Yet again, I am moving through a band’s discography backwards. (In this case, starting in the middle and then moving backwards.) I don’t know whether it’s increased familiarity or the records themselves, but I find myself liking Opeth more the earlier I go in their history, which is definitely not the regular take.
Tag: Metal
Swansong (1996) by Carcass
Apparently the Carcass’ shtick, at least in their first iteration, was to change it up every record. And that’s too their credit, if indeed it’s true. (This is only my second Carcass record I believe.) I want to commend any band that doesn’t want to make the same record twice. I’d much rather listen to …
Load (1996) by Metallica
I must say that I couldn’t have cared less about this album when it came out, I was only vaguely aware of Metallica as the band responsible for those videos from The Black Album. (I did not know it was The Black Album.) I wasn’t aware that they were now playing the kind of music …
Slow, Deep and Hard (1991) by Type O Negative
There are many impressive things about this debut, and at least two pretty big problems but, on the whole, it’s the auspicious debut of a fully formed band.
Slave to the Grind (1991) by Skid Row
The first album from any genre to go #1 on the US album charts is often not what it “should” be. A genre usually has to percolate for a while before it becomes mainstream enough, especially something like “Heavy Metal,” which is not obviously appealing and perhaps deliberately unappealing to most people. But, supposedly this …
Epicus Doomicus Metallicus (1986) by Candlemass
The search for the “beginning” of a particular genre can be really fraught with difficulties, from the sheer effort of figuring out which albums might be the best candidates, to the inevitable bickering over alternatives or whether or not the artist is close enough to that genre. Given that no genre was ever invented whole …
Like an Ever Flowing Stream (1991) by Dismember
Hot take: Florida is better than Sweden.
Blessed Are the Sick (1991) by Morbid Angel
So yes, I’m listening to this without ever having heard Altars of Madness. That is likely a mistake but I have a good reason: despite its reputation within the metal community, mainstream critical appreciation isn’t really there, so I missed it in 2019. As a result, I’m likely going to say something stupid.
Blackwater Pater (2001) by Opeth
I’ve been struggling with Opeth for years now, trying to reconcile their reputation with what I hear on record. My biggest issue on earlier records has been the categorization of them as “progressive metal” when I’ve felt like I’ve been hearing “melodic death metal.” Now, that might seem like I’m picking nits but, as a …
The Jester Race (1996) by In Flames
So this is the third album of the holy trinity of Gothenburg-style melodic death metal. It is third because it is the last to be released, a full three months after Slaughter of the Soul and slightly less than that behind The Gallery (which came out a week after the former). I can’t believe I …
War Master (1991) by Bolt Thrower
I don’t know Bolt Thrower’s history – in fact I’d never heard of them before – so I have no idea of their evolution from grindcore to straight ahead death metal. Maybe that’s something that matters here, but I have no idea.
Warpig (1970)
This record didn’t get released outside of Canada for like 2 and a half years or something. And, as a result it seems like there was some surprise when people realized it had been released in 1970. This was one of the early metal albums! Oh my god! I have not been able to confirm …
Kingdom Come (1970) by Sir Lord Baltimore
I spent some time in a weird corner of the internet where people argued that this record and Warpig’s self-titled debut were just as important as music by Zeppelin, Purple and Black Sabbath. Before I get to the actual music on this record I do want to point out the following:
Dopethrone (2000) by Electric Lizard
This is, from some accounts, the quintessential British doom metal record. I have no idea whether or not that’s true because I honestly didn’t know there were separate regional doom metal scenes before I read this album’s reviews. But, listening to it, I think I understand why.
Close to a World Below (2000) by Immolation
Like others, I am surprised that this record is considered such a classic. There is a tendency in internet criticism to get pretty excited by a band’s best record – or even just a band’s best record in years – and decide it is therefore a “classic”. I know nothing of Immolation but I do …
The Gallery (1995) by Dark Tranquility
This is the other supposed epitome of the Ghothenburg melodic death metal scene. (Actually that’s not entirely true – there are three of them.) But I like it more than Slaughter of the Soul. It is slightly less acclaimed so I find myself just slightly out of step with the critics on this one.
