This is a spin on the classic train movie that leans heavily into some specific styles in reimagining the genre. (Is the train movie a genre or is s it a sub-genre?)
Category: 2022
Reason in Decline (2022) by Archers of Loaf
I used to be so skeptical of reunions when I was younger. I thought they were almost always cynical cash grabs and a waste of my time as a fan. The older I get, the more that seems (mostly) not true. A lot of bands seem to reunite primarily because they a) miss playing together …
The Batman (2022, Matt Reeves)
A little while ago, Jenn and I decided to watch every Batman movie in order. We watched the Adam West movie and then we watched the Burton/Schumacher films. But then, we got this one sooner and ended up watching it before all the other 21st century Batman films. (I’ve most Batman films already, save one …
Archers of Loaf Live at Lee’s Palace Wednesday January 11, 2023
Last night I saw Archers of Loaf on the tour for their first album in something like 24 years. Like many ’90s bands, I got into them backwards (listened to their final album first) and can’t say I know them as well as many of their contemporaries. (I listened to their last album, then their …
See How They Run (2022, Tom George)
This is a reasonably diverting and amusing mystery comedy that riffs on The Mousetrap, the infamous Agatha Christie play that has run in London’s West End, nearly continuously, for almost 70 years. (I have never seen it. It’s run was only interrupted by covid.) I wouldn’t say you have to seen The Mousetrap or read …
I Had a Pretty Shitty (2nd Half of) 2022
I had a pretty shitty second half (and a bit) of 2022. And there was some other more minor stuff. (Two colds in 5 weeks! While I was recovering from my broken finger. Shit like that. ) This morning, I thought I lost my new prescription sunglasses, which I had to purchase due to one …
Glass Onion: A Knives Out Mystery (2022, Rian Johnson)
It’s likely you have high expectations for this film, if you enjoyed the first one as much as I did. And that’s a dangerous thing. But I’m happy to report that this is both not the same movie as the first one and manages to still hit some similar topical notes. I think it mostly …
The Redeem Team (2022, Jon Weinbach)
This is a pretty rote documentary about the 2008 USA Olympic basketball team, which won gold in 2008 after the previous team had won only bronze for the first time in decades.
Jazz Sabbath, Vol. 2 (2022)
The second volume from Jazz Sabbath is considerably more ambitious musically than the first and, to my ears, considerably more campy. The first volume is tagged/categorized as, among other things, musical parody. But, aside from the “liner” notes, I honestly didn’t hear any parody. I heard a genuinely earnest and serious attempt to play Sabbath …
The Bob’s Burgers Movie (2022, Loren Bouchard, Bernard Derriman)
Like every 22-minute TV show turned into a movie, this one struggles with enough laughs for its runtime. But it’s still pretty enjoyable and has most of the stuff you’d want in a Bob’s Burgers episode.
Séances (2022) by Trevor Dunn’s Trio-Convulsant avec Folie à Quatre
I absolutely loved Sister Phantom Owl Fish when I first heard it when it came out, both because it was one of my first encounters with jazz that had metal influences (it might have been my first) and it was my first encounter with Mary Halvorson, and her extremely unique style of guitar playing. It …
Skandal! Bringing Down Wirecard (2022, James Erskine)
This is a wild story, of how a seemingly legitimate German company (in some ways the German Paypal, but more than that) committed massive fraud. It’s a story I somehow missed while it was happening.
Sounds Unheard (2022) by the Joe Policastro Trio
Rarities compilations can be a bit of a mixed bag more often than not. It’s the music the artist didn’t think was good enough to release in the moment, obviously. But sometimes, they’re great. And this is a pretty great one.
The Joe Policastro Trio Live at The Rex October 26, 2022
A few weeks ago, I was browsing Cover Me’s Best Cover Songs of September and I came across a fun jazz guitar cover of “Take on Me.” I liked it. Jenn liked it. So I followed the group on the socials and saw that they would be in Toronto in a few weeks.
All the Old Knives (2022, Janus Metz)
This is a spy mystery film with a fairly big dose of romance which feels like it would have been a lot less of a mystery if it had been told in chronological order.
