This was my second Secret Chiefs 3 show, in a much better venue than the last time. It was also a very different experience and I’m not sure whether that’s because SC3 are doing something different on this tour (apparently they are here opening for Dead Cross) or whether the venue made them. Read More
Round about the time the piano opens “Changes,” we start wondering what is going on. Prior to this moment (or, perhaps, prior to “The Straightener”), Black Sabbath was the heaviest band in the entire world. There was no band louder or lower than Sabbath. And then we get a piano ballad backed with a fucking mellotron. Who are they? Zeppelin?!?! Read More
The problem for me with black metal is that it generally always sounds the same. The black metal bands I’ve heard just do black metal (or melodic black metal, or whatever) and that’s that. They are content to release 50-60 minute onslaughts of one sound and leave it that. Read More
This is the first Ministry album I’ve ever heard. It’s also the first industrial metal I think I’ve ever heard (at least as an adult) and I must say that it sounds pretty much exactly as what I imagined it would. That’s a good thing, I think. Read More
I have never heard Danzig before and, to the best of my knowledge, never heard Glenn Danzig before (except maybe on some Misfits song, but I think the only version of the band I’ve heard is one without him in it). And there’s something I am having a hard time shaking, which will likely infuriate Danzig fans – does Danzig ever sound like Ian Astbury. Read More
Full disclosure: my favourite Grindcore band is Anal Cunt, because they are a joke. Grindcore has always struck me as a joke, or at least something easily turned into a joke, because of the brevity of the songs and the over-the-top nature of the music. But there are and have been tons of grindcore bands and lots of people like it. And I believe that there are no bad genres. So, there must be something to grindcore. Read More
Every time I listen to Priest I get a different feeling than I do with their NWOBHM contemporaries (I am not saying Priest is NWOBHM), and that is that they are a little more concerned with selling records. Maybe that’s because Priest were always interested in doing that (I have never heard any of their early albums) but Priest always strikes me as more accessible than Maiden or some of the other bands of this era. There’s just something about them. Read More
Imagine a faster, louder Judas Priest, or a faster Maiden with a little more diversity to their sound (if, say, Maiden were more rooted in earlier metal). That’s what Raven sounds like to me and it’s awesome. Read More
As far as I know, this is the first “melodic” black metal album (it may not be, I’m not a genre obsessive). It’s basically black metal with cheesy keyboards. Read More
Apparently there is some debate as to whether or not this is the first death metal album. I haven’t head the other contender myself, and cannot speak to that. I also don’t know mid 80s Thrash enough to speak to it. Also, I’m no genre purist, so I’m not sure I care for anything other than assessing this record as a historical document. Read More
1992, Comedy Rock, Crossover Thrash, Hard Rock, Hardcore Punk, Heavy Metal, Metal, Music, and Thrash Metal.
I must admit that my idea of GWAR and what they actually sound like were very far apart. In some ways they remind me of KISS, in the sense that they look significantly harder than they sound. Read More
This film about a tween-age metal band made up of black kids from Brooklyn made me feel much the same way as watching one of those beauty pageant documentaries though these kids actually want to play music. Read More
The most Iron Maiden of Iron Maiden albums, this is practically a greatest hits collection. Unlike their first two albums, this feels a little more mature or developed, though it’s also less novel sounding. Read More
The opening of “Shellshock” made me think I was in for a crazy, crazy record. The chanting seemed so far outside of what I was expecting from metal from 1982, that suddenly I had all these expectations. Read More
I have not heard Cowboys from Hell but I have a hard time imagining that it’s significantly better than this onslaught of a record. I have no idea if this was is one of the first proper groove metal records (I doubt it) but, listening to it, it’s hard to imagine one that’s more definitive: with the exception of two semi-ballads that briefly suggest we’re in for a break (and then pummel us), this is wall to wall thrash metal with a groove (at times it actually sounds like Metallica with a groove). Also, I hear so many echoes of Read More
Slayer has been on my list to listen to for years. But after listening to Megadeth and discovering I really don’t like them, I got worried that maybe the same thing would happen with Slayer. No chance of that happening. Read More
Megadeath have been on my list of essential 80s bands to listen to for years, possibly a decade or more. And now that I’m finally getting to them I’m so, so disappointed I don’t really know what to say. This is some pretty damn heavy music for 1986, and that part is good and cool. But I don’t like Mustaine – I don’t like the guy personally, which is probably obvious, but I don’t like his lyrics, they’re worse than regular metal lyrics. And the mix forces his vocals way up front which makes everything less heavy. Having come at Read More
I’m pretty sure I’m supposed to like Melvins. They make loud music, I like loud music. They have charted their own course regardless of record industry trends. They have collaborated with members of one of my favourite bands. But this, my introduction to the band, and likely one of their most seminal albums, strikes me as quite one note. I get that this is sort of the point (at least at this stage) but I don’t like my metal one-note. I get that this is likely an important record, and I hope that I can give it a little more Read More
1990, 1992, 1995, 1998, 2000, 2002, 2003, 2006, 2010, 2011, Best of, Compilation, Heavy Metal, Metal, Music, and New Wave of British Heavy Metal.
