This was my first time attending TIFF in person in 3 years. It was a little exhausting, given how far out of downtown we now live but, once I got the hang of it, I fell back into the rhythm of it and thoroughly enjoyed myself. It also helped that, after a few movies that …
Tag: TIFF
Project Wolf Hunting (2022, Hong-Sung Kim)
This is an extremely gory, bloody and bonkers action/horror film about a ship of inmates travelling from the Philippines to Korea. The theme of it is basically overkill – don’t just hit somebody once, do it seven times. Why shoot at someone once when you can use the entire magazine? It’s quite funny and entertaining …
Chevalier (2022, Stephen Williams)
This film purports to tell the story of the first major black composer. But it’s a fantasy, not a real biography, and it spends much of its runtime obsessing about a made up love triangle and focusing on the friendships of the composer that are likely also made up. It’s a ridiculous movie. SPOILERS
The Banshees of Innisherin (2022, Martin McDonagh)
This is an extremely funny dark comedy that takes a turn for the tragic. It was introduced to us as a fable, and I think it has to be viewed that way given the basically inexplicable behaviour of Brendan Gleeson’s character. SPOILERS
Triangle of Sadness (2022, Ruben Östlund)
This is a satire cum gross-out comedy about the world’s 1%, broken up into 3 parts with a prologue. It won the Palme d’Or so there was more than a little hype going into it. What I can say is that it is very funny and it is breezy 147 minutes. So that’s something.
Holy Spider (2022, Ali Abbasi)
For most of this film’s run-time, it’s a conventional, perhaps a little contrived, serial killer film, with a great opening sequence, that is otherwise mostly distinguished by the fact it is set in Mashad, Iran. And then it goes to a place that these films don’t. But that’s a spoiler so SPOILERS
All the Beauty and the Bloodshed (2022, Laura Poitras)
This film tells the story of the (formerly controversial) photographer Nan Goldin through the lens of her crusade to convince the major art galleries of the world to stop receiving money from the Sacklers (the former owners of Purdue Pharma) and to remove the Sackler name from their institutions.
Free Money (2022, Lauren DeFilippo, Sam Soko)
This is a brief but reasonably compelling and entertaining documentary about a UBI experiment in Kenya by the charity GiveDirectly. Full disclosure: I have complete drunk the Universal Basic Income Kool-Aid so I am not going to be the most critical reviewer of anything about UBI. You have been warned.
Aristotle and Dante Discover the Secrets of the Universe (2022, Aitch Alberto)
This is a coming of age drama about two teenage boys in El Paso in the late 1980s. Jenn and I were not warned it was based on a YA novel and so we did not know what we were getting into. (To clarify: we knew it was based on a novel, we just didn’t …
R.M.N. (2022, Cristian Mungiu)
This is a film that analyzes xenophobia in a small, multiethnic town in Transylvania in Romania. “R.M.N.” is apparently the Romanian acronym for MRI, so I guess Mungiu views this as an MRI of xenophobia is his native country. (Also, a character does get an MRI and MRI images play a role.)
Emily (2022, Frances O’Connor)
I normally hate when biopics deviate wildly from the historical record but, in this case, it really doesn’t bother me as much. And I think that’s because the director essentially admitted it was all made up in her introduction. I have more time for these historical inaccuracies if only because I know it’s fantasy. Mild …
2021 Toronto International Film Festival (TIFF)
For the second year in a row I attended the Toronto International Film Festival (TIFF) from my couch. And for the second year in a row the thing was a bit of a mess, though I guess successfully viewing the films means it was a success.
Becoming Cousteau (2021, Liz Garbus)
This is a fairly traditional and hagiographic documentary about Jacques Cousteau. I had no idea he had such an incredible life but I’m not sure this is the movie to tell his story.
