Tag: Alternative Rock

1987, Music

The Lion and the Cobra (1987) by Sinead O’Connor

I get why this record was such a big deal when it came out: in 1987 it seemed rare that someone with such a distinctive voice comes along, who writes her own songs, and who seems like her artistic personality is already fully formed.But I think that, in retrospect, that view says more about 1987 …

1997, Music

So Much for the Afterglow (1997) by Everclear

I don’t know this band save for “Wonderful” so I cannot tell you whether the Beach Boys-esque opening to the title track is a giant left turn or not. If it is, that’s brave of them. But, for those of us who do not know this band, it’s the wrong note to start the album. …

1987, Music

Strangeways, Here We Come

To say I dislike The Smiths would be an understatement. I don’t hate them so much as I hate the aura around them and this idea that they somehow saved British music from itself (and synthesizers! don’t forget the synthesizers), almost like a younger, hipper Bruce Springsteen (because Springsteen saved rock music from disco, don’t …

1987, Music

Earth Sun Moon (1987) by Love and Rockets

I love Bauhaus and, initially, I think I found it hard to get into these guys simply because they are not Bauhaus, which is unfair. It’s unfair because these guys are very much their own band, particularly with the wind instruments. (By the way, that flute solo is hilariously Ian Anderson, who I would have …

1982, Music

Forever Now (1982) by The Psychedelic Furs

This is my first Furs record so I cannot comment on whether or not it’s some kind of sell out (doesn’t sound like it!) or some kind of compromise of their earlier sound, which I have never heard. I can comment on the music and try to comment on the context, as I am an …

1992, Music

Your Arsenal (1992) by Morrissey

I hate Morrissey, both personally, as I find him an objectionable human being and cannot understand why anyone would find him charming, and musically, as I find The Smiths really underwhelming and Morrissey’s solo music (that I’ve heard) to be hilariously middlebrow for someone so full of attitude. Morrissey talks a lot about a certain …

1992, Music

Dirty (1992) by Sonic Youth

This album has a reputation for being some kind of sort of pseudo sell out thing, which is something that only the ’90s alternative scene could have ever ascribed to an album this uncommercial. But Butch Vig is here, and there are recognizable songs, so it must be a sell out!

1997, 2017

OK Computer OKNOTOK 1997 – 2017 by Radiohead

I don’t normally review reissue editions of albums, whether or not I like them. And I wouldn’t review this either only I am going to record a podcast episode about OK Computer shortly and I was advised to listen to the rarities disk. So here goes…

1997, Music

The Colour and The Shape (1997) by Foo Fighters

I didn’t love their debut but grudgingly gave it an okay review because I figured it was better than most post grunge. Well this one is significantly better than most post grunge, in part because Grohl has assembled a real band to play his songs, and the band is better than Grohl by himself.

1987, Music

Kiss Me Kiss Me Kiss Me (1987) by The Cure

This is a record with a couple of The Cure’s best singles and a few other decent songs and way too much other stuff. It’s crazy that Smith claims to have written another record worth of songs for this album. Isn’t it long enough already?

1997, Music

Glee (1997) by Bran Van 3000

I love genre-bending. A number of my most favourite bands are bands that can play a wide variety of genres well, and make these genres sound like their own (or, alternatively, convince you they are an entirely different band). So I should like this. I should like this even though it is based in music …

1992, Music

Honey’s Dead (1992) by The Jesus and Mary Chain

I should never read anything before I listen to a record, especially a record by a band I don’t love. I heard why they called it Honey’s Dead and suddenly my head was filled of dreams of reinvention. But no, it’s still very obviously The Jesus and Mary Chain. Only this time they’ve gone Madchester …

1992, Music

Going Blank Again (1992) by Ride

I thought I was getting shoegaze, and I do.. But there’s a lot of other stuff going on here that isn’t strict shoegaze. One of the things that I don’t love about some shoegaze is the relentless commitment to one particular style. But there’s enough variety here that I’m kept interested. Also, the songs are …

1992, Music

Generation Terrorists (1992) by Manic Street Preachers

What do we do with a record like this? It’s called Generation Terrorists but sounds like it was produced by Mutt Lange or Bob Rock or someone like that. (Well, the production is maybe not that bad.) We have the bizarre amalgam of 80s hard rock (or “cock rock” as some call it) with extremely …

1986, Music

We Became Snakes (1986) by Saccharine Trust

A lot has been made of the latent jazz influences on hardcore and post hardcore bands – Black Falg is supposed to have listened to Free Jazz for example. But never was I expecting a hardcore band to make music you might actually confuse with jazz. There are times on this bizarre, crazy record that …

1991, Music

Trompe Le Monde (1991) by Pixies

With hindsight this feels like a step between the earlier Pixies records and Frank Black’s solo career, which would make sense. To me, though, it suffers in that sense, lacking the strongest songs of either earlier Pixies records or Black’s early solo albums, but produced almost if it was one of his solo records. That’s …

1991, Music

Raise (1991) by Swervedriver

This is a strong shoegaze set with roots a little more on the rock side of things (there’s a CCR riff in the opening track…) than what I’m used to, and I must say that endears this to me more than the more famous shoegaze bands I’ve heard previously. There’s still the sort of laconic …

1991, Music

Pretty on the Inside (1991) by Hole

This is a noisy, abrasive set of songs which manages to be significantly more noisy than most of the other grunge bands of the era, at least on record.. That feels like even more of an accomplishment given the expectations around a female-fronted band at the time. I can’t say that I love the songs …

1991, Music

Sebadoh III (1991)

Without having heard the two previous albums, and not being familiar enough with the evolution of home recordings in the ’80s, I still feel confident in saying that I think this album is a pretty big deal; it’s influence on 90s indie rock, indie folk and the lo-fi movement in general is rather immense. Along …

1991, Music

Every Good Boy Deserves Fudge (1991) by Mudhoney

This is a strong, particularly grungy grunge record, with a bit more of a roots feel than some of the other grunge records from the period. I really like the aesthetic – especially because it is a little more musically diverse than I was expecting – but I find the songs not quite up to …

1996, Music

Trouble at the Henhouse (1996) by The Tragically Hip

I’m pretty sure this was the Hip’s biggest album. It has a couple of their bigger hits on it – including “Ahead by a Century” which, if not their biggest hit, never seemed to leave Canadian radio in 1996. But I get a strong sense of deja vu from this record, particularly from “Gift Shop” …

1996, Music

Everything Must Go (1996) by Manic Street Preachers

This is my first experience of The Manics, beyond one single (“If You Tolerate This than Your Children Will Be Next,” which I have a compilation). As I’ve noted more times than I can count, the problem with hype is that is elevates your expectations to heights where they will never be satisfied. This is …

1991, Music

Sailing the Seas of Cheese (1991) by Primus

Les Claypool is probably the closest rock music has ever come to a “Jimi Hendrix of the bass,” but he will forever be underknown because of his desire to play in his own band and follow his own whims. And those whims are…weird. As others have noted, this is Funk Metal meets Frank Zappa (and …

1988, Music

Nothing’s Shocking (1988) by Jane’s Addiction

Unlike the follow up, I really like this one. The production’s better, even if the song’s aren’t. (Everything’s a little more raw and unhinged.) Whether you think of this as hard rock or some kind of metal, there was nothing really like this being made in the late ’80s; funkier and way weirder than the …

1996, Music

Bob Mould aka Hubcap (1996)

This is a reasonably strong set of songs by Mould, occasionally supported by the kind of attitude towards noise that Husker Du used so well at their peak. But the the diversity that made Husker Du great isn’t really present, nor is the contrast between their two songwriters. It’s like listening to half the band, …