Tag: Electronic

1969, Music

An Electric Storm (1969) by White Noise

This is one of those records that was pretty damn radical in 1969 but, 40 years later, sounds extremely dated, in part because some of the techniques used have either been replaced by better techniques or have been better incorporated into popular music. What is it? It’s electronic music – utilizing electronic instruments, electronic effects …

1998, Music

Version 2.0 (1998) by Garbage

Though I feel like Garbage songs were everywhere when I was in High School, I honestly don’t remember too many of them. (A couple here are sort of ringing some bells, I guess.) So I was genuinely surprised when I listened to the record and then I decided the title must have something to do …

1978, Music

Die Mensch-Maschine aka The Man-Machine (1978) by Kraftwerk

If I thought Trans Europa Express was the beginning of synth pop, that was because I had not heard The Man-Machine. The connections between Trans Europa Express and ’80s synthpop felt slightly tenuous; honestly it felt like I might have been exaggerating the connection just a little bit. Not that that record didn’t influence a …

1998, Music

Music Has the Right to Children (1998) by Boards of Canada

I don’t listen to a ton of electronic music but I do listen to some, especially more recently, with my podcast about album anniversaries, with lost of major electronic music album anniversaries arising. So I do find it hard at times to put electronic music in context, though I think I’m getting better at it.

1977, Music

Cluster and Eno (1977)

This record definitely finds Eno and Cluster at a sort of middle ground, the kind of middle ground you might imagine if you had heard Cluster’s records and heard Discreet Music, or Eno’s other more electronic stuff. Coming back to this after you’ve heard any of the Ambient series, the music is notable for being …

1997, Music

Glee (1997) by Bran Van 3000

I love genre-bending. A number of my most favourite bands are bands that can play a wide variety of genres well, and make these genres sound like their own – or, alternatively, convince you they are an entirely different band. So I should like this. I should like this even though it is based in …

1968, Music

The United States of America (1968 Columbia)

This stuff is mind-blowing. Almost as out there as Zappa and the Mothers (at their very weirdest) or the Velvets (at their very artiest) and not quite as crazy – and far more artsy – as Beefheart was about to get. It’s too band the sound isn’t exactly great, as apparently these guys were very, …