20 years after first encountering The Wire I finally watched the second of its spiritual prequels. The first was Homicide. (RIP Andre Braugher.) You might call Homicide and The Corner The Wire’s parents, one is about cops in Baltimore, based on a David Simon book, and the other is about drug addicts in Baltimore, based on a different David Simon book. It’s …
Category: 2000
The Raptors Super Team that Never Was
Every so often I think about a Raptors team that could have existed in an alternate history of the Raptors, in which they potentially contend for a championship in the early aughts with players they acquired through the draft and trades, but whom they traded away over the course of what now looks like a …
Sports Night (1998)
We watched the first season of this show a month ago now, but I didn’t write the review until today because it’s only this week that I finally committed to giving up on the show. So I’m slightly concerned that I won’t remember everything I thought about it when we first began watching it back …
Dopethrone (2000) by Electric Lizard
This is, from some accounts, the quintessential British doom metal record. I have no idea whether or not that’s true because I honestly didn’t know there were separate regional doom metal scenes before I read this album’s reviews. But, listening to it, I think I understand why.
Suburban Light (2000) by The Clientele
I often wonder about the historical perspectives (or lack therefore) of ’90s and ’00s music critics, particularly the young people. Because I often encounter highly acclaimed albums from these decades which sound to me as extremely derivative of other times and places. Sometimes it sounds like nostalgia, sometimes almost outright plagiarism but, regardless, I’m always …
The W (2000) by Wu-Tang Clang
One of the things I find strange about musical collectives – especially collectives with multiple vocalists – is what the vocalists get out of it. This is somehow my first ever Wu Tang record – I have heard multiple solo records by members, though – and I had no idea how many rappers are in …
Mama’s Gun (2000) by Erykah Badu
I’m listening to this after enduring R. Kelly’s and Ricky Martins’ albums from the same month. And I must tell you, I feel like I’ve been saved.
Sound Loaded (2000) by Ricky Martin
This is a very slick, well-made Latin pop record which I just absolutely wanted to hate with a passion but I can’t. Now, don’t get me wrong: I don’t like it. But, having now listened to a fair amount of mainstream pop records from the ’90s, I admire the effort that was put into making …
TP-2.com (2000) by R. Kelly
I guess if you’re the most commercially successful male R&B artist of the 1990s you can release an album called TP-2.com and not get laughed at by the entire world – just some of it. (This record sold a lot.) Despite the title, which tells non fans literally nothing about it (except there must have …
Close to a World Below (2000) by Immolation
Like others, I am surprised that this record is considered such a classic. There is a tendency in internet criticism to get pretty excited by a band’s best record – or even just a band’s best record in years – and decide it is therefore a “classic”. I know nothing of Immolation but I do …
Buffy the Vampire Slayer (1997)
When I was younger and had recently fallen in love with serialized TV dramas, I had this idea that I was going to write a book about the antecedents of the Golden Age of Television. (At first this was going to be about the Golden Age of Television, but that book already exists.) This book …
Stankonia (2000) by Outkast
In first year university I lived a few doors down from a girl who played “So Fresh and So Clean” and “Ms. Jackson” on repeat for what felt like weeks. (There were probably other songs in between but I don’t remember them. I certainly don’t remember a single other track from this album.) That, combined …
Hybrid Theory (2000) by Linkin Park
My roommate was so excited when Meteora came out and I was just like “What are you talking about? You like Linkin Park? What are you, 12?” Or something like that. And I moved on and probably didn’t think about them much again until their singer died. Maybe it’s because I just endured a Limp …
Stories From the City, Stories From the Sea (2000) by PJ Harvey
PJ Harvey is one of the great songwriters of her generation, and this album is another fine example of her abilities. but the record marks a bit of a change in aesthetic for her (as far as I know) that I don’t exactly love.
