Tag: Psychedelia

1968, Music

Dance to the Music (1968) by Sly and the Family Stone

It’s easy to understand why this band captured everyone’s attention; though the music is undeniably funky for the era, and soulful, there’s also enough of other elements that it’s accessible to people who would not have listened to James Brown or Stax or what have you.It’s significantly less psychedelic than I assumed it was, but …

1967, Music

Mr. Fantasy (1967) by Traffic

Traffic is one of those bands I’ve come at bass-ackwards, being way too familiar with their jazz rock reunion iteration and not very familiar with the original psychedelic rock band. It’s a stupid way of approaching any band, but particularly one that changed its identity as much as as Traffic did.

1967, Music

Vanilla Fudge (1967)

This is an excellent covers album featuring mostly (but not entirely) fairly radical interpretations of two Beatles songs, a Zombies song, an Impressions song, a Supremes song, a Cher song (made famous by Nancy Sinatra) and a song by artists I’ve never heard of. You must admire these guys for the breadth of these covers, …

1967, Music

Mellow Yellow (1967) by Donovan

This feels like a transitional effort for Donovan. On the one hand there’s still some songs that feel like they could have been on Sunshine Superman (though they feel like outtakes to me) on the other and there are some more subdued singer-songwriter things that feel nearly completely at odds with his sort of “Swinging …

1971, Music

Camembert Electrique (1971) by Gong

This is the first proper Gong album I’ve heard, because, for some reason, I’ve only heard their jazz rock spinoff to date. It seems pretty obvious to me that Allen was once in Soft Machine because this sure sounds to me like the kind of music The Softs were making early in their career. And …

1966, Music

Face to Face (1966) by The Kinks

I have come to the early Kinks records backwards, listening to their late 60s classics before these earlier records and so my experience of them is coloured by being far more familiar with Davies’ mature songs than his early songs, leading to me listening to his early songs and thinking they are not as good …

1996, Music

Music from The Unrealized Film Script Dusk at Cubist Castle (1996) by The Olivia Tremor Control

This is a rather ridiculous record that asks us to indulge this band’s impulses immediately. This is a debut album and yet it’s a double LP length and it’s full of 10 tracks with the same name and numerous experiment that could have been cut. When these guys want to write songs, they’re pretty good …

1966, Music

Sunshine Superman (1966) by Donovan

I grew up listening to oldies radio so I have long been familiar with Donovan’s hit singles. I guess they made no impression on me because I really never thought much about it. But this record is a real standout. At the dawn of psychedelia (there had been very little psychedelic music), Donovan releases a …

1969, Music

Live/Dead (1969) by the Grateful Dead

Before this album was released, I suspect much of the world didn’t realize what the Dead actually sounded like. After all, they had only been around for a couple of years and their studio albums to this point didn’t exactly give you an idea of what they were like on stage  – the studio albums …

1966, Music

Projections (1966) by the Blues Project

To some extent, I can see how the Blues Project could be dismissed as second rate Paul Butterfield Blues Band, especially in their jammiest moments. These guys are not necessarily as good at improvising as Butterfield’s band was when it was getting into Indian music and jazz.

1968, Music

The United States of America (1968 Columbia)

This stuff is mind-blowing. Almost as out there as Zappa and the Mothers (at their very weirdest) or the Velvets (at their very artiest) and not quite as crazy – and far more artsy – as Beefheart was about to get. It’s too band the sound isn’t exactly great, as apparently these guys were very, …

Music

My Favourite Music Scene

Throughout the years, New York has been a hot bed of the avant garde, the new, and the different. And London has also been a real centre of forward thinking music. (Though with London – even more so than NY – many of the bands that were doing the forward thinking originated in other communities …