Carnivore (1985)
This is a hilariously over-the-top thrash metal record that both manages to be one of the more diverse albums in the genre (at least for the era) and also definitely feels like it was at least a little bit influential on the kind of insanity (lyrical but also musical) that came after.
Seasons in the Abyss (1990) by Slayer
From the opening track “War Ensemble”, it’s clear that Slayer has one purpose in mind on this record and that’s pummeling the listener into oblivion. And they do just an absolutely excellent job of that.
Spreading the Disease (1985) by Anthrax
I have both come to Anthrax backwards – having heard a later record before this one – and come to Anthrax last among the Big 4. That makes it harder to appreciate them. But worse, I’ve been listening to Seven Churches, a way more brutal, way more innovative metal record, released the same month as …
Seven Churches (1985) by Possessed
One of the conventional narratives about the invention of death metal is that it is so named because of the band Death, who supposedly pioneered the genre. Now, there were other bands in other places that also either claim credit or have been retroactively given credit, but Death’s claim is pretty good simply because they …
Lightning to the Nations [The White Album] (1980) by Diamond Head
There are a couple NWOBHM bands that sound a little closer to the thrash metal they would inspire and, from their debut album, Diamond Head appears to be one of them. Nowhere near as dirty and punk as Motorhead, they’re still (at times) grittier and heavier than some of their contemporaries.
New American Gospel (2000) by Lamb of God
I thought I had read this was a big deal when it came out and then I came to Rate Your Music and saw it had a pretty mediocre rating. Maybe I shouldn’t have bothered?
Blizzard of Ozz (1980) by Ozzy Osbourne
Metal was evolving in 1980, maybe not as much as it would in, say, 1983-1984, but still it was evolving. But, like his former band, Ozzy doesn’t seem to want to evolve in the way the younger performers were. Rather, on his debut, he’s chosen a different kind of evolution, the kind that I would …
Persistence of Time (1990) by Anthrax
I have heard so much about Anthrax but somehow never heard them until today. I still remember reading about their debut in my Billboard book when I was a kid (or a tween), about how it was the fastest metal album ever (supposedly…according to Billboard) and not even knowing what metal was, just sort of …
Facelift (1990) by Alice In Chains
Alice in Chains are, to me, the least immediately appealing of the big Seattle grunge bands. I think that’s because they have the least catchy songs – though Cantrell is a good songwriter he is not necessarily a writer of particularly catchy songs. Though I do wonder how much of my experience of this band …
Cowboys From Hell (1990) by Pantera
I know the legend of Pantera but I don’t know their early music. Regardless, it’s hard to believe this band was once a glam metal band. I guess you can hear touches of it here and there if you’re really, really paying attention but, if you listened to this first, and then were told their …
Lights…Camera…Revolution (1990) by Suicidal Tendencies
Back in 2012 I heard Prime Cuts and I was pretty damn impressed. I’d never heard the band before and I was thinking “Where has this been all my life”? But it took me a really long time to hear some more of their music and I must say that I might have grown out …
Sabotage (1975) by Black Sabbath
For the most part, I must say I find the attempts at musical evolution on this record more successful than those on Sabbath Bloody Sabbath. Though I’m still wondering about what kind of band they want to be, it’s a little clearer to me here.
Deicide (1990)
This thing is just relentless. I have no idea if it really is one of the best selling death metal albums of all time, but it’s certainly one of the most over-the-top, at least that I’ve ever heard. (That’s a good thing.)
Left Hand Path (1990) by Entombed
The early history and evolution of death metal is controversial. Like many genres of music, it’s possible that it was invented in two different places around the same time. (Or, rather, the sounds that came to be called death metal appeared in two different countries around the same time.) I’ve always found this evolution nebulous …