Tag: Drama

2003, Movies

Café Lumière (2003, Hsiao-Hsien Hou)

This is the first film of Hsiao-Hsien’s I’ve ever seen but I have seen a few of Ozu’s, and this film is a tribute to Ozu. I don’t always love Ozu – apparently my ADD is too much for him much of the – so I think that my feelings towards Ozu’s type of filmmaking …

2011, Movies

Cafe de Flore (2011, Jean-Marc Vallee

This is one of those maddening movies that eschew conventional narratives but lack the visuals, editing or other techniques to make the lack of story compelling. That’s not to say there isn’t a narrative here – there are two – but it’s fractured to bits and the hooks the audience are given are character development …

2012, Movies

Byzantium (2012, Neil Jordan)

This is a fascinating revisionist vampire film that takes a different approach to an over-done genre in more than one way. It’s not a great movie, necessarily, but it’s a neat twist on a tired genre and it’s worth watching if you are interested in vampire films that don’t follow the tired old movie formulas …

1960, Books, Fiction

The Caretaker (1960) by Harold Pinter

This is my first Pinter and I should mention that I had no idea what I was getting into before I read it. I suspect that it would have made more of an impression on me had I seen it, rather than read it, simply because some of the tone of one of the characters …

2017, Movies

Gifted (2017, Marc Webb)

This is a film about one of those precocious child geniuses that only exist in Hollywood movies (and independent movies that wish they were Hollywood movies – I’m looking at your Good Will Hunting) and how such geniuses should be nurtured. In real life, nobody is quite as smart (or quite as high functioning if they …

2005, Movies

Brokeback Mountain (2005, Ang Lee)

I think it’s probably hard to discuss Brokeback Mountain without talking about the hype: this film is considered by many to be a landmark either in Hollywood with regard to LGBTQ topics, or in LGBTQ cinema in general. Now, I don’t know much about the history of LGBTQ cinema – just what I got from a …

2013, Movies

Coherence (2013, James Ward Byrkit)

This is one of those super talky, high concept science fiction films which feels like it was written for the stage. (Many of these have been written for the stage, but this one apparently was not.) There are a lot of these by this point and it’s sort of become its own sub genre. I’m …

2008, Movies

Bronson (2008, Nicholas Winding Refn)

There are probably two types of people: people who think Winding Refn is a genius and people who think he is ponderous, boring and way too interested in style over substance. You can count me among the latter. Despite all the praise over Valhalla Rising and Drive, I found both movies to be flawed. I …

2009, Movies

The Boys Are Back (2009, Scott Hicks)

For much of its run, this feels like a much more authentic version of the ‘widowed single-parent struggling to raise children’ sub-genre. It has a location and a concept that are not typical of the genre and the whole thing feels more naturalistic (despite talking to dead people). However… (spoilers, if this type of film …

2013, Movies

Charlie’s Country (2013, Rolf de Heer)

This is an affecting portrait of what life is like for an Aboriginal elder living life on a reserve in the Norther Territory. It is extremely well done and it makes me think that we need its equivalent in Canada. (Excuse my ignorance: if such a movie does exist, please do let me know and …

2006, Movies

Bonneville (2006, Christopher N. Rowley)

This film is absolutely not for me but I’m glad that such movies exist. This film takes the evil step mother of so many Hollywood films and imagines the loss of the father from her perspective instead, and it feels like that’s been a long time coming. Combine that with a road movie and you …

2014, Movies

Calvary (2014, John Michael McDonagh)

This is a strange film about the priesthood in Ireland, which starts with an extremely (basically ridiculous) high concept plot, spends most of its time in dark (very dark) comedy and then veers into deep pathos. It shouldn’t work, but it does, and does well.