Tag: Shoegaze

1993, Music

Giant Steps (1993) by The Boo Radleys

As neo-psychedelia goes, this is a pretty diverse and varied record. That’s good because it’s not all that psychedelic comparatively speaking – I’m thinking of Mercury Rev by way of comparison – and often has more in common with britpop.

1993, Music, Uncategorized

Chrome (1993) by Catherine Wheel

When a band is named after a song or an album, and you know that song or album, there’s definitely a bit of expectation even if you don’t know much else about it. Maybe this band is named for the torture device, not the David Byrne album, but yet I still assumed there would be …

1987, Music

The Perfect Prescription (1987) by Spacemen 3

Programmic music is often hard for, whether it’s some Romantic composer trying to conjure up a storm or a picnic, or someone trying to show me what a drug trip is like, I often find the concept unnecessary to my enjoyment of the music.

1992, Music

Honey’s Dead (1992) by The Jesus and Mary Chain

I should never read anything before I listen to a record, especially a record by a band I don’t love. I heard why they called it Honey’s Dead and suddenly my head was filled of dreams of reinvention. But no, it’s still very obviously The Jesus and Mary Chain. Only this time they’ve gone Madchester …

1992, Music

Going Blank Again (1992) by Ride

I thought I was getting shoegaze, and I do.. But there’s a lot of other stuff going on here that isn’t strict shoegaze. One of the things that I don’t love about some shoegaze is the relentless commitment to one particular style. But there’s enough variety here that I’m kept interested. Also, the songs are …

1991, Music

Raise (1991) by Swervedriver

This is a strong shoegaze set with roots a little more on the rock side of things (there’s a CCR riff in the opening track…) than what I’m used to, and I must say that endears this to me more than the more famous shoegaze bands I’ve heard previously. There’s still the sort of laconic …

1991, Music

Recurring (1991) by Spacemen 3

I understand why people like this stuff and I understand why it’s trailblazing. (Though I’m not exactly sure why some people consider this shoegaze, though that is a different story…) But I have two problems with this record that keep me from giving it the respect a lot of people think it deserves. The first …