Category: 1997

1997, Music

Come On Over [Original Version] (1997) by Shania Twain

In Canada we have “Canadian Content” rules that necessitates radio DJs (and music video VJs!) play 35% Canadian music. As a Canadian alive in 1997, I have heard at least 7 of these songs ad nauseum. This album was gigantic in the US, yes, but I’m not sure it was as omnipresent as it was …

1997, Music

Joya (1997) by Will Oldham

Though I have heard far from all – not even half – of Will Olham’s music, I think it’s safe to say that Oldham is one of my favourite songwriters to debut in the 1990s. He may be my favourite. Something about his lyrics connect we me, even though I don’t always recognize his situations, …

1997, Music

Around the Fur (1997) by Deftones

Whenever I first heard the Deftones, I thought they were Nu Metal. I thought that because a) they were definitely marketed as part of that moment in time by the music video channels and b) I wasn’t one who was going to discern – it was all noise to me. Later on, I read some …

1997, Music

So Much for the Afterglow (1997) by Everclear

I don’t know this band save for “Wonderful” so I cannot tell you whether the Beach Boys-esque opening to the title track is a giant left turn or not. If it is, that’s brave of them. But, for those of us who do not know this band, it’s the wrong note to start the album. …

1997, Music

The Velvet Rope (1997) by Janet Jackson

I had a very, very fixed idea of Janet Jackson before listening to that record. It was an idea essentially created by music videos (Janet Jackson is attractive) and the odd accidental radio exposure, but also created by the music industrial complex, which has generally marketed female performers in a particular way for quite a …

1997, Music

Tone Soul Evolution (1997) by The Apples in Stereo

I am not very familiar with Elephant 6 but, to the extent that I am, I am familiar with weird, idiosyncratic indie pop bands, with a big emphasis on the “indie.” I assumed that Apples in Stereo would be along the same lines as the other Elephant 6 bands but, at least based upon this …

1997, Music

Urban Hymns (1997) by The Verve

I have made no bones about my dislike of Oasis, a band nearly everyone else seems to love (or at least enjoy). I don’t like their songwriter’s songs, I don’t like their sound and I find their biggest hit to be poorly produced. So what the hell am I supposed to do when I have …

1997, Music

Homogenic (1997) by Bjork

It’s been a while since I sat down and listened to all the Bjork records I own at once time so you should really take what I say with a grain of salt because, maybe if I had done that recently, I wouldn’t be so damn blown away by this record. But, without having listened …

1997, Music

Dots and Loops (1997) by Stereolab

Stereolab do their thing. It’s a very particular thing that sounds like no one else and, for that, they should be commended. They invented this kind of fusion of lounge, krautrock and pop, and that’s to their credit.

1997, Music

When I Was Born for the 7th Time (1997) by Cornershop

I really appreciate the genre-bending of this record. Even though mixing Indian music with western popular music was a thing a full thirty years before this record came out, it feels like that part of psychedelia was the least popular (or accessible) to all the bands that were influenced by the genre. For the most …

1997, Music

Fantasma (1997) by Cornelius

I have heard Fantasm described as ‘the Japanese Beck.’ It’s a comparison that sounds kind of ridiculous but is also kind of appropriate. It’s inappropriate inasmuch as Cornelius had been releasing music with Flipper’s Guitar well before Beck was known to most of us (is Beck, therefore, the American Cornelius?) but it is appropriate inasmuch …

1997, 1998, Music

Backstreet Boys (1997, 1998 Re-Issue)

I am listening to this for my podcast. (Well, not exactly this album, but close. I’ll get into that.) But I don’t know what to do with it for a number of reasons. I don’t like pop music like this and I don’t spend time listening to it. Here are some reasons why:

1997, Music

Fabulosos Calavera (1997) by Los Fabulosos Cadillacs

In 1997, I fell in love with Grosse Pointe Blank, the only romantic comedy that was violent enough for my 15 year old soul to feel okay about liking. I liked it so much I went out and bought the soundtrack. (Well, the first soundtrack as there’s a Volume 2 I never purchased.) It was …

1997, Music

The Fat of the Land (1997) by Prodigy

Like everyone on the planet I have heard the three singles more times than I can count. The only reason those tracks don’t sound so dated is because I’ve heard them so much; they were so much a part of my late ’90s high school life even though I didn’t even understand what electronic music …

1997, Music

Anthems to the Welkin At Dusk (1997) by Emperor

The problem for me with black metal is that it generally always sounds the same. The black metal bands I’ve heard just do black metal (or melodic black metal, or whatever) and that’s that. They are content to release 50-60 minute onslaughts of one sound and leave it that.

1997, 2017

OK Computer OKNOTOK 1997 – 2017 by Radiohead

I don’t normally review reissue editions of albums, whether or not I like them. And I wouldn’t review this either only I am going to record a podcast episode about OK Computer shortly and I was advised to listen to the rarities disk. So here goes…

1997, Music

The Colour and The Shape (1997) by Foo Fighters

I didn’t love their debut but grudgingly gave it an okay review because I figured it was better than most post grunge. Well this one is significantly better than most post grunge, in part because Grohl has assembled a real band to play his songs, and the band is better than Grohl by himself.