Whoa, Nelly! (2000) by Nelly Furtado
I’ve paid basically no attention to Nelly Furtado. I was aware of her hits – and remember the hits from this record – but was otherwise utterly uninterested. Some of that has to do with my music tastes – specially my tastes when I was 19 – and some of that appears to have to …
Chocolate Starfish and the Hot Dog Flavored Water (2000) by Limp Bizkit
Limp Bizkit are so monumentally dumb that, while I’m listening to a Limp Bizkit record, I have trouble imagining there are dumber bands. Now, I know there are plenty of dumb bands, but the scale of the Bizkit’s dumbness is so immense that, during the album, you just sort of forget that there could be …
Let’s Get Ready (2000) by Mystikal
When I first started purposely listening to hip hop about 5 years ago, the idea that a rapper had charisma was something I couldn’t really stomach. As a music fan I am primarily a fan of chops and, for me, vocal chops had to do with singing, not rhyming. I didn’t understand flow and I …
New American Gospel (2000) by Lamb of God
I thought I had read this was a big deal when it came out and then I came to Rate Your Music and saw it had a pretty mediocre rating. Maybe I shouldn’t have bothered?
Music (2000) by Madonna
For one of the few times in my life, I can actually say I’ve heard the previous Madonna record before listening to this one, so it gives me context that I normally wouldn’t have. (Normally my context would be “I remember the hit singles.” And I do! But I’ve actually listened to Ray of Light.)
Selmasongs (2000) by Bjork
I have not seen the film though it has been on my list for years. I suspect that the time for me to like the film is long past – if there ever was a time – but that doesn’t really apply to the soundtrack.
Felt Mountain (2000) by Goldfrapp
The British really did like a certain sound circa the turn of the millennium. It was one I was entirely oblivious to, living in rural Quebec, even though I had what was then an incredible internet connection. I suspect some of my radio station friends were into stuff like this, but I was honestly unaware.
The Teaches of Peaches (2000)
Remember electroclash? It felt like such a big deal for a couple of years there, but I must say I tried to pay as little attention as possible. I was super into prog rock, and post rock, and I was getting into jazz and “classical”, and I had no taste for minimalist things. And, also, …
Hearbreaker (2000) by Ryan Adams
Faithless Street (specifically the expanded edition from 3 years later) is one of my favourite albums of the 1990s and easily my favourite alt country album of all time. I went through a phase where I was chasing that dragon a bit, listening to the other Whiskeytown records and some Adams solo stuff, and never …
Sing When You’re Winning (2000) by Robbie Williams
It is one of the strangest musical careers of our time, that Robbie Williams was perhaps the biggest star in the UK, for like nearly a decade, and was just a guy with some minor hits in North America. It’s something that has happened over and over and over again – with British stars failing …
The Ecleftic: 2 Sides II a Book (2000) by Wyclef Jean
Why are Wyclef’s albums so fucking long? I don’t know the answer but it feels like it’s not just a case of the ’90s album bloat. Here is a man with a lot of pretty decent material (arguably more than on his debut) who doesn’t seem to know how to present it to the world. …
Who Let the Dogs Out (2000) by Baha Men
I was dreading this. The chorus of the title track is one of the dumbest things I’ve ever heard and if I never heard it again that would be too soon. And then there’s the rating on Rate Your Music, which is insanely low, so I was really dreading it.
Who Is Jill Scott? Words and Sounds Vol. 1
I don’t know if I can tell you who Jill Scott is, but I can tell you what she is: she’s ambitious. Scott wants us to both accept her as a very talented singer and a poet. That’s something very few people can pull off.
Parachutes (2000) by Coldplay
Imagine early Radiohead with none of the energy or edge (i.e. none of the alternative/grunge influences) and none of the aritness or idiosyncrasy, and imagine them playing mostly ballads (and the up-tempo songs are so soft they sound like ballads) and I guess you get some idea of what Coldplay sound like on their first …
White Pony (2000) by Deftones
I really thought the Deftones were a Nu Metal band for most of my life. And, while it’s true, that some of their music veers into Nu Metal, they are far more musically diverse than their Nu Metal contemporaries.
Domestica (2000) by Cursive
Context is so important and music. And not just historical context – did a record have a particular influence on music? – but also personal context for the listener. If you hear a record at the right time and it speaks to you, it’s going to be a big deal for you, even if it …