This is like a British LP from the ’60s where it was released around the same time as a hit single but, in order to encourage you to buy the single instead of the LP (which you presumably buy anyway?) the single is left off. (Not the American version of selling you the single twice …
Tag: Downtempo
Older (1996) by George Michael
This is my third George Michael album, in addition to at least one Wham album, and I can say, without doubt, that I’ve never liked his aesthetic. But he often makes up for that with his talent, as a performer (not just a great singer but as a versatile instrumentalist, and some who commits), as …
Seal (1991)
I know one Seal song. (I’m too young for “Crazy.”) Seal was not big in North America and is known here to my generation for “Kiss From a Rose” and, for younger people, as being Heidi Klum’s ex-husband. So I didn’t know what to expect.
Whoa, Nelly! (2000) by Nelly Furtado
I’ve paid basically no attention to Nelly Furtado. I was aware of her hits – and remember the hits from this record – but was otherwise utterly uninterested. Some of that has to do with my music tastes – specially my tastes when I was 19 – and some of that appears to have to …
Music (2000) by Madonna
For one of the few times in my life, I can actually say I’ve heard the previous Madonna record before listening to this one, so it gives me context that I normally wouldn’t have. (Normally my context would be “I remember the hit singles.” And I do! But I’ve actually listened to Ray of Light.)
Felt Mountain (2000) by Goldfrapp
The British really did like a certain sound circa the turn of the millennium. It was one I was entirely oblivious to, living in rural Quebec, even though I had what was then an incredible internet connection. I suspect some of my radio station friends were into stuff like this, but I was honestly unaware.
Exit Planet Dust (1995) by The Chemical Brothers
I remain fairly mystified by what to do with electronic music that isn’t very clearly pathbreaking. (Though I know some people would consider this album highly influential.) And so, as with most electronic music of the 1990s which fails to move me (so most of it), I have no idea what to do with this …
Play (1999) by Moby
Every few years prior to the internet era – sometimes even every year – there would be an inexplicable hit record, which just sold so damn much without any sense, ahead of time, that the record would sell. Years later these records are often embarrassing. The classic record of the ’90s is Cracked Rear View …
Dearest Christian, I’m So Very Sorry for Bringing You Here. Love, Dad (1998) by PM Dawn
I have long had a particular impression of 1990s R&B, an impression formed in high school when subjected to Boyz II Men and whatever else. Even with all the listening to ’90s R&B I’ve been doing lately, encountering all sorts of things I never thought I’d listen to, I still haven’t been able to muster …
Is This Desire? (1998) by PJ Harvey
If you spend too much time reading music magazines – do people still do that? – or you spend too much time on the internet, it’s tempting to see Is This Desire? as the flip side of The Boatman’s Call, or a direct response to it or some combination of the two. The easiest thing …
Psyence Fiction (1998) by UNKLE
I know next to nothing about ’90s electronica or the individual scenes at the time. So it is a shock to me at how this weird, all star album exists. Because this is some kind of line-up of guest vocalists for a group that, as far as I can figure out, had released a single …
Mezzanine (1998) by Massive Attack
Massive Attack is more towards the Hip Hop side of Trip Hop and for me that’s a bit of an issue since Hip Hop has never been my thing and the whole appeal of Trip Hop for me is the lack of rapping.
Music Has the Right to Children (1998) by Boards of Canada
I don’t listen to a ton of electronic music but I do listen to some, especially more recently, with my podcast about album anniversaries, with lost of major electronic music album anniversaries arising. So I do find it hard at times to put electronic music in context, though I think I’m getting better at it.
Ray of Light (1998) by Madonna
This may or may not be the first Madonna album I’ve ever listened to – not 100% sure – but it is definitely the first one I’ve given my three requisite listens to. Given that fact, it should be no surprise that I can’t fully grasp what a drastic left-turn this record probably was for …
Moon Safari (1998) by AIR
Due to my podcast, I often find myself listening to music that is outside of my entirely wheelhouse and don’t know what to do with it. But sometimes I find an album like this where I recognize elements but I also don’t have the listening context to know why these elements arranged in such a …