Who is this for? Some of it feels like it’s for Janet Jackson fans (who have lower standards). But some of this is for your grandma. Well, maybe your parents. Either way, some of this is super cheesy adult contemporary. (Her “signature” song being the most obvious example.) And that leads you to wonder why …
Tag: New Jack Swing
Of the Heart, of the Soul and of the Cross: The Utopian Experience (1991) by P.M. Dawn
I don’t know what I would have thought about this if I hadn’t yet heard Dearest Christian already, but I have, and I can’t help but have that experience colour this one.
Seal (1991)
I know one Seal song. (I’m too young for “Crazy.”) Seal was not big in North America and is known here to my generation for “Kiss From a Rose” and, for younger people, as being Heidi Klum’s ex-husband. So I didn’t know what to expect.
Spellbound (1991) by Paula Abdul
I know very little about Paula Abdul. I remember a couple of her songs – and, honestly, remember the video for “Rush Rush” than I do the song – and I remember some vague reason for her being kicked off some talent TV show. That’s it. So I was expecting some kind of early ’90s …
Cooleyhighharmony (1991) by Boyz II Men
I began to mature as a music fan in a world where Boyz II Men were ubiquitous. It felt like you couldn’t avoid them because, unlike so many other artists on the music video channels I watched, they were also played in malls, in doctor’s offices, everywhere.
Control (1986) by Janet Jackson
I need to preface this by saying that I only know “New Jack Swing” as a name, I don’t really know anything about the genre and its history and have added it as a label to my reviews only when told by someone that “this music is New Jack Swing.” But if it’s true, it’s …
The Gold Experience (1995) by O(+>
I can’t claim to know Prince’s catalogue that well, especially since the ’80s. So you can’t take what I say as gospel. But, listening to this, I’m inclined to agree with the critical consensus that says it’s his best record of the ’90s (or one of them). There may well be better ones, of course, …
Nobody Else (1995) by Take That
Take that were way, way less of a big deal in North America than they were in the UK – like most if not all UK manufactured pop – and so I was barely aware they existed, except that “Back for Good” was an actual hit over here. But I basically only know they exist …
Born to Sing (1990) by En Vogue
This is a pretty slick R&B record that manages, through its charismatic performances and relatively sparse arrangements, to not feel as slick as it absolutely is. Some of that impression may just come from my unfamiliarity with New Jack Swing, too.
No Strings Attached (2000) by *NSYNC
I absolutely hated *NSYNC when they first become popular, much like I absolutely hated the Backstreet Boys. And, though time has softened my feelings, it was still a struggle listening to “Bye Bye Bye” and “It’s Gonna Be Me” as immediately my got up a bit, as I remembered being inundated with these songs and …
Please Hammer Don’t Hurt’Em (1990) by MC Hammer
This record has a 1.81/5 rating on Rate Your Music as of March 2020, one of the lowest ratings I’ve ever seen on the site, and a particularly low one for a record that sold 20 million copies. I am not about to argue that this record is good but it’s far from the worst …
CrazySexyCool (1994) by TLC
I was 13 when this came out but I was already sort of aware of manufactured pop music. I already sort of got that the Monkees hadn’t evolved like the other bands I listened to, and I was sort of aware that some of the oldies music I listened wasn’t made the same way. I …
Janet Jackson’s Rhythm Nation 1814 (1989)
I’ll be honest. I have no idea what the state of R&B was in 1989, outside of Michael Jackson and Prince. (And, I guess, Whitney Houston’s early hits.) It’s a genre I never spent much time with once you get past the early ’70s. Well, until very recently, anyway. So I really don’t have the …
janet. (1993) by Janet Jackson
As I say all the damn time, coming at an artist backwards is a bad idea. And yet here I am doing it again. This is only the second Janet Jackson album I’ve ever heard, but the first one I heard was the sequel to this one. The problem for me is that the sequel …
The Velvet Rope (1997) by Janet Jackson
I had a very, very fixed idea of Janet Jackson before listening to that record. It was an idea essentially created by music videos (Janet Jackson is attractive) and the odd accidental radio exposure, but also created by the music industrial complex, which has generally marketed female performers in a particular way for quite a …