The Mars Volta Live at Massey Hall, Wednesday October 5, 2022
The Mars Volta have reunited, much like At the Drive In did five years ago. However, unlike that reunion, this is a very different version of the band, if there new album is anything to go by. So I was slightly worried about this show. But that proved to be unfounded.
The Mars Volta (2022)
When I was younger, a thing that really impressed me was a massive stylistic change from a band. It still does impress me, but not as much. And I was always less into stylistic changes that I didn’t like, i.e. into genres I didn’t like. I admire the Mars Volta for trying something different. But …
X (2022, Ti West)
This is a fun spin on The Texas Chainsaw Massacre style of horror movie – the young people are filming a porno – that has a fairly fatal flaw, in my book. But I liked some things about it. SPOILERS
Untold: Operation Flagrant Foul (2022, David Terry Fine)
This is an interesting, compelling and entertaining documentary about Tim Donaghy for most of its run, and then it runs into conspiracy territory at the end and becomes rather frustrating.
The 2022 Toronto International Film Festival
This was my first time attending TIFF in person in 3 years. It was a little exhausting, given how far out of downtown we now live but, once I got the hang of it, I fell back into the rhythm of it and thoroughly enjoyed myself. It also helped that, after a few movies that …
Project Wolf Hunting (2022, Hong-Sung Kim)
This is an extremely gory, bloody and bonkers action/horror film about a ship of inmates travelling from the Philippines to Korea. The theme of it is basically overkill – don’t just hit somebody once, do it seven times. Why shoot at someone once when you can use the entire magazine? It’s quite funny and entertaining …
Chevalier (2022, Stephen Williams)
This film purports to tell the story of the first major black composer. But it’s a fantasy, not a real biography, and it spends much of its runtime obsessing about a made up love triangle and focusing on the friendships of the composer that are likely also made up. It’s a ridiculous movie. SPOILERS
The Banshees of Innisherin (2022, Martin McDonagh)
This is an extremely funny dark comedy that takes a turn for the tragic. It was introduced to us as a fable, and I think it has to be viewed that way given the basically inexplicable behaviour of Brendan Gleeson’s character. SPOILERS
Triangle of Sadness (2022, Ruben Östlund)
This is a satire cum gross-out comedy about the world’s 1%, broken up into 3 parts with a prologue. It won the Palme d’Or so there was more than a little hype going into it. What I can say is that it is very funny and it is breezy 147 minutes. So that’s something.
Holy Spider (2022, Ali Abbasi)
For most of this film’s run-time, it’s a conventional, perhaps a little contrived, serial killer film, with a great opening sequence, that is otherwise mostly distinguished by the fact it is set in Mashad, Iran. And then it goes to a place that these films don’t. But that’s a spoiler so SPOILERS
All the Beauty and the Bloodshed (2022, Laura Poitras)
This film tells the story of the (formerly controversial) photographer Nan Goldin through the lens of her crusade to convince the major art galleries of the world to stop receiving money from the Sacklers (the former owners of Purdue Pharma) and to remove the Sackler name from their institutions.
Free Money (2022, Lauren DeFilippo, Sam Soko)
This is a brief but reasonably compelling and entertaining documentary about a UBI experiment in Kenya by the charity GiveDirectly. Full disclosure: I have complete drunk the Universal Basic Income Kool-Aid so I am not going to be the most critical reviewer of anything about UBI. You have been warned.
Aristotle and Dante Discover the Secrets of the Universe (2022, Aitch Alberto)
This is a coming of age drama about two teenage boys in El Paso in the late 1980s. Jenn and I were not warned it was based on a YA novel and so we did not know what we were getting into. (To clarify: we knew it was based on a novel, we just didn’t …
R.M.N. (2022, Cristian Mungiu)
This is a film that analyzes xenophobia in a small, multiethnic town in Transylvania in Romania. “R.M.N.” is apparently the Romanian acronym for MRI, so I guess Mungiu views this as an MRI of xenophobia is his native country. (Also, a character does get an MRI and MRI images play a role.)
Emily (2022, Frances O’Connor)
I normally hate when biopics deviate wildly from the historical record but, in this case, it really doesn’t bother me as much. And I think that’s because the director essentially admitted it was all made up in her introduction. I have more time for these historical inaccuracies if only because I know it’s fantasy. Mild …