Tag: Music

1999, Music

Midnite Vultures (1999) by Beck

I really like Beck. You might say I love Beck, or at least Beck’s mainstream records from ’90s and early ’00s. (I have slowly become less of a fan, over the years.) And I’d like to think I also really enjoy listening to musicians I enjoy having a great time, though I don’t know if …

1999, Music

When the Pawn Hits the Conflicts He Thinks like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ‘fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might so When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right (1999) by Fiona Apple

I could have sworn to you that I had heard this record before; I thought I had heard all of hers. But I went to check my old review and there was no review nor any rating. And that begs a question: did I listen to this and forget to review and or even rate …

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There Is Nothing Left to Lose (1999) by Foo Fighters

I have written on many occasions that post-grunge is one of the few genres I hate as a whole genre, which is nothing I normally do. (I generally believe there are no “bad genres” but there are a few ’90s genres which make me want to reconsider that.) The Foo Fighters are more “rock” than …

1999, Music

Rainbow (1999) by Mariah Carey

Mariah Carey might be the best female pop singer of all time, if we go by technical ability. (I say ‘female’ not to perpetuate gender divisions but only to distinguish her from the man I consider the greatest popular music vocalist in history, who is not female.) It’s this record that has brought me to …

1994, Music

CrazySexyCool (1994) by TLC

I was 13 when this came out but I was already sort of aware of manufactured pop music. I already sort of got that the Monkees hadn’t evolved like the other bands I listened to, and I was sort of aware that some of the oldies music I listened wasn’t made the same way. I …

1989, Music

Wrong (1989) by NoMeansNo

I had no idea what I was getting into with this band, assuming they were just yet another pop punk band. So I was very pleasantly surprised by this record, which really gets in my wheelhouse at times. But I can’t love the record, because, well, I’ve listened to too many of the bands that …

1989, Music

The Mind is a Terrible Thing to Taste (1989) by Ministry

“Thieves” gets things off to a pretty incredible start. Though this obviously isn’t the first industrial metal album, of even the first Ministry album to contain industrial metal, it still feels like this is pretty much as good as industrial metal got in the ’80s, with pummeling but mechanical-sounding guitars and all sorts of things …

1989, Music

Boomerang (1989) by The Creatures

Does the idea of a Siouxsie and the Banshees album with the music made up of almost entirely percussion sound appealing to you? Well, that’s probably the easiest way of explaining this Creatures record to someone who isn’t familiar with it (as I wasn’t). It’s got a similar vibe to their parent band except the …

1984, Music

Morbid Tales (1984) by Celtic Frost

This, Celtic Frost’s debut, is one of those “EPs in name only”, only that’s true of the US release, not the European release. In Europe it was in indeed an EP. In the US it was a short LP. Why bother mentioning this? Well, it’s classified everywhere as an EP, and these records usually get …

1979, Music

Real to Real Cacophony (1979) by Simple Minds

How synthpop and the New Romantic movement evolved out of punk via post punk has always been one of the most confusing parts of recent popular music history, at least to me. But it’s records like this, caught somewhere in the middle (of punk and synthpop), that make that whole evolution a little more clear.

1974, Music

Heart Like a Wheel (1974) by Linda Ronstadt

Despite her relative commercial success, I don’t know much about Linda Ronstadt or her music, beyond “You’re No Good” and maybe the odd other hit song that I’ve heard through the ether – oh and backing vocal guest appearances on Neil Young albums and elsewhere. So I really wasn’t sure what to expect.

1974, Music

Country Life (1974) by Roxy Music

I have approached Roxy Music in a strange way – listened to their second album first, got really into it, and then listened to their last album and didn’t enjoy it. And I’ve jumped around ever since. And because of the way I feel about their earliest and later albums, I’ve approached the ones in …

1974, Music

Sheer Heart Attack (1974) by Queen

This is, by all accounts, the record where Queen really becomes Queen, taking their bizarre (insane, really) hybrid style and finally pairing it with enough quality songs that it no longer seems gimmicky. I’m not sure I entirely agree, but I get why people feel this way.

1974, Music

Autobahn (1975) by Kraftwerk

Though I might sound like a weird comparison, this record reminds me a lot of early, post-Barrett Pink Floyd albums, where they hadn’t figured out yet how to combine their three disparate impulses into a coherent whole that made musical sense. This record has the famous title track taking up one whole side of it. …

1969, Music

Scott 4 (1969) by Scott Engel

I think I just have to face it: the Scott Walker I like is the one who completely reinvented himself later in his life, demolishing his earlier image and creating some of the weirdness, most unique singer-songwriter albums I’ve ever heard. Try as I might, I don’t like the original version of him. This is …

1994, Music

Geek the Girl (1994) by Lisa Germano

I knew nothing about this record going in and, frankly, nothing about Germano. The name maybe rung a bell, a teeny bit, but that’s all. So I had no idea what I was in for, which is maybe why I keep can’t help but compare her to other people.

1994, Music

No Need to Argue (1994) by The Cranberries

There are so many ’90s alternative albums which I thought I ignored when they came out but I must have heard at some point. Like so many of those, when I put this on, I thought I just knew the singles. And then I remembered other songs. And I was confused. I don’t ever specifically …

1989, Music

On Fire (1989) by Galaxie 500

Having heard Luna a bunch before this band, I found their debut, Today, a bit of a deja vu experience (with a lot more grime and feedback) but I tried to put that aside due to when that album was recorded. Listening to this roughly a year later, I still don’t know enough about the …

1989, Music

The Sensual World (1989) by Kate Bush

Kate Bush, ever the iconoclast, finds a good balance on this record between contemporary art pop – and all of the obsession with technology that entails – and folk music influences. In the vaguest sense this one sort of reminds of Peter Gabriel’s work, only they are incorporating very different forms of folk music and …

1979, Music

Damn the Torpedoes (1979) by Tom Petty and the Heartbreakers

This is the Tom Petty I like – full of attitude and spunk, with a touch of meanness or bitterness. Like basically everyone, he mellowed out significantly with age, which is the version of him I’m much more familiar with.

1979, Music

Tusk (1979) by Fleetwood Mac

The number of times I’ve heard that Tusk is “experimental” in my life…well, if I had a dollar, I still wouldn’t be able to afford a down-payment on a house in Toronto, or anything, but maybe I could lease a car or something. The problem with pop music fans telling you that some pop album …

1979, Music

Broken English (1979) by Marianne Faithful

Broken English is one of those records I heard so damn much about throughout my life that, by the time I listened to it decades after first hearing about, there was going to be a let down, it was inevitable. With multiple listens, the record is growing on me a bit, but it’s still worth …

1974, Music

Caught Up (1974) by Millie Jackson

For the most part, R&B doesn’t do high concept. The only thing I can really think of from the ’70s which is an exception is Funkadelic (and Parliament, too, I guess), where there is a concept, only it’s extremely nutty and kind of impenetrable. (Well, I can think of other albums which are built around …