Tag: Country Rock

1988, Music

Copperhead Road (1988) by Steve Earle

I have a weird bone to pick about records that weren’t recorded with the same group of musicians throughout. This doesn’t necessarily apply to guest vocalists, but it does apply to guests on other instruments. I guess my argument would be that I want a record to have a consistent sound and recording with different …

1973, Music

Sweet Revenge (1973) by John Prine

Many years ago – 15? – I was watching Austin City Limits as usual and John Prine came on. I had never heard of him before but I was blown away. ‘Who was this songwriter I’ve never heard of?’ I thought. I was blown away by his stage demeanour as much as his songs, probably, …

1973, Music

For Everyman (1973) by Jackson Browne

Jackson Browne is one of those artists I’ve heard so much about but never really heard (that I know of). He’s always been on the periphery of music I’ve listened to – guesting on many albums I’ve heard, or co-writing songs, or both – but I’ve never sat down and listened to anything of his …

1968, Music

Bradley’s Barn (1968) by The Beau Brummels

The usual history of country rock goes something like this: The Byrds invented it with Sweetheart of the Radio. A more sophisticated version of that story is that the International Submarine Band invented country rock, but nobody heard their record, so the Byrds popularized the genre when they hired ISB singer-songwriter Gram Parsons and he …

1973, Music

A White Sport Coat and Pink Crustacean (1973)

I gave a listen to Down to Earth recently, as I figured that I should give the infamous Jimmy Buffett a listen for the podcast, given his longevity, his popularity and his notoriety. But I read that he had essentially disowned that album – it is a pretty conventional singer-songwriter album that does not give …

1968, Music

Safe at Home (1968) by International Submarine Band

This record invented country rock. As such, it’s one of the milestone records of the 1960s. (Country infected popular music in the 1970s and the country rock phenomenon of the late 1960s and early 1970s and Safe at Home is a big reason why.) But with the benefit of hindsight I am tempted to criticize the …

1970, Music

Easy Does it (1970) by Al Kooper

By the time Kooper released this double album in 1970 he had put out 6 albums (including this one) in something like 2 years. Yes, two of those were partially improvised, but Kooper was the prime creative force of all of them. So it should come as no surprise that this record feels like it …

2016, Music

Hotel California (1976) by Eagles

Who is this record for? Clearly, it’s for a lot of people, as it sound somewhere between 20 and 30 million copies. But listening to it, I don’t know who it’s for. The rock tracks feel like they appeal to one group of people, and the sappy, over-produced soft rock ballads to another group. It’s …

1971, Music

Tupelo Honey (1971) by Van Morrison

Before I heard Astral Weeks, I had an idea of Van Morrison and what he sounded like (without listening to him). And this album is what I was thinking of. I’d never heard it, but it’s pretty much what I expected from Astral Weeks. I guess that’s why this one is disappointing. “Pleasant” gets thrown …

1991, Music

Still Feel Gone (1991) by Uncle Tupelo

Before Uncle Tupelo, I feel like alt country (such as it was) was so much cleaner. Despite the ostensible punk influence on the genre, the alt country records I’ve heard from the last 80s are all pretty much straight up country rock. There’s more of an edge here, even if it isn’t much of one …

1981, Music

Bella Donna (1981) by Stevie Nicks

I prefer Nicks’ songs to many of her bandmates’. But I still don’t absolutely love her songs (there are a few I really like, but not a ton). The advantage she has over a lot of her contemporaries (at least on this record) is that she and her producer have not yet realized it’s the …

1980, Music

Emotional Rescue (1980) by the Rolling Stones

I don’t know what to do with my first impressions. I’ve learned to distrust them. I give every album I review a minimum of three listens in order to defeat my initial prejudice. I adopted this approach, I think, because I wanted to be fair, but also because sometimes my initial impression did not jive …

1975, Music

Tonight’s the Night (1973, 1975) by Neil Young

Neil Young was a star for the first time in 1973. And yet even though he was star, and he was expected to pump out further “Heart of Gold” style hits, his life was a mess. Whether or not he may acknowledge it now, he had drug issues. And within a rather short span of …

1970, Music

Workingman’s Dead (1970) by the Grateful Dead

If you had been aware of the Dead in Spring 1970 but you didn’t live in San Francisco, you would have no way of knowing the band was birthed by a folk band in the mid ’60s. If you caught them live, you would have been familiar with how they were the first ever jam …

1999, Music

Mendocino (1999 Compilation) by Sir Douglas Quintet

Throughout the history of recorded music, there have always been these silly little labels who try to profit off loopholes in music contract regulations, by releasing records or compilations of music that is somehow exempt from copyright protection. This is one of those releases. And I fell for it.

2009, Music

Townes (2009) by Steve Earle

I can’t say that I am much of a fan of Steve Earle at this point, as most of his stuff I’ve heard I’ve found underwhelming. And I can’t say I am much of a fan of Townes Van Zandt either; the only album of his I’ve ever heard was horribly – perhaps even offensively …

1995, Music

Tomorrow the Green Grass (1995 American) by the Jayhawks

It sort of boggles my mind that these guys had already been around for a decade when this came out. It just goes to show you that sometimes we excessively labeling, critical types are a little slow on the uptake. When this was released it was supposed to be the heyday of alt-country but really …