This was my first time attending TIFF in person in 3 years. It was a little exhausting, given how far out of downtown we now live but, once I got the hang of it, I fell back into the rhythm of it and thoroughly enjoyed myself. It also helped that, after a few movies that …
Tag: TIFF22
Project Wolf Hunting (2022, Hong-Sung Kim)
This is an extremely gory, bloody and bonkers action/horror film about a ship of inmates travelling from the Philippines to Korea. The theme of it is basically overkill – don’t just hit somebody once, do it seven times. Why shoot at someone once when you can use the entire magazine? It’s quite funny and entertaining …
Chevalier (2022, Stephen Williams)
This film purports to tell the story of the first major black composer. But it’s a fantasy, not a real biography, and it spends much of its runtime obsessing about a made up love triangle and focusing on the friendships of the composer that are likely also made up. It’s a ridiculous movie. SPOILERS
The Banshees of Innisherin (2022, Martin McDonagh)
This is an extremely funny dark comedy that takes a turn for the tragic. It was introduced to us as a fable, and I think it has to be viewed that way given the basically inexplicable behaviour of Brendan Gleeson’s character. SPOILERS
Triangle of Sadness (2022, Ruben Östlund)
This is a satire cum gross-out comedy about the world’s 1%, broken up into 3 parts with a prologue. It won the Palme d’Or so there was more than a little hype going into it. What I can say is that it is very funny and it is breezy 147 minutes. So that’s something.
Holy Spider (2022, Ali Abbasi)
For most of this film’s run-time, it’s a conventional, perhaps a little contrived, serial killer film, with a great opening sequence, that is otherwise mostly distinguished by the fact it is set in Mashad, Iran. And then it goes to a place that these films don’t. But that’s a spoiler so SPOILERS
All the Beauty and the Bloodshed (2022, Laura Poitras)
This film tells the story of the (formerly controversial) photographer Nan Goldin through the lens of her crusade to convince the major art galleries of the world to stop receiving money from the Sacklers (the former owners of Purdue Pharma) and to remove the Sackler name from their institutions.
Free Money (2022, Lauren DeFilippo, Sam Soko)
This is a brief but reasonably compelling and entertaining documentary about a UBI experiment in Kenya by the charity GiveDirectly. Full disclosure: I have complete drunk the Universal Basic Income Kool-Aid so I am not going to be the most critical reviewer of anything about UBI. You have been warned.
Aristotle and Dante Discover the Secrets of the Universe (2022, Aitch Alberto)
This is a coming of age drama about two teenage boys in El Paso in the late 1980s. Jenn and I were not warned it was based on a YA novel and so we did not know what we were getting into. (To clarify: we knew it was based on a novel, we just didn’t …
R.M.N. (2022, Cristian Mungiu)
This is a film that analyzes xenophobia in a small, multiethnic town in Transylvania in Romania. “R.M.N.” is apparently the Romanian acronym for MRI, so I guess Mungiu views this as an MRI of xenophobia is his native country. (Also, a character does get an MRI and MRI images play a role.)
Emily (2022, Frances O’Connor)
I normally hate when biopics deviate wildly from the historical record but, in this case, it really doesn’t bother me as much. And I think that’s because the director essentially admitted it was all made up in her introduction. I have more time for these historical inaccuracies if only because I know it’s fantasy. Mild …