We moved during the pandemic. And, because it was the pandemic, for a while, it didn’t really hit home how far east we moved. But, you guys, let me tell you, when you have to go to Ontario Place for a concert and you live in the east end, it’s far. It’s so far we …
Tag: Country Pop
Trisha Yearwood (1991)
I have no investment in country music, so whether or not a particular album indicates “a star is born” is irrelevant to me. Perhaps if there was something truly distinct, I might notice but I don’t know that Yearwood’s from Georgia and, having heard numerous singers from many different genres, I’m not sure why Yearwood’s …
Set This Circus Down (2001) by Tim McGraw
All I really know about Tim McGraw is that he likes to hold his cowboy hat on his head and he’s married to Faith Hill. I assumed he was a singer-songwriter, actually.
Feels So Right (1981) by Alabama
Alabama are one of the few country bands I sort of knew when I was young. For some reason, my father had a few of their records (not this one as far as I know) and my dad would play them sometimes, so I was exposed to Alabama’s sound before CMT existed (or we got …
Country Music (2019)
This is an engrossing, thorough, occasionally moving and, for its first six episodes, authoritative history of country music. It follows the usual rhythms of a Ken Burns’ documentary, which is something I thoroughly enjoy, and has the usual strengths and weaknesses of his approach to storytelling.
The Woman In Me (1995) by Shania Twain
All I remember of this record from when I was young is that I thought Shania was hot. (And that I was far from the only one who thought so: the record – and next one – suddenly popped up on a lot of male’s record shelves all of a sudden.) I had no feelings …
Heart Like a Wheel (1974) by Linda Ronstadt
Despite her relative commercial success, I don’t know much about Linda Ronstadt or her music, beyond “You’re No Good” and maybe the odd other hit song that I’ve heard through the ether – oh and backing vocal guest appearances on Neil Young albums and elsewhere. So I really wasn’t sure what to expect.
Fly (1999) by Dixie Chicks
This is my second Dixie Chicks album and I feel like I just basically feel the same way about it. That’s a frustrating experience for me because I feel like I should have some kind of new take. Moreover, given the general feelings of fans that this is (slightly?) inferior to Wide Open Spaces, I …
Odessa (1969) by Bee Gees
I mostly know the Bee Gees from their most famous songs. And I can tell you categorically that their most famous songs from the ’70s gave me zero hint of what this record was going to sound like. I had, of course, heard a couple hits of theirs from the ’60s, and that gave me …
Diamond Girl (1973) by Seals and Crofts
I am fascinated, on some level, by bands that want to combine “soft rock” and pop with roots music because fundamentally they are two very different things. The whole point of roots music was to return to the pre-rock professionalism, which necessarily embraces the rough edges. But the essence of soft rock, and much if …
Wide Open Spaces (1998) by Dixie Chicks
I understand why this was a hit: it finds a middle ground between the slick sound of Nashville and a rootsier sound of bluegrass that was, I assume, mostly completely out of favour with the Nashville sound due to Garth Brooks, Shania, et al. And Maines is a compelling, alluring lead singer. Though I literally …
Duck Rock (1983) by Malcolm McLaren
For much of 2017, there was an ongoing public conversation about “cultural appropriation.” It’s a concept and charge that I have a complicated relationship with because, on the one hand, I believe everyone should be freely able to access and to make use of any cultural artifacts but, on the other, I recognize that there …
Come On Over [Original Version] (1997) by Shania Twain
In Canada we have “Canadian Content” rules that necessitates radio DJs (and music video VJs!) play 35% Canadian music. As a Canadian alive in 1997, I have heard at least 7 of these songs ad nauseum. This album was gigantic in the US, yes, but I’m not sure it was as omnipresent as it was …