Tag: Art Pop

1980, Music

Vienna (1980) by Ultravox

I understand that this album represents a fairly major change in the band’s personnel. I’m less sure about how much of a change in sound there was, which should tell you that I don’t know anything about this band. So I can’t say anything about where this fits in their history/evolution.

2000, Music

Things to Make and Do (2000) by Moloko

I don’t know Moloko at all, so I don’t know how this album changed their sound from previous record. I read that they were considerably more electronic before this record, but I’m taking that on faith. All I can really talk about what’s here, whish might be described as soulful, funky, dancier ¬†Portishead – like …

2020, Music

Fetch the Bolt Cutters (2020) by Fiona Apple

So, full disclosure: I love Fiona Apple. My least favourite of all her albums is her first record, which is still extremely impressive for someone of her age. (Compare it to records made by similarly aged artists through the history of pop music, I bet it stands out pretty strongly). So I don’t think I …

1990, Music

I Do Not Want What I Haven’t Got (1990) by Sinead O’Connor

Sinead’s second album is considerably more self-assured and even than her debut, though it’s lacking a bit of the energy of the debut and, also, the pure shock factor of a woman so young seeming like such a self-assured songwriter and performer. And like the debut, it hasn’t dated that well, but that’s sort of …

1965, Music

The Beach Boys Today! (1965)

Well this is the moment when the Brian Wilson who has been endlessly celebrated by the music press truly emerges, at least in album form. Though the lyrical sophistication of these songs has been greatly exaggerated (to a degree I don’t think I can stress enough) the musical sophistication is leaps and bounds beyond most …

1975, Music

Desperate Straights (1975) by Slapp Happy and Henry Cow

Slapp Happy is one of those bands I read about a lot and then listened to and was kind of disappointed by. But then I guess I mustered some enthusiasm because my review of another album of theirs is positive. Henry Cow, on the other hand, I used to absolutely love. It’s an odd match, …

1995, Music

The Rapture (1995) by Siouxsie and the Banshees

This is my first ’90s Banshees album and I must say I was a little reticent to give it a listen, for two reasons. For one thing, though I feel like their ’80s records have dated rather well for ’80s music, I must say I was worried that this record would sound pretty damn ’80s. …

1999, Music

When the Pawn Hits the Conflicts He Thinks like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ‘fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might so When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right (1999) by Fiona Apple

I could have sworn to you that I had heard this record before; I thought I had heard all of hers. But I went to check my old review and there was no review nor any rating. And that begs a question: did I listen to this and forget to review and or even rate …

1989, Music

Boomerang (1989) by The Creatures

Does the idea of a Siouxsie and the Banshees album with the music made up of almost entirely percussion sound appealing to you? Well, that’s probably the easiest way of explaining this Creatures record to someone who isn’t familiar with it (as I wasn’t). It’s got a similar vibe to their parent band except the …

1974, Music

Sheer Heart Attack (1974) by Queen

This is, by all accounts, the record where Queen really becomes Queen, taking their bizarre (insane, really) hybrid style and finally pairing it with enough quality songs that it no longer seems gimmicky. I’m not sure I entirely agree, but I get why people feel this way.

1989, Music

The Sensual World (1989) by Kate Bush

Kate Bush, ever the iconoclast, finds a good balance on this record between contemporary art pop – and all of the obsession with technology that entails – and folk music influences. In the vaguest sense this one sort of reminds of Peter Gabriel’s work, only they are incorporating very different forms of folk music and …

1979, Music

Broken English (1979) by Marianne Faithful

Broken English is one of those records I heard so damn much about throughout my life that, by the time I listened to it decades after first hearing about, there was going to be a let down, it was inevitable. With multiple listens, the record is growing on me a bit, but it’s still worth …

1989, Music

Janet Jackson’s Rhythm Nation 1814 (1989)

I’ll be honest. I have no idea what the state of R&B was in 1989, outside of Michael Jackson and Prince. (And, I guess, Whitney Houston’s early hits.) It’s a genre I never spent much time with once you get past the early ’70s. Well, until very recently, anyway. So I really don’t have the …

1974, Music

Crime of the Century (1974) by Supertramp

Before I knew what Prog Rock was, Supertramp was just a band on classic rock radio that I didn’t exactly love. Once I figured out what Prog Rock was, they became this caricature for me – my friends who hated prog hated it because they hated Supertramp but, to me, Supertramp wasn’t prog at all, …

1994, Music

Mars Audiac Quintet (1994) by Stereolab

I don’t love Stereolab’s shtick though I get why lots of people do. So my mileage with them varies in so much as I can convince myself that the album is either important (because they probably pioneered their particular fusion) or how ti compares to the other albums of theirs I’ve managed to get around …

1979, Music

Discovery (1979) by Electric Light Orchestra

I don’t know ELO much at all, though I know a lot of Jeff Lynne’s work as a producer (which I hate). I first read about the band in the first music book I ever owned, but I never got around to listening to them in part because when I first consciously encountered their singles …

1974, Music

Kimono My House (1974) by Sparks

Sparks is one of those bands with such a big cult following that you inevitably encounter someone who loves them. I have, at some point, but it wasn’t a friend, just people on the internet. Reading a lot about a band always gives one impressions, and those impressions are often wrong. So it was with …

1984, Music

A Walk Across the Rooftops (1984) by Blue Nile

Many years ago, I learned that first impressions should be ignored and overcome as much as possible when it comes to music. There have been many days in my life I’ve been happy about doing that and today is one of them. Because my first impression of this record was not a good one, and …

1979, Music

Breakfast in America (1979) by Supertramp

I grew up listening to Oldies Radio when that meant music from the 1960s and, occasionally, the late ’50s. Especially as I got older, the station I used to listen to would make exceptions for some music from the 1970s, usually MOR and singer-songwriter stuff. Supertramp was one of the bands that made that cut. …

2018, Movies

Post-Crash (2018) by Missing Waves

Jazz is at a weird place in the 21st century, like basically every other form of music. Boundaries between jazz and other genres sometimes completely disappear, as they do with this record. At times, I think for sure this is some kind of modern art pop (i.e. not jazz) but then there are tracks when …

1993, Music

The Red Shoes (1993) by Kate Bush

The first time I listened to it I just couldn’t get over the productive, which sounds so ’80s like any number of early ’90s albums, made by artists or producers who hadn’t yet seen the writing on the wall – that the era of gated drums synthesizers approximating any instrument you could think of was …

1993, Music

Fumbling Towards Ecstasy (1993) by Sarah McLachlan

This is the Sarah McLachlan I was too young for; the kids at my school weren’t into this music when it came out and I don’t think she was big enough in the States yet to make it on MTV when I got the chance to watch that at my cousins’. I say this because, …

1983, Music

Soul Mining (1983) by the The

My main complaint against synthpop is that the majority the bands decided to entirely or mostly drop conventional instruments in favour of synthesizers and drum machines. I have never been a huge fan of either instrument and so it’s an uphill battle for me when an entire album is performed with instruments I don’t like. …