Most of the time, when I encounter “progressive death metal” (which this sounds like to me, but which it isn’t categorized as on RYM), I think “this isn’t very progressive.” It usually sounds like more ambitious death metal, but it doesn’t sound very proggy. Well, not so here. If there is one thing this record …
Tag: Metal
No Rest for the Wicked (1988) by Ozzy Osbourne
I was really tempted to think of Ozzy as an anachronism by 1988, as metal had changed one hell of a lot in the last 20 years. But the opening intensity of the guitar gave me hope that maybe he wasn’t! Then that talk box kicked in, and I wasn’t so sure.
Shout at the Devil (1983) by Mötley Crüe
I have managed to avoid Mötley Crüe for most of my life, beyond their biggest songs, and I can’t say I was looking forward to this. But I find myself…. not pleasantly surprised but at least not horrified. For all their reputation as a “hair metal” band, on this record at least they still sound …
Danzig (1988)
This is not the first Danzig record I’ve heard. So I worry that my reaction to it comes from the fact that I’ve heard a more “mature” version of the band, and this debut, which may have seemed relatively unique at the time – given the state of metal – sounds like something lesser to …
°BSΩLE+e (1998) by Fear Factory
I have still not listened to all that much industrial metal in my life, given how much metal I’ve listened to, and so I can’t really say where this sits in the evolution of the genre. The only thing I can really say is that it sounds a whole hell of a lot better than …
South of Heaven (1988) by Slayer
This is only my second Slayer record so I am certainly not as knowledgeable about the change of sound as actual fans of this band. It’s also been a while since I heard the previous record, so it’s additionally hard.
System of a Down (1998)
I’ve come at this backwards – what else is new? – having heard all their albums but this one a number of years ago, and just getting to this now. Oops.
Never Turn Your Back on a Friend (1973) by Budgie
My memory of Budgie’s self-titled debut album is that it is fast; Budgie play faster than just about any of the original metal bands (with the exception of Deep Purple on occasion). And so, putting everything else aside, that record is important as it points towards the New Wave of British Heavy Metal well over …
Cruelty and the Beast (1998) by Cradle of Filth
I usually have no problem with weird voices. Sure, there’s the odd one that rubs me the wrong way but, more often than not, I can ignore or even enjoy a weird voice when I hear it if I like everything else about the music (and especially if that voice is talented).
Holy Diver (1983) by Dio
I have only heard one Dio-era Sabbath album, and I can’t say I loved it. But it was a few years ago and I can’t really tell you specifically what it was that rubbed me the wrong way; maybe it just seemed out of step with the time.
Piece of Mind (1987) by Iron Maiden
Sometimes I’m listening to an album, and reading about that album, and wondering why I seem to be hearing something different than other people do.
Amongst the Catacombs of Nephren-Ka (1998) by Nile
One of the things that I worry about with Death Metal (or Black Metal, for that matter) is that I am going to be confronted by 35-60 minutes of the same style of music and that doesn’t really float my boat. I just don’t want to listen to so many tracks where the style of …
History of a Time to Come (1988) by Sabbat
I am, on some level, a sucker for thrash. Yes, this was released in 1988. Yes, it is heavily influenced by the major American thrash bands. No, there isn’t the kind of genre-creating and genre-defining additions to trash that other late ’80s bands were able to create, on this particular record. I don’t care. Its’ …
Stained Class (1978) by Judas Priest
I do not like Judas Priest, at least as they compare to the other New Wave of British Heavy Metal (henceforth abbreviated NWOBHM) bands. I sort of assumed that was due to the fact that they predated those bands by years and that they jumped on the bandwagon. I am only familiar with their early …
Nightfall (1987) by Candlemass
I am, I supposed, a peculiar kind of metal fan. I like a lot of metal but one of the things I love about great music is particularly un-metal: variety. So every time I encounter one of these bands that practices within a very specific metal sub-genre, I find my love of variety challenged by …
Restless and Wild (1982) by Accept
I didn’t know what to think of this band with a hilariously un-metal band name, which was a good thing, as this record surprised me.
Secret Chiefs 3 Live at The Great Hall September 14, 2017
This was my second Secret Chiefs 3 show, in a much better venue than the last time. It was also a very different experience and I’m not sure whether that’s because SC3 are doing something different on this tour (apparently they are here opening for Dead Cross) or whether the venue made them.
Vol 4 (1972) by Black Sabbath
Round about the time the piano opens “Changes,” we start wondering what is going on. Prior to this moment (or, perhaps, prior to “The Straightener”), Black Sabbath was the heaviest band in the entire world. There was no band louder or lower than Sabbath. And then we get a piano ballad backed with a fucking …
Anthems to the Welkin At Dusk (1997) by Emperor
The problem for me with black metal is that it generally always sounds the same. The black metal bands I’ve heard just do black metal (or melodic black metal, or whatever) and that’s that. They are content to release 50-60 minute onslaughts of one sound and leave it that.
ΚΕΦΑΛΗΞΘ [Psalm 69) (1992) by Ministry
This is the first Ministry album I’ve ever heard. It’s also the first industrial metal I think I’ve ever heard (at least as an adult) and I must say that it sounds pretty much exactly as what I imagined it would. That’s a good thing, I think.
Danzig III: How the Gods Kill (1992)
I have never heard Danzig before and, to the best of my knowledge, never heard Glenn Danzig before (except maybe on some Misfits song, but I think the only version of the band I’ve heard is one without him in it). And there’s something I am having a hard time shaking, which will likely infuriate …
Scum (1987) by Napalm Death*
Full disclosure: my favourite Grindcore band is Anal Cunt, because they are a joke. Grindcore has always struck me as a joke, or at least something easily turned into a joke, because of the brevity of the songs and the over-the-top nature of the music. But there are and have been tons of grindcore bands …
Screaming for Vengeance (1982) by Judas Priest
Every time I listen to Priest I get a different feeling than I do with their NWOBHM contemporaries (I am not saying Priest is NWOBHM), and that is that they are a little more concerned with selling records. Maybe that’s because Priest were always interested in doing that (I have never heard any of their …
Wiped Out (1982) by Raven
Imagine a faster, louder Judas Priest, or a faster Maiden with a little more diversity to their sound (if, say, Maiden were more rooted in earlier metal). That’s what Raven sounds like to me and it’s awesome.
Enthrone Darkness Triumphant (1997) by Dimmu Borgir
As far as I know, this is the first “melodic” black metal album (it may not be, I’m not a genre obsessive). It’s basically black metal with cheesy keyboards.
Scream Bloody Gore (1987) by Death
Apparently there is some debate as to whether or not this is the first death metal album. I haven’t head the other contender myself, and cannot speak to that. I also don’t know mid 80s Thrash enough to speak to it. Also, I’m no genre purist, so I’m not sure I care for anything other …
America Must be Destroyed
I must admit that my idea of GWAR and what they actually sound like were very far apart. In some ways they remind me of KISS, in the sense that they look significantly harder than they sound.
Breaking a Monster (2015, Luke Meyer)
This film about a tween-age metal band made up of black kids from Brooklyn made me feel much the same way as watching one of those beauty pageant documentaries though these kids actually want to play music.
The Number of the Beast (1982) by Iron Maiden
The most Iron Maiden of Iron Maiden albums, this is practically a greatest hits collection. Unlike their first two albums, this feels a little more mature or developed, though it’s also less novel sounding.
Filth Hounds of Hades (1982) by Tank
The opening of “Shellshock” made me think I was in for a crazy, crazy record. The chanting seemed so far outside of what I was expecting from metal from 1982, that suddenly I had all these expectations.