Tag: Alternative Rock

1998, Music

Scraps at Midnight (1998) by Mark Lanegan

I got really annoyed with Lanegan’s Blues Funeral (which came out a while ago now) because of its title. I got annoyed because the title referenced the blues and the record didn’t much, as if I had some kind of deeper knowledge of the blues than Lanegan does. But I read a quote from him …

1998, Music

Stunt (1998) by Barenaked Ladies

You can count me among the many (millions?) of Canadians who were shocked by the success of this record in the USA when it came out. To me, Barenaked Ladies were a comedy novelty act who had some funny songs and videos, which I had mostly grown out of by the time this record came …

1998, Music

The Good Will Out (1998) by Embrace

I am listening to this record for the third time, and about to talk about it on my music anniversaries podcast, and I’m wondering why the hell I bothered. I don’t like it, nobody requested it and it isn’t really a big deal, is it?

1998, Music

Leitmotif (1998) by dredg

Apparently these guys were Nu Metal once upon a time. You can sometimes hear that in the vocals – without actually knowing anything about Linkin Park, I’d say I hear a similarity in the way this guy sings – but on the whole the idea that this was a Nu Metal band on their EPs …

1998, Music

A Thousand Leaves (1998) by Sonic Youth

The first track makes me think of their early music, even though I haven’t heard anything earlier than their earlier than their fourth album, so maybe I don’t know what I’m talking about. But anyway the opening makes it sound like they’ve gone more experimental. (Actually a few tracks do.)

1988, Music

Our Beloved Revolutionary Sweetheart (1988) by Camper Van Beethoven

Perhaps for the first time they acknowledge their debt to Kaleidoscope by covering a song Kaleidoscope covered (“O Death”). If I didn’t think these guys were the ’80s College Rock Kaleidoscope before, I do now.

1993, Music

Songs of Faith and Devotion (1993) by Depeche Mode

At this point I have heard enough synthpop (and enough Depeche Mode) to understand how this record breaks from that tradition (much like the previous record, Violator, also does), and so I feel like I might actually have something decent to say about it, unlike when I first listened to Violator.

1988, Music

Life’s Too Good (1988) by The Sugarcubes

For Bjork fans coming to this after listing to her solo career, this album feels like a bit of glimpse into Bjork in utero: her voice is already fully formed and distinct but much of the other stuff that make Bjork Bjork seems missing or replaced by a rock band which sometimes has a male …

1993, Music

Where You Been (1993) by Dinosaur Jr

There’s a part of me that listens to this and thinks “it’s another Dinosaur Jr. record, you shouldn’t rate it this high!” I have this obsession with artists who evolve. When artists don’t evolve (enough) I used to dock them points (as if they cared). The older I get, the less I care about this, …

1987, Music

The Lion and the Cobra (1987) by Sinead O’Connor

I get why this record was such a big deal when it came out: in 1987 it seemed rare that someone with such a distinctive voice comes along, who writes her own songs, and who seems like her artistic personality is already fully formed.But I think that, in retrospect, that view says more about 1987 …

1997, Music

So Much for the Afterglow (1997) by Everclear

I don’t know this band save for “Wonderful” so I cannot tell you whether the Beach Boys-esque opening to the title track is a giant left turn or not. If it is, that’s brave of them. But, for those of us who do not know this band, it’s the wrong note to start the album. …

1987, Music

Strangeways, Here We Come

To say I dislike The Smiths would be an understatement. I don’t hate them so much as I hate the aura around them and this idea that they somehow saved British music from itself (and synthesizers! don’t forget the synthesizers), almost like a younger, hipper Bruce Springsteen (because Springsteen saved rock music from disco, don’t …

1987, Music

Earth Sun Moon (1987) by Love and Rockets

I love Bauhaus and, initially, I think I found it hard to get into these guys simply because they are not Bauhaus, which is unfair. It’s unfair because these guys are very much their own band, particularly with the wind instruments. (By the way, that flute solo is hilariously Ian Anderson, who I would have …

1982, Music

Forever Now (1982) by The Psychedelic Furs

This is my first Furs record so I cannot comment on whether or not it’s some kind of sell out (doesn’t sound like it!) or some kind of compromise of their earlier sound, which I have never heard. I can comment on the music and try to comment on the context, as I am an …

1992, Music

Your Arsenal (1992) by Morrissey

I hate Morrissey, both personally, as I find him an objectionable human being and cannot understand why anyone would find him charming, and musically, as I find The Smiths really underwhelming and Morrissey’s solo music (that I’ve heard) to be hilariously middlebrow for someone so full of attitude. Morrissey talks a lot about a certain …

1992, Music

Dirty (1992) by Sonic Youth

This album has a reputation for being some kind of sort of pseudo sell out thing, which is something that only the ’90s alternative scene could have ever ascribed to an album this uncommercial. But Butch Vig is here, and there are recognizable songs, so it must be a sell out!

1997, 2017

OK Computer OKNOTOK 1997 – 2017 by Radiohead

I don’t normally review reissue editions of albums, whether or not I like them. And I wouldn’t review this either only I am going to record a podcast episode about OK Computer shortly and I was advised to listen to the rarities disk. So here goes…