I was 13 when this came out but I was already sort of aware of manufactured pop music. I already sort of got that the Monkees hadn’t evolved like the other bands I listened to, and I was sort of aware that some of the oldies music I listened wasn’t made the same way. I …
Category: 1994
Geek the Girl (1994) by Lisa Germano
I knew nothing about this record going in and, frankly, nothing about Germano. The name maybe rung a bell, a teeny bit, but that’s all. So I had no idea what I was in for, which is maybe why I keep can’t help but compare her to other people.
Korn (1994)
So this is it. Where it all began. I must admit that, had I listened to this record when it came out, I would have hated it. Had I listened to it a few years later, during peak Nu Metal, I would have dismissed it. And I might have dismissed it later, too. I hope …
No Need to Argue (1994) by The Cranberries
There are so many ’90s alternative albums which I thought I ignored when they came out but I must have heard at some point. Like so many of those, when I put this on, I thought I just knew the singles. And then I remembered other songs. And I was confused. I don’t ever specifically …
Worst Case Scenario (1994) by dEUS
dEUS’s debut album is the kind of crazy alternative rock record I wish I had discovered when I was in my teens or 20s. It’s crazy to me that it isn’t better known, given how fun and interesting it is.
Ruby Vroom (1994) by Soul Coughing
Beginning sometime in the mid to late ’80s, there was a curious trend in the UK where a bunch of white guys began to appropriate much of the music of hip hop to make music that was, mostly, decidedly not hip hop. This music has very little rap in it (sometimes absolutely none) and had …
Definitely Maybe (1994) by Oasis
Loud electric guitars had been missing from British radio for a long, long time by the early 1990s. With the exception of U2 and the Smiths and a few other bands, there hadn’t been much popular guitar-based music for much of the previous decade. And when guitar-based music appeared, it often had synthesizers, gated drums …
Bakesale (1994) by Sebadoh
Harmacy is the only Sebdaoh record I’ve heard more than a few times and so it is the one I also think of when I listen to other records of theirs. It’s also particularly catchy compared to their earlier records, at least as far as I know, which can make it a little bit harder …
Mars Audiac Quintet (1994) by Stereolab
I don’t love Stereolab’s shtick though I get why lots of people do. So my mileage with them varies in so much as I can convince myself that the album is either important (because they probably pioneered their particular fusion) or how ti compares to the other albums of theirs I’ve managed to get around …
Living Under June (1994) by Jann Arden
Before I get to my review, I just wanted to mention that my experience of this album was disrupted. I was listening to it on Google Play but when I went back for my second listen it had just disappeared. Vanished without a trace. I assume the licensing agreement expired but I don’t know what …
It Takes a Thief (1994) by Coolio
I guess serious hip hop fans have strong feelings about Coolio, like he got too famous or something, or he’s not as talented as less famous rappers, or something. I don’t know anything about this and, frankly, I couldn’t care less. I hate arguments about whether or not someone is more authentic than someone else …
Roman Candle (1994) by Elliott Smith
Your mileage with Elliott Smith likely depends upon when in your life you first heard him. It sure feels like the people who first got into him in their teens – or even their early 20s – have a much greater desire for him to be appreciated as one of the great songwriters of his …
Cracked Rear View (1994) by Hootie and the Blowfish
The joke goes something like this: Q: What is the biggest selling album in history which nobody bought? A: Cracked Rear View. (Because everyone who bought it was so embarrassed by it later that they hid it and swore to their friends they never bought it, or sold it to the local used music store …
Yank Crime (1994) by Drive Like Jehu
This is one of those bands who put out very little music but you hear a lot about. There’s always a danger with these bands that expectations will get in the way. Fortunately for me, I had totally forgotten about them when I got around to listening to this record. (As usual, I have somehow …
Welcome to Sky Valley (1994) by Kyuss
I have listened to Blues for the Red Sun so many times that it is basically ingrained in me, yet I never manged to get to another Kyuss record. I also heard about this record. A lot. And I heard it was their best. So I approached this record with too high expectations and and …
Regulate… G Funk Era (1994) by Warren G
Of all the hip hop I’ve managed to listen to to date, I’d say virtually all of it tries to at least partially match the music to the lyrics. What I mean by that is that, if the lyrics are about being a criminal, the music underlying the verses (not the choruses) is usually rough-edged, …
Ill Communication (1994) by Beastie Boys
The Beastie Boys confuse the hell out of me on this record, but that’s probably by design and likely what endears so many people to them. I have only heard a few of their other albums but this is the most traditionally “musical” of those, so it’s the one you’d think I’d like the most.
