Tag: Psychedelic Pop

1969, Music

On the Threshold of a Dream (1969) by The Moody Blues

Many people, or at least many rock critics, consider the Moodies to be the first ever progressive rock band or, at the very least, creators of the first ever progressive rock album. Now, I haven’t heard the previous album, but I have heard their album which supposedly invented the genre (Days of Future Passed) and …

1969, Music

Odessa (1969) by Bee Gees

I mostly know the Bee Gees from their most famous songs. And I can tell you categorically that their most famous songs from the ’70s gave me zero hint of what this record was going to sound like. I had, of course, heard a couple hits of theirs from the ’60s, and that gave me …

1968, Music

The Hurdy Gurdy Man (1968) by Donovan

Donovan put out so many damn albums in the late ’60s that I have a hard time believing it sometimes. So I stupidly assumed Mellow Yellow was the last one and was going to compare this to it. But no, there was a double album in between – which was confusingly released as two albums …

1968, Music

The Cheerful Insanity of Giles, Giles and Fripp (1968)

This bonkers album is probably only known because Michael Giles and Robert Fripp went on to form King Crimson. Without Crimson, I cannot imagine too many people would be aware of this record.

1968, Music

Hair (1968) by the Original Broadway Cast

This is not the first cast recording of Hair but it is the first Broadway cast recording (I think) and, more importantly, it was the hit, it’s the version that hit #1 in 1968 – the last Broadway cast album to do so, according to Wikipedia – and sold millions of copies. So whether or …

1968

Aerial Ballet (1968) by Nilsson

Nilsson is just one of those guys I don’t get. I have listened to a few of his records now and every time my reaction is “This is what Nilsson sounds like?” You see, I am not really a fan of pop, and though this music is relatively adventurous – I stress the “relatively” as …

1968, Music

Os Mutantes (1968)

Like so much popular music from countries other than the US and the UK, there is a tendency to overrate Os Mutantes’ debut simply because it is not American or British. I’m not sure this record would be considered so seminal had it been made by an American or British band singing in English. I’ll …

1973, Music

A Wizard A True Star (1973) by Todd Rundgren

If you’re like me, you wished that Something/Anything?could have been, well, weirder. Or, if not weirder, at least more varied. I personally find that the record doesn’t quite live up to its reputation for weirdness and variety. Well, be careful what you wish for.

1967, Music

Pandemonium Shadow Show (1967) by Nilsson

I have been avoiding (Harry) Nilsson since I became aware of him through the Beatles (Lennon and McCartney were big fans). I guess I avoided him because of previous experiences of music the Beatles were fans of. And, well, I knew he was poppy, and for most of my life I have not been into …

1967, Music

Wild Honey (1967) by The Beach Boys

I am not sure anything could have prepared me for this record, a bizarre left turn from Pet Sounds and Smiley Smile (and Smile presumably) in terms of ambition and overall sound, but also in some ways a logical follow up to Smiley Smile‘s bizarre lo-fi aesthetic. The first record the rest of the band …

1967, Music

Mr. Fantasy (1967) by Traffic

Traffic is one of those bands I’ve come at bass-ackwards, being way too familiar with their jazz rock reunion iteration and not very familiar with the original psychedelic rock band. It’s a stupid way of approaching any band, but particularly one that changed its identity as much as as Traffic did.

1997, Music

Tone Soul Evolution (1997) by The Apples in Stereo

I am not very familiar with Elephant 6 but, to the extent that I am, I am familiar with weird, idiosyncratic indie pop bands, with a big emphasis on the “indie.” I assumed that Apples in Stereo would be along the same lines as the other Elephant 6 bands but, at least based upon this …

1997, Music

Fantasma (1997) by Cornelius

I have heard Fantasm described as ‘the Japanese Beck.’ It’s a comparison that sounds kind of ridiculous but is also kind of appropriate. It’s inappropriate inasmuch as Cornelius had been releasing music with Flipper’s Guitar well before Beck was known to most of us (is Beck, therefore, the American Cornelius?) but it is appropriate inasmuch …

1967, Music

Smiley Smile (1967) by The Beach Boys

If you read a lot of music criticism about the ’60s, like I used to, you have heard about Smile ad nauseum. If you read a lot of independent music criticism at the turn of the century, like I used to, you have also heard about Smile ad nauseum. You’ve heard about Smile to the …

1968, Music

I Stand Alone (1968) by Al Kooper

When I was younger, I was utterly fascinated by Kooper’s career: how he went from a successful songwriter to a less successful session guitarist to one of the best rock keyboardists of his era (or, perhaps, ever) and the major creative force behind some interesting ventures in the late ’60s. But, for whatever reason, it …