music industry knew. The mix of straight ahead rock music and the laconic delivery is not quite bratty enough for punk but way more in line …

1978, Music

All The Mod Cons (1978) by The Jam

This is, by all accounts, The Jam’s masterpiece. It’s clear the songwriting has improved by leaps and bounds, especially from their second record. The music has also developed: most of the raggedness is gone and the musical ideas are more complicated, and this is quite clearly the missing link between The Kinks (and The Who) …

1977, Music

This is the Modern World (1977) by The Jam

I don’t think you need to know the background story to know this album is a significant step backwards from the debut: the songs are weaker, the attitude is reigned in on a number of songs, the reverence for the past is growing. If this is still punk music (and it is, at least I …