Saloum (2021, Jean Luc Herbulot)
My first Senegalese film (as far as I know), this is a tonally inconsistent horror movie which tries to trick you into thinking it’s something else more than once. It’s super stylized and some of my confusion with it likely stems from having never been to Africa and knowing literally nothing about this part of …
Zalava (2021, Arsalan Amiri)
This is a psychological horror drama set in an absolutely gorgeous part of Iranian Kurdistan pre Iranian Revolution. There’s a bit of a Wicker Man vibe to it, though it is a little more grounded in reality (and a hell of a lot prettier). SPOILERS
Arthur Rambo (2021, Laurent Cantet)
This is the story of a rising French literary star (and YouTube personality) whose career is derailed right at the moment of his big triumph by his Twitter history. it’s something that happens seemingly every day in our world and yet I don’t think I’ve seen yet seen a movie that explicitly deals with this, …
True Things (2021, Harry Wootliff)
This movie follows a predictable arc, if you’re familiar with its type: the main character is struggling with their life, a mysterious stranger comes in and entrances said character (or “insert other plot device here”) , and then life lessons. (Sorry for the mild spoiler.) I point this out so early in the review because, …
Vengeance Is Mine, All Others Pay Cash (2021, Edwin)
This film is many things all at once. It is, kind of incredibly, based on a novel, which made my confusion over what happens all the deeper, as the thing that I can’t resolve feels like its the kind of issue that wouldn’t exist in a book. So I’m wondering if something was lost in …
Dashcam (2021, Rob Savage)
The people who made this movie are extremely enamoured with Annie Hardy. I didn’t know anything about her though she’s actually only a few months older than me. If I had encountered her music when I first encountered Anal Cunt or when I was, say, 22, I can imagine also being enamoured by her music. …
Hold Your Fire (2021, Stefan Forbes)
This documentary looks at a 1973 hostage taking at a sporting goods store in Bushwick in Brooklyn, and how it helped create the idea of permanent hostage negotiation units.
Huda’s Salon (2021, Hany Abu-Assad)
This is an excellent, taut thriller about blackmail and hard choices in Palestine. It is mostly extremely well done and really worth checking out both for how it works as a movie and for its message of how hard it is to be moral in a place where you feel like you have no allies. …
Attica (2021, Stanley Nelson)
All I really knew about Attica was the scene in Dog Day Afternoon, a movie I’ve seen way too many times. I had some vague idea of the riot, but that was it. This documentary collects interviews from the prisoners, the “Observer’s Committee” and the families of some of the guards to re-tell the story …
2020 Toronto International Film Festival
For what may be the third year in a row, I only saw 5 movies at TIFF. Every year I resolve to see more the next year but it never seems to happen. Now, this year is different, obviously. This year I watched TIFF films on my couch. And this year I only watched 5 …
Nuevo orden aka New Order (2020, Michel Franco)
This is a very promising film about class conflict in Mexico that gets really confused and, for me, goes off the rails to the point where I am kind of astounded it won a Grand Jury Prize at a film festival. SPOILERS later in the review.
The New Corporation: The Unfortunately Necessary Sequel (2020, Jennifer Abbott, Joel Bakan)
I saw the original Corporation sometime back in the aughts. I have no idea whether or not I would like it now. This film is infuriating, both because of the problems in the world it reminds us of, and because of how unfocused it is. In many ways, it feels like two movies, the sequel …
76 Days (2020, Weixi Chen, Hao Wu, Anonymous)
This is a harrowing but ultimately kind of triumphant fly-on-the-wall style documentary about COVID-19 patients and the frontline workers looking after them in China. If you are lucky enough to have not gotten sick but feel like this has been really hard, I strongly suggest you watch this movie. (And if you think this whole …
Shadow in the Cloud (2020, Roseanne Liang)
This is a bizarre film with a premise that kind of appealed to me in reading about it but, which, in execution, is a giant mess. SPOILERS
Enemies of the State (2020, Sonia Kennebeck)
This is a masterful documentary about an American potential whistle-blower accused of child pornography and related charges, who took refuge in Canada. I paid no attention to the story at the time, so the entire thing was new to me. Before I get to the review: if you like documentaries about the nature of truth, …
The 2019 Toronto International Film Festival
Once again I only saw 5 movies this year. As with previous years, the reason for that will become apparent in a month or so. But, as usual, we managed to do a pretty good job picking movies and only saw movie I wouldn’t recommend seeing, which is a pretty good ratio.
Incitement (2019, Yaron Zilberman)
This is a nearly flawless dramatization of the radicalization of the man who assassinated Yitzhak Rabin in 1995. It is apparently the film time a film has been made about the assassination, likely because of how raw the wound still is 25 years later. But I would say that this is absolutely the film to …