This is a decent action movie with an interesting soft science fiction/fantasy premise which falls apart whenever you think too hard about it. I didn’t know the premise before watching so I’ll assume it’s a spoiler and say SPOILERS
Tag: Soft Science Fiction
Altered Carbon (2018)
I usually review a TV show when I’ve finished it or when I’ve given up. But, given the Pandemic and the state of the film industry, I’m not sure when or if a 3rd season of this show is coming. And by the time it does come, I may have forgotten about the show. So …
Infinite Jest (1996) by David Foster Wallace
Take that David Chang! SPOILERS: The end of this review contains a relatively massive spoiler.
Chronicle (2012, Josh Trank)
This is a pretty great idea, though hardly a new one, which is marred a great deal by the found footage conceit, which feels stupid and completely of its time. One wonders if they could only get the film made because of how trendy found footage was in the aughts. SPOILERS
I Still See You (2018, Scott Speer)
This is a PG-13 thriller with horror/science fiction elements which steals ideas from other movies and books, and which cannot even come up with its own vocabulary for its internal world. Had I been less tired when I watched it, I no doubt would have figured out who the main bad guy was immediately, simply …
Solo: A Star Wars Story (2018, directed by Ron Howard et al.)
This is an entertaining film that doesn’t make a whole lot of sense but still manages to mostly fly by for its absurd run-time.
Extinction (2018, Ben Young)
This is a pretty high concept science fiction film with a tiny budget that looks rather shitty and has a few really odd decisions that likely only happened because of the budget. SPOILERS
Star Trek: Beyond (2016, Justin Lin)
For some reason, I have yet to see the first movie of this Star Trek reboot. I’ve seen Into Darkness and I didn’t love it. And I must say the things I didn’t love about Into Darkness and present to a degree in Beyond. But I seem to have come to terms with them better. Because this time, it …
Star Wars: The Last Jedi (2017, Rian Johnson)
When this movie came out, I read in various places that it was perhaps the best Star Wars movie ever made. That would be a tall order, I guess, if I actually enjoyed Star Wars as an adult. The thing is, I don’t. I keep watching these movies and whatever it was that compelled me to really …
Cowboys and Indians (2011, Jon Favreau)
Many years ago, in my teens, I had a habit of writing down every movie idea I had, as I dreamed I would one day be a filmmaker. One such idea was a western film in which aliens showed up part way through. However, a key part of the idea – perhaps the key part …
Rogue One (2016, Gareth Edwards)
The problem with science fiction prequels, as I’m always saying, is that they are made with better technology then the ostensible sequels, making them incoherent in terms of technology.
Coherence (2013, James Ward Byrkit)
This is one of those super talky, high concept science fiction films which feels like it was written for the stage. (Many of these have been written for the stage, but this one apparently was not.) There are a lot of these films by this point and it’s sort of become its own sub genre. …
Meltdown: Days of Destruction (2006, JP Howell)
This is one of those terrible TV movies which are competently made at some level – the sound is fine, the lighting is okay, I never saw a boom mic in a shot – but are so unbelievably preposterous and poorly plotted that you wonder how they get made. (The answer is likely that many …
A Boy and His Dog (1975, LQ Jones)
This is an interesting idea – I’m sure the novel is good – that is severely harmed by a lower than ideal budget and a poor choice of locations results in a pretty mixed bag of a film – one of those ’70s science fiction films where the idea is so much better than the …
The Box (2009, Richard Kelly)
Richard Kelly continues his descent into utter nonsense with this completely unnecessary feature length film version of that old chestnut about the man with a box and $1 million dollars. (It’s worth noting that Kelly has not made a film since this one.)
Knowing (2009, Alex Proyas)
It’s kind of hard to describe how dumb this movie is. It’s also extremely dispiriting to know that it was written and directed by the man who made Dark City, a personal favourite. This review contains SPOILERS.
Edge of Tomorrow (2014, Doug Liman)
Let’s get this out of the way: the premise – a science-fiction/action version of Ground Hog Day – is dumb. This is basically the film version of playing a video game, albeit condensed into 2 hours. But if you can get over that (and over the presence of Tom Cruise)… SPOILERS!
The Scorch Trials (2015, Wes Ball)
I did not like the first film at all. But that movie had a “high concept” that I could at least respect on some level – though it struck me as something I would have dreamed up as a teenager – even if the execution was pretty awful. But this movie is worse. Yes, that’s …
Star Wars: The Force Awakens (2015, JJ Abrams)
I must say that, when I learned that the new trilogy would not follow the Grand Admiral Thrawn arc, a little part of my teenage self died. The only Star Wars books, I ever read, I enjoyed them at the time. But, upon, reflection, it’s probably for the best, as this guy was one of those …
Another Earth (2011, Mike Cahill)
This is a movie that, by its very title, advertises itself as science fiction. But it’s not, not really. I mean, it’s barely science fiction. It’s not science fiction in the way you expect. MILD SPOILER ALERT
The Maze Runner (2014, Wes Ball)
Thoughts (Including major spoilers, but I don’t care because you should not watch this piece of shit):
The Adjustment Bureau (2011, George Nolfi)
I guess there are some SPOILERS!
Pandorum (2009, Chrstian Alvart)
Pandorum has a neat concept to start, but unfortunately it is undercut by overly explanatory title cards – better the movie open with Bower coming out of his chamber, I think. But, that being said, otherwise the movie seems quite strong at first. The reveal is way too early, but otherwise it’s good. There are …
Cloud Atlas (2012, directed by Tom Tykwer, Andy Wachowski, Lana Wachowski)
Some novels are just plain unfilmable, and sometimes you wonder why people try. But watching this, and not knowing the novel, I’m not sure this one is such an unfilmable novel. (Maybe I’m wrong.)
Jodorowsky’s Dune (2013, Frank Pavich)
This is a fascinating movie about one of the most important films to never get made. (If you think that’s hyperbole, you learn at the end that it probably isn’t.)
Total Recall (2012, Len Wiseman)
Let’s get the good of this totally unnecessary remake out of the way: The production design is fantastic, worthy of Blade Runner – which is (very) heavily inspired by – the Fifth Element, Minority Report and the equal of respected modern sci fi epics like Pacific Rim. It’s better than the original, I would say. …
Snowpiercer (2013, Joon-ho Bong)
It’s great when genre flicks get celebrated and take on a life of their own. And I’m glad that a reasonably smart one such as this has become such a big thing (at least online). But while Snowpiercer is highly entertaining, like so many “high concept” action films, it’s flawed and it’s also kind of long …
Star Trek: Into Darkness (2013, J.J. Abrams)
I was somewhat of a Star Trek fan in my youth: I watched The Next Generation pretty much all the time it was on – both new episodes and reruns – I watched DS9 and Voyager and I watched enough reruns of the original series, to the point where I probably saw a small majority …
Battlestar Galactica (2003)
Battlestar Galactica, the reboot, is probably the greatest science fiction TV show of all time. (That obviously depends on what we mean by “science fiction”, as if I included the original Prisoner in that genre, maybe I would be forced to rethink my position. And no, no version of Star Trek has ever particularly impressed …
The Hunger Games (2012, Gary Ross)
So first, my general impressions: the film is pretty well-made, if a little long for its subject matter. I didn’t detect any glaring problems with the editing, direction, etc. The problem is, of course, the source material. As one would expect from a novel aimed at teens or tweens, there’s not much here for adults: …