I accidentally picked this up thinking it was a compilation of their ’80s music. Ah well. I learned a couple of things from this record: First, Iron Maiden has a formula and they stuck to it (at least on the songs considered their “best”). Second, I should never get a live Iron Maiden album. It’s pretty clear from listening to this record that Maiden is just milking their sound for all its worth. Sure, some of these songs are pretty catchy and everything is very professional and competent, but so many of these songs follow the exact same formula. And Read More
This is a solid Thrash record. It’s got some great playing and it’s pretty relentless. But I struggle to love it as much as I would like to knowing that they would go on to better things very shortly. And there are only brief hints of their expansive palette of later records that make this kind of samey, which is too its detriment. But I don’t actually dislike it – it’s great stuff, it’s just not quite as good as their later stuff. 7/10 Read More
This is an in depth examination of metal by the man most associated with covering metal on film (though I have yet to see either of his movies). The positive side of this show is that it is a landmark: I don’t think there’s anything like it out there to focus on just a single genre of music. It’s an in depth, it’s informative, it’s enjoyable. The negative: despite it’s length, it somehow manages to miss a bunch of major subgenres (Black, Death, Stoner, Grindcore) but it also feels cursory in its examination of some major bands (FNM!). Also, the Read More
I like this record, I do. But I can’t escape the feeling that I’ve heard this all before. This record sounds a lot better than their debut and that is great. But it’s no surprise to learn a lot of the music was written earlier and didn’t make the cut of the debut. It’s like their Strange Days – the band sounds more self-assured, everything is better produced, but the material just isn’t quite as good. 8/10 Read More
2006, Alternative Metal, Death Metal, Heavy Metal, Melodic Death Metal, Metal, and Music.
Call me crazy, but of the two In Flames releases I’ve heard, I like this one more. It feels a little more varied than the other album of theirs that I’ve managed to listen to, and it feels like the band may have some (slight) versatility. This is still not my favourite stuff – the melodic vocals too often remind me of post grunge, for example – but I can appreciate their attempt to expand their boundaries (if only slightly) more than when it sounded like they were resting on their laurels. 7/10 Read More
I struggle with a lot of the name metal bands out there because it feels like it’s not only acceptable but expected for metal bands to one thing (or, in this case, a couple things) well, stick to it. But that doesn’t work for me. My favourite bands are almost all diverse; for whatever reason I like it more when a band can do many things well or even when a band tries to convince itself and its fans that it can do many things well, even if it sometimes fails in the attempt. And so I find myself listening Read More
2007, Avant Garde Metal, Math Metal, Math Rock, Metal, Music, and Progressive Metal.
This is some utterly bonkers playing. These guys are clearly incredible musicians. Just incredible. But it’s half an hour of (almost) exclusively bonkers riffs and nothing else. There are a few moments (such as on “Canada”) when they move out of their (admittedly extremely difficult) comfort zone, but for the most part, these guys just shred and shred and shred. And eventually it gets kind of boring…or numbing. Anyway, extremely impressive from a musicianship perspective. But lacking in restraint (and songs). 7/10 Read More
I have listened to a fair amount of Metallica and so I guess that instantly puts me in a “hey, this doesn’t sound like Metallica?” mindset which isn’t helpful. I feel like there is more of an influence on precision in this band, then the heaviness plus precision of some other bands. It’s a little too clean for me, I think. But that’s not to say there’s something wrong with it/I feel like, had I gotten into this early in my metal-listening career, I might have been a little more into it. It’s clearly a well done record, despite my Read More
Not having heard the initial album, where she apparently rapped, I can’t say what exactly about this is supposed to be nu metal (though I’m hardly a nu metal expert). To me it sounds more like what I might call emo metal, way to metal to be emo, but way to artsy fartsy to be straight up metal. Also, it’s signicantly more hardcore (or rather metalcore, yuk yuk yuk) than most nu metal I’ve heard.The relatively straight-forward metal is made less enjoyable by the sheer ponderousness and pretention of the concept, which makes me wish that some people just weren’t Read More
This demo, their last before their major deal, starts out as a not very funny parody of a hip hop mix tape. Most of the actual musical material made it to the debut, and a lot of it is somewhat close to the sound of said debut, minus the production: the sound is clearly not up the Warner debut quality but also there is ample evidence that the band needed a producer (as in a person who would edit their work and tell them what works and what wouldn’t). And that may seem like an odd thing given that their Read More
1987, Alternative Rock, Comedy Rock, Demo, EP, Funk Metal, Fusion, Metal, Music, Ska, Ska Metal, and Thrash.
This second Bungle demo is a lot closer to their “mature” sound than the first (if you can call early ’90s Bungle “mature”) but they kind of sound like a metal-influenced Camper van Beethoven on crack here. I guess that doesn’t give full credit to their weirdness – even at this early stage they were significantly weirder than CVB, but if CVB really was an influence on Bungle (and I can’t help but think they were) this demo reeks of that influence more than anything else they ever recorded. It’s way crazier than CVB ever got, but it’s also a Read More
Bungle’s first demo shows very little of the signs of their late demos that they were something unique in music, reviving a sound that had been dead since the late ’60s. And that’s weird. The demo is almost totally straight-up Metallica / Anthrax, albeit with a sense of humour that those bands never had. (Also, I hear Motorhead, but that comes through the Metallica influence. And there’s a death metal influence, I think.) The production quality is terrible. Only two songs on the album suggest this is not your typical thrash metal band: “Hypocrites”, a sort of ska pop song Read More