There are certain types of films which require patience. I am almost always better able to appreciate films which require patience in the theatre where I don’t have distractions. At home, I’m liable to find my way to my laptop pretty quickly if a movie is deliberately paced. It’s less bad with English language films …
Tag: Drama
Cassandra’s Dream (2007, Woody Allen)
Obligatory mention: This movie was written and directed by Woody Allen. Woody Allen married his step-daughter (who was adopted by his then wife). Woody Allen has been accused by his adopted daughter of child abuse. For too long fans and critics have ignored or dismissed these aspects of Allen’s life when discussing his films. On …
The Standoff at Sparrow Creek (2018, Henry Dunham)
This is a very stagey film – so stagey you’d think it was a play – that overcomes that limitation by being expertly made, even though it is Dunham’s first time directing a feature. (It’s a miraculous debut, in terms of Dunham’s ability to film and edit – I would sworn this was not a …
Carnage (2011, Roman Polanski)
This is the first time I’ve seen a Roman Polanski film I haven’t seen previously prior to what you might call my “maturity” regarding the crimes Polanski has fled the United States for. I have known about these crimes since I don’t know when – probably since I discovered who he was (so 20-something years …
Carcasses (2009, Denis Côté)
Carcasses is part of that trend in Canadian independent film in the early years of the 20th century to mix documentary style with fictional or plots, sometimes with people playing themselves. (I say Canadian trend because most of the films I have seen that do this are Canadian films from this time, or thereabouts. I …
The Americans (2013)
The Americans is a show that I stuck with sometimes in spite of myself, a show that has a lot going for it but struggled at times with believability. I don’t think I quite liked it as much as most critics and fans, but I did end up finishing it, despite having the ending spoiled for …
Canopy (2013, Aaron Wilson)
This is a film that seeks to tell a realistic story of what it would have been like to get shot down in the jungle during World War II. It is mostly silent and so it at least somewhat reminds me of that legendary failed Coen Brothers project, To the White Sea. Though obviously not for …
Café Lumière (2003, Hsiao-Hsien Hou)
This is the first film of Hsiao-Hsien’s I’ve ever seen but I have seen a few of Ozu’s, and this film is a tribute to Ozu. I don’t always love Ozu – apparently my ADD is too much for him much of the – so I think that my feelings towards Ozu’s type of filmmaking …
Cafe de Flore (2011, Jean-Marc Vallee
This is one of those maddening movies that eschew conventional narratives but lack the visuals, editing or other techniques to make the lack of story compelling. That’s not to say there isn’t a narrative here – there are two – but it’s fractured to bits and the hooks the audience are given are character development …
Byzantium (2012, Neil Jordan)
This is a fascinating revisionist vampire film that takes a different approach to an over-done genre in more than one way. It’s not a great movie, necessarily, but it’s a neat twist on a tired genre and it’s worth watching if you are interested in vampire films that don’t follow the tired old movie formulas …
The Crown (2016)
This is an immaculately produced drama about the early reign of Queen Elizabeth II. It is very nice to look at and it is well-acted. But half way through season 1, I don’t really care.
The Caretaker (1960) by Harold Pinter
This is my first Pinter and I should mention that I had no idea what I was getting into before I read it. I suspect that it would have made more of an impression on me had I seen it, rather than read it, simply because some of the tone of one of the characters …
Brute Force (1947, Jules Dassin)
This prison escape film has dated rather horribly in the ensuing years and so I can’t really recommend it, though there is nothing particularly bad about it (for the most part).
Gifted (2017, Marc Webb)
This is a film about one of those precocious child geniuses that only exist in Hollywood movies (and independent movies that wish they were Hollywood movies – I’m looking at your Good Will Hunting) and how such geniuses should be nurtured. In real life, nobody is quite as smart (or quite as high functioning if they …
Brokeback Mountain (2005, Ang Lee)
I think it’s probably hard to discuss Brokeback Mountain without talking about the hype: this film is considered by many to be a landmark either in Hollywood with regard to LGBTQ topics, or in LGBTQ cinema in general. Now, I don’t know much about the history of LGBTQ cinema – just what I got from a …
TIFF 2017: Omerta (2017, Hansal Mehta)
What a mess. Where do I begin?
Brooklyn (2015, John Crowley)
This is a well made and affecting drama about an Irish immigrant’s journey to Brooklyn, New York in the very early 1950s.
Dunkirk (2017, Christopher Nolan)
Hype is a terrible thing. So, no, I did not love Dunkirk. SPOILERS (if there can be spoilers for a movie based on a historical event).
Rush (2013, Ron Howard)
This is an odd one at times: Howard plunges us into the racing world of the 1970s with greater context, instead focusing on the contrasting lives of two up and coming drivers. For someone who isn’t a racing fan, this must be really confusing. I was a little lost at first.
Coherence (2013, James Ward Byrkit)
This is one of those super talky, high concept science fiction films which feels like it was written for the stage. (Many of these have been written for the stage, but this one apparently was not.) There are a lot of these films by this point and it’s sort of become its own sub genre. …
Bronson (2008, Nicholas Winding Refn)
There are probably two types of people: people who think Winding Refn is a genius and people who think he is ponderous, boring and way too interested in style over substance. You can count me among the latter. Despite all the praise over Valhalla Rising and Drive, I found both movies to be flawed. I …
Child of God (2013, James Franco)
This is a mess of a film, which feels like the work of a first time director. Far from it, as Franco has made tons of films only a few of which I was aware of; this is, impossibly, his 8th film.
Captain Phillips (2013, Paul Greengrass)
This film reminds me a lot of Black Hawk Down, a similarly politically clueless film about East Africa, which is so well made and so compulsively watchable that, as a white Canadian, I stop caring about its political cluelessness.
Body and Soul (1993)
I keep a list of movies to watch. There are thousands of movies on the list and I will never watch all of them. I add titles to it all the time. Occasionally, due to laziness, I omit the year a movie was released when I add a movie. I did that with the film …
Body of Lies (2008 Ridley Scott)
I have no idea whether or not this film is accurate as to the day to day actions of CIA operatives in the Middle East – I doubt it, but it is a fictional film after all – but, for much of its run, it is an effective political thriller with a strong sense of …
The Broken Circle Breakdown (2012, Felix van Groeningen)
This is a well-meaning, and well-acted film ostensibly about the breakdown of a relationship but equally about the clash of science and faith in the 21st century. It is, in my opinion, too ambitious, as well as too arty, for its own good. There’s plenty of good stuff, but the whole is less than the …
Broken (2013, Bright Wonder Obasi)
Had I not seen other Nollywood movies, I might have been shocked by how awful this film’s production values are. But having seen a number of Nollywood movies now, I know that this is actually above average when it comes to those production values. It’s only the sound that’s really, really awful (and only at …
Kill Your Darlings (2013, John Krokidas)
This is a well cast movie – the stars look pretty similar to the people they’re portraying – with committed performances from all of the leads. I wanted to like it. But there a few big problems. The mildest of spoilers.
Blissfully Yours aka Sud sanaeha (2002, Apichatpong Weerasethakul)
The hype would have us believe that this is one of the great films of the 21st century. At this point in my life, I have seen a lot of deliberately paced, enigmatic foreign films set in tropical idylls. Watching this, I am stuck wondering what it is that has made this one the one …
Black and White (1999, James Toback)
This overly self-serious film combines the sanctimonious air of a Hollywood message movie with the production values of a late ’90s independent film (real locations, often very woody acting) with the ambition of Paul Thomas Anderson. And it’s a mess. An annoying, sometimes embarrassing, sometimes cringe-inducing, hilariously inauthentic film.