Four Weddings and a Funeral (1994, Mike Newell)
This film, which should really be called Threes Weddings, a Funeral and a Fourth Wedding, is one of the innumerable ’90s films I told myself I had seen as a teen, only to discover upon watching it now, that I’ve definitely never seen it before. (I probably watched five minutes of it when I was …
Rusty (1994) by Rodan
Whether or not you have read the comparisons, it’s pretty much impossible to listen to this record without thinking about Slint if you have ever heard Spiderland. Because these guys have heard Spiderland, and they want you to know that they liked it. They liked it a lot.
The Lion King Original Motion Picture Soundtrack (1994) by Elton John, Tim Rice, Hans Zimmer et al.
I don’t normally review soundtracks. But occasionally the anniversary of a soundtrack comes up, when the soundtrack was so big, and so culturally relevant to a generation, that to ignore it would be against the purpose of my podcast. So here I am. This one has a lot of baggage.
Southernplayalisticadillacmuzik (1994) by OutKast
Everything I know about scenes is confined to rock music, and most of the detailed stuff I know about rock scenes is confined to the psychedelic rock scenes of the 1960s. That’s probably the only period where I could hear music I don’t know and give a good guess as to where it was made. …
Illmatic (1994) by Nas
I am not a fan of hip hop and I pay no attention to hip hop or hip hop oriented media. One advantage of that, when I actually listen to hip hop, is that I have no expectations. I don’t know what albums are considered good or not good, beyond seeing some ratings or reviews, …
The Bleeding (1994) by Cannibal Corpse
To the best of my knowledge, this is the best selling death metal album of all time. Something about that makes it sound like its an essential record to me, which is why I find myself listening to a straight-up death metal record from 1994, years after the genres invention, and probably right around the …
Bullets Over Broadway (1994, Woody Allen)
Obligatory mention: Woody Allen has been accused of sexually assaulting his adopted daughter. He also married the adopted daughter of his former partner. I can completely understand if you want to never watch another Woody Allen film, or read about Woody Allen. Bullets Over Broadway has been on my “To Watch” list for my entire …
In the Nightside Eclipse (1994) by Emperor
I really enjoyed Anthems to the Welkin at Dusk, the follow up to this record, because I really had no idea what I getting into, and figured it was just some run of the mill black metal. I am listening to this one after that one because apparently like to do things out of order.
Troublegum (1994) by Therapy?
When I first heard “Knives” I thought “YES!” and figured I had just found a new favourite band. But that track turns out to be the album’s most immediate track – it’s a smart thing to lead off with in some respects but a bad idea in others.
Under the Pink (1994) by Tori Amos
Amos’ debut was so ambitious and so impressive (if you can get by the histrionics) that I think the world might have been tempted to think there’s no way she can follow it up.
Jung: A Very Short Introduction (1994) by Anthony Stevens
When I was a teenager, some adult told me about Jung’s collective unconscious. I didn’t read a thing about it, but took whatever they told me and created my own elaborate theory about our thoughts influencing others (which has nothing to do with Jung). Ultimately, that theory was a responsible for a lot of mental …
Knussen: Horn Concerto, Whitman Settings, The Way to Castle Yonder, Flourish with Fireworks (1996) by Various Artists
This is a collection of Knussen’s orchestral music.
The Life of Graham Greene Volume Two: 1939-55 (1994) by Norman Sherry
Even more than Volume 1, this biography